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Entries in Sam Rockwell (29)

Saturday
Sep052026

Venice: "Wild Horse Nine" is an Instant Oscar Contender

Elisa Giudici reporting from Venice

WILD HORSE NINE © Searchlight

Two days into Venice, and the new Martin McDonagh movie already seems close to ending the competition for the Golden Lion. There are more than a few dark horses and wild cards waiting over the next ten days of the festival, but the enthusiastic applause at the end of the press screening and John Malkovich's immediate entrance into the Oscar conversation as a leading actor should give everyone a clear idea of just how strong and convincing the film is. Believe the hype: this is a very solid movie about male friendship (no surprise here) that really does not shy away from the political.

McDonagh will not be the last filmmaker arriving here at the Lido with a movie that is quintessentially his creature, "just" another version of his usual work. Nevetheless this one is written and directed with such control and cocksureness, that the result is impressive in its formal perfection...

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Tuesday
Apr082025

Who deserves Emmy nominations from White Lotus (S3)?

by Nathaniel R

The third season of White Lotus is currently all the rage online as everyone sounds off on the finale. Before I share a few thoughts on the third season (after the jump) let's talk Emmy possibilities. The first season competed as a Limited Series at the Emmys and scored 8 acting nods (two wins) and the second season upped the ante for 9 acting nods (one win). This is way too many acting nominations for ANY series no matter how well acted, but that's how the Emmys roll with their current rules that preference highly-watched shows. So who do you think is most deserving of an Emmy nod this season. Choose your top 7 here and let's see how it plays out.

The photo up top is how I'd rank worthiness for nominations - but don't let me influence you. I've included the other dozen, also in preference order, just for kicks after the jump...

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Thursday
Feb012024

Review: ‘Argylle’ is a Lot

By Abe Friedtanzer

I find that going into movies knowing as little as possible is always an advantage, though it can be difficult when something has a big budget and has been relentlessly advertised. Fortunately and perhaps miraculously, all I knew of Argylle before sitting down to watch was the tagline from the billboards I’ve seen plastered all over Los Angeles:

“The greater the spy, the bigger the lie.”

With those expectations, I imagined excess and entertainment, which this film sort of delivers…

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Friday
Dec302022

Awards Season Catchup: The Bad Guys

By Abe Friedtanzer

One of this year’s most successful contenders for Best Animated Feature was released way back in April. It hasn't been as present on the awards circuit as its success and generally positive reviews would suggest. Whatever prizes it ultimately wins would only add to the fact that this family-friendly caper comedy, based on Aaron Blabey’s book series, is highly enjoyable and very much worth seeking out.

Wolf introduces audiences to his team of notorious thieves, who commit major heists and other crimes as regularly as possible. They do it partly for the big takes, but also for the specific joy from getting away with it...

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Saturday
Dec212019

Great Acting or Great Makeup?

by Cláudio Alves

As soon as the first Bombshell teaser dropped, many were ready to claim Charlize Theron's performance as a great feat of transformative acting. She had become Megyn Kelly, apparently. That people were saying this after having only seen a couple of pointed glances and a tense smile left me perplexed. Were people reacting to the acting or the makeup? Still thinking about Theron, one remembers how she sailed to an Oscar in 2003 but Monster didn't get a much deserving Best Makeup nomination. Sure, that performance is incredible, but part of the transformation is the cosmetic wizardry of the makeup brush rather than the virtuosity of the actress.

When it comes to "transformative performances", a lot of people conflate great acting with great makeup...

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