The beauty of Dion Beebe’s cinema

by Cláudio Alves

Despite some dubious victors, the 78th Academy Awards honoring the films of 2005 had many great lineups filled with splendorous movies. Later this month, Nathaniel and his guest panelists will take a look at the Best Supporting Actress category. Before that, however, I invite you to bask in the beauty of that year's Cinematography nominees. Specifically, we'll be taking a look at each of the five nominated cinematographers, their filmographies, and characteristic style. First up, we have that year's winner, Dion Beebe (Memoirs of a Geisha). The Australian filmmaker is a master of color, always up to play with wild palettes and shadow games which make bright pigments look even bolder. His best achievements tend to avoid naturalism in search of something more unreal, be it the metallic sharpness of a Californian thriller or the spectacle of Cinecittá.

Here are ten highlights from his filmography…

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Almost There (x 2): Marion Cotillard in "Nine" & "Public Enemies"

by Cláudio Alves

It's become somewhat uncommon for Oscar champions in the acting categories to be a "one and done" type of deal. A good amount of the winners from the past 25 years have either received nominations after their victory or already had them before their golden coronation. All this to say that, after Marion Cotillard won the Best Actress Academy Award for her work in La Vie en Rose, it felt like it was just a matter of time before she'd be in another Oscar lineup. That follow-up nod would come until 2014 for Two Days, One Night but, before that, there were a couple of failed Oscar bids to account for.

Previously in this series, we talked about her 2012 Best Actress snub for Rust & Bone. Now, let's look further back, to the Best Supporting Actress race of 2009...

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Happy Birthday, Jane Krakowski!

By Spencer Coile 

You’d be hard-pressed to deny the impact Jane Krakowski has made on stage and television. In recent years, no actress has been as deceptively successful as Krakowksi. Many still lament the fact that she never won her rightful Emmy for 30 Rock – and let’s face it, she was robbed. The countless memes and gifs her performance as Jenna Maroney has inspired in the past five years has been nothing short of astonishing.

That said, she has been working steadily for the past 30 years, and what a triple threat she has become. Garnering two Daytime Emmy nominations, a Golden Globe nomination, five Emmy nominations, two Tony nominations, one Tony win, and an Olivier Award in the span of her massive career, it’s safe to say that Krakowski’s talents know no limit. 

Today she turns 50, so let’s celebrate all the fabulous work she has done since she began performing professionally in 1981. What are some of your favorite Jane Krakowski performances, moments, musical numbers? My go-to is always her rendition of “Call From the Vatican” from her Tony winning role in Nine. 

Showbiz History: Dreamgirls vs Nine, Damien The Omen, and More.

Today is my birthday! Wish me well. Or better yet, donate to the site (see right hand sidebar) to keep it healthy. That's my only birthday request since I have a roof over my head and food in the fridge and friends to  have weekend activities with and really that's the important stuff in the grand scheme of things so I'm hashtag blessed... without the icky religious connotations! My only church is the cinema.

Anyway,  here's what was happening in showbiz history on June 6th throughout the years!

1933 The first ever drive-in movie theater (location: Camden, New Jersey) opened starting a popular but now essentially lost tradition. 

1944 D-Day a World War II and inspiration for many filmmakers since.

1950 Director Chantal Akerman born in Belgium

1954 Multiple Tony winner and queer icon Harvey Fierstein is born in Brooklyn. I love that one of my heroes shares my special day. Credits include Torch Song Trilogy, La Cage Aux Folles, Hairspray, and more...

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Into The... Trainwreck?

For those of you who've had the pleasure of seeing Stephen Sondheim's classic Into the Woods (1986) on stage, you know that, like most of the great composer's once-prolific oeuvre, it is very particularly a Work of Theater. Some artists' skill sets transfer easily between stage, screen, television and literature and so on but others do not. Certain geniuses are so tied to a particular medium they become it; Stephen Sondheim IS Musical Theater. 

But musical theater is different from musical cinema. Naturally compromises will have to be made. The person doing the new compromising is Rob Marshall who Hollywood is still giving the musicals to, presumably because of the huge success of Chicago (2002) and not the floppery of Nine (2009). So yes, compromises must be made...  but they do not have to be made in casting. Many star actors -- if you're forced to cast that way -- have great singing voices. Les Misérables may have botched its casting of Javert (Ugh. Russell Crowe) but elsewhere Tom Hooper seemed to understand that beautiful melodic musical-friendly trained voices were required and could be found in big stars (Hathaway, Hackman, Seyfried) and rising ones (Tveit & Redmayne) and he cast accordingly... except for that bit about letting Helena Bonham-Carter "sing" again post-Sweeney Todd.

Unfortunately Hollywood loves to repeat its mistakes and somehow Sweeney Todd did NOT result in Johnny Depp and Helena Bonham-Carter being lifetime banned from future musicals ...

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