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Entries in Nine (4)

Thursday
Oct112018

Happy Birthday, Jane Krakowski! 

By Spencer Coile 

You’d be hard-pressed to deny the impact Jane Krakowski has made on stage and television. In recent years, no actress has been as deceptively successful as Krakowksi. Many still lament the fact that she never won her rightful Emmy for 30 Rock – and let’s face it, she was robbed. The countless memes and gifs her performance as Jenna Maroney has inspired in the past five years has been nothing short of astonishing.

That said, she has been working steadily for the past 30 years, and what a triple threat she has become. Garnering two Daytime Emmy nominations, a Golden Globe nomination, five Emmy nominations, two Tony nominations, one Tony win, and an Olivier Award in the span of her massive career, it’s safe to say that Krakowski’s talents know no limit. 

Today she turns 50, so let’s celebrate all the fabulous work she has done since she began performing professionally in 1981. What are some of your favorite Jane Krakowski performances, moments, musical numbers? My go-to is always her rendition of “Call From the Vatican” from her Tony winning role in Nine. 

Wednesday
Jun062018

Showbiz History: Dreamgirls vs Nine, Damien The Omen, and More.

Today is my birthday! Wish me well. Or better yet, donate to the site (see right hand sidebar) to keep it healthy. That's my only birthday request since I have a roof over my head and food in the fridge and friends to  have weekend activities with and really that's the important stuff in the grand scheme of things so I'm hashtag blessed... without the icky religious connotations! My only church is the cinema.

Anyway,  here's what was happening in showbiz history on June 6th throughout the years!

1933 The first ever drive-in movie theater (location: Camden, New Jersey) opened starting a popular but now essentially lost tradition. 

1944 D-Day a World War II and inspiration for many filmmakers since.

1950 Director Chantal Akerman born in Belgium

1954 Multiple Tony winner and queer icon Harvey Fierstein is born in Brooklyn. I love that one of my heroes shares my special day. Credits include Torch Song Trilogy, La Cage Aux Folles, Hairspray, and more...

Click to read more ...

Saturday
Apr272013

Into The... Trainwreck?

For those of you who've had the pleasure of seeing Stephen Sondheim's classic Into the Woods (1986) on stage, you know that, like most of the great composer's once-prolific oeuvre, it is very particularly a Work of Theater. Some artists' skill sets transfer easily between stage, screen, television and literature and so on but others do not. Certain geniuses are so tied to a particular medium they become it; Stephen Sondheim IS Musical Theater. 

But musical theater is different from musical cinema. Naturally compromises will have to be made. The person doing the new compromising is Rob Marshall who Hollywood is still giving the musicals to, presumably because of the huge success of Chicago (2002) and not the floppery of Nine (2009). So yes, compromises must be made...  but they do not have to be made in casting. Many star actors -- if you're forced to cast that way -- have great singing voices. Les Misérables may have botched its casting of Javert (Ugh. Russell Crowe) but elsewhere Tom Hooper seemed to understand that beautiful melodic musical-friendly trained voices were required and could be found in big stars (Hathaway, Hackman, Seyfried) and rising ones (Tveit & Redmayne) and he cast accordingly... except for that bit about letting Helena Bonham-Carter "sing" again post-Sweeney Todd.

Unfortunately Hollywood loves to repeat its mistakes and somehow Sweeney Todd did NOT result in Johnny Depp and Helena Bonham-Carter being lifetime banned from future musicals ...

Click to read more ...

Thursday
Jan122012

Cast This! Rob Marshall and "Into the Woods"

As frightening... as bewildering... as wrong as it is to say after a decade of breakthroughs (Moulin Rouge!), critical triumphs (Dancer in the Dark, Hedwig and the Angry Inch) and box office hits (Chicago, Dreamgirls, Hairspray) and problematic but Oscar nominated efforts (Nine, Sweeney Todd, Phantom of the Opera) ... the movie musical is still in trouble. It probably will be until another Vincente Minnelli or Bob Fosse arrives on the scene, someone who understands and breathes and trusts the very cinematic language of the musical. Until then we'll get bored directors detouring or novices who think it might be "fun" to try one... or Rob Marshall.

Will no young director challenge Rob Marshall as King of the Musicals?

Stage turned film director Rob Marshall was initially seen as something of a savior of the form when Chicago (2002) became a smash hit and Best Picture winner. It had been 34 years since a movie musical had had that honor. But his musical follow up Nine (2009) proved a massive flop and a target of critical derision. Though I thought it was better than it got credit for being (how could it not be given the vitriol?) in tandem with Chicago it revealed too little range and an inherent distrust of the form he had been handed, without competition, to rule; the music in both films emerged on sound stages as hallucinations or performative fantasy. His two subsequent non-musicals (Memoirs of a Geisha and Pirates of the Caribbean: On Stranger Tides) were much worse, with listless dramatics and overstuffed weightless business for plot. Nevertheless, Hollywood logic prevails. Disney, looking at the colossal gross of On Stranger Tides, has obviously forgiven Marshall for Nine's red ink and rewarded him with the reigns of the film version of a bonafide masterpiece, Stephen Sondheim's twisted fairy tale classic Into the Woods. Never mind that I could have directed On Stranger Tides (it would have been all about the mermaids and they would have drowned Captain Jack in the first half hour) and it would still have been a top grosser. In Hollywood you get credit for blockbuster grosses even if you are obviously replaceable since anyone helming a long running franchise will produce a similar size hit. Audiences are lemmings when it comes to those big franchises. 

So though I weep that Into the Woods isn't getting a world class auteur, and I shudder most of all to think of those glorious songs sung by people who can't handle the intricacies of the music -- Marshall casts for stardom first even if they can't sing and Sondheim obviously writes only for great singers who can act -- we should try and stay positive. Let's play...

Bernadette Peters leads the cast of the original INTO THE WOODS (1987)

CAST THIS!

Click to read more ...