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Entries in Jason Isaacs (9)

Thursday
Jul142022

Review: Lesley Manville in "Mrs. Harris Goes to Paris"

Who wouldn't want to travel with Lesley Manville to Paris this summer?By: Christopher James

Make Lesley Manville the star of every movie. I’m serious, Hollywood. Do it. As the titular character in Mrs. Harris Goes to Paris, the Oscar nominated character actress brings heart, humor and gumption to her Cinderella-esque heroine. Even from the trailer alone, you can understand the type of frothy entertainment that awaits. The movie attempts to go a bit deeper at times, but it more or less lives up to what the trailer advertised. This is a light, fun time at the ovies with beautiful gowns and great performances. What takes it from a watch-on-a-plane movie to a must-see matinee is a galvanizing and endearing performance by Manville.

We find our titular character, Ada Harris (Lesley Manville), in the midst of bad news...

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Wednesday
Jan262022

Interview: Fran Kranz on His Directorial Debut, ‘Mass’  

By Abe Friedtanzer

In the middle of this second virtual Sundance, I was fortunate to be able to revisit one of the highlights of the first virtual edition which is now eligible for awards consideration: Mass. It’s been troubling to see that, despite initial early buzz for the film and for its cast, particularly Ann Dowd, it’s missed out at a number of important precursors, including that SAG Cast nomination that should have been... 

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Tuesday
Aug312021

Meet the Parents

by Jason Adams

I'm can't really do a TFE-patented "Yes No Maybe So" for the just-dropped trailer for Mass -- writer-director Fran Kranz's Sundance smash that gives four great roles to the character actors Ann Dowd, Reed Birney, Jason Isaacs, and Martha f'ing Plimpton, playing the parents of two children involved in a school shooting -- because the trailer is mostly critical hosannas from Sundance, with maybe ten seconds of actual and intense footage from the intense film slammed down at the end, a bit like a punch in the gut. What am I gonna say, "Yes to that Variety quote but I'm iffy on the one from the Post?"

Anyway I already saw the movie at Sundance and it should be a yes for all of you, just trust me. All four actors have made it clear they're aiming for Supporting nominations Oscars-wise, and I wouldn't be surprised to see all of them make it. I'm rooting for all of them! The film hits NYC & LA on October 8th and rolls on out after that. Here's that trailer...

Monday
Feb012021

Sundance: Discussing Grief in “Mass”

By Abe Friedtanzer

 It’s always interesting to see actors step behind the camera to direct, both for the subject matters they choose and the times they decide not to cast themselves in their projects. I was particularly moved by William H. Macy’s debut in that role with Rudderless, which played at Sundance in 2014 but didn’t go very far after that. It dealt with a father struggling to connect with his late son through his music after a school shooting. Now, Fran Kranz, who I always remember as Topher on Dollhouse, is exploring a similar concept as writer and director of Mass.

The film opens with church staff members setting up a room for an awkward meeting set to occur between two sets of parents...

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Friday
Mar222019

Review: Hotel Mumbai

by Jason Adams

What scares us -- the communal us -- shifts through time. The 70s gave us Vietnam allegories like The Texas Chain Saw Massacre, while in the 80s Slasher Movies were all the rage as divorce numbers went up and women asserted their rights. Then there was so-called Torture Porn, which was all the rage while Bush & Cheney were throwing their waterboarding parties. So what now? It's hard not to see Grief as the theme of our current moment -- the great horror films of our age, films like The Babadook and Hereditary, are profound ruminations on a world that's already slipped through our fingers -- a madness so close its breath is hot on your throat, and a knowledge that its our own failures, our own shortcomings, that brought this all down upon us.

Hotel Mumbai is technically not a horror movie (look to Jordan Peele's Us, which Chris just reviewed, for this weekend's official entry in that genre) but it sure operates like one...

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