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The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Adapting "Guardians" -a screenwriting interview

I especially like that part about how boundaries can be a good thing. Knowing where the plot points have to hit always stops me from wandering aimlessly in my writing. Some may see those thing as cookie cutter but I've always found them inspiring.❞ -Daniel

 

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Entries in Gary Oldman (12)

Monday
Jun232014

anything can happen in the woods... ♪ can i link you? 

LA Curbed Character actress extraordinaire Agnes Moorehead's was apparently a wealthy gal. Her former home is going for $19 million. Whoa!
Empire new stills from The Imitation Game which I'm hearing very positive buzz on
HuffPo remembers Batman (1989) with pictures from the original premiere. Such a blast from the past. Remember when Robert Downey Jr and Sarah Jessica Parker were a couple!? Glenn Close looks so young. Anybody know the unnamed woman with Tim Burton?
In Contention Kris Tapley also paid tribute to the film which he says he owes... a lot

Movie Mezzanine Lars von Trier was making movies about "rape culture" before it had a name. Discussion of Dogville & Breaking the Waves
/Film Steven Soderbergh's The Girlfriend Experience (2009) is becoming a TV series. Lodge Kerrigan who made the disturbing indie Clean, Shaven (1993) and the actress Amy Seimetz are writing and directing.
VF Hollywood Katey Rich on Gary Oldman's angry comments defending Mel Gibson and Alec Baldwin's language
Vulture Hollywood's leading men arranged by height with Kevin Hart and Daniel Radcliffe as the tiniest though weirdly they skip the very tallest ones like Hugh Jackman (6'2") and Chris Hemsworth (nearly 6'3") 
Buzzfeed Daniel Radcliffe sorts celebrities into Hogwarts houses. Streep for Gryffindor ("because she's awesome"), Jon Hamm for Hufflepuff, Benedict Cumberbatch for Ravenclaw, etcetera  
In Contention composer Alexandre Desplat to head the Venice Film Festival jury
Sir Ian McKellen he's now "Doctor" Sir Ian McKellen 

Corrections or Damage Control?
Stephen Sondheim has issued a clarifying statement about Into the Woods after all the negative reaction to the changes he said Disney made. Time has passed since he made the comment...

...I had not yet seen a full rough cut of the movie. Coincidentally, I saw it immediately after leaving the meeting and, having now seen it a couple of times, I can happily report that it is not only a faithful adaptation of the show, it is a first-rate movie.

And for those who care, as the teachers did, the Prince's dalliance is still in the movie, and so is "Any Moment."

I'm not sure I trust Sondheim to judge a movie. He also approved damaging changes to the film version of Sweeney Todd and just because you're a genius in one medium, doesn't mean you know what's best or even good in another.

Two Tweets
Yeah, yeah, I'm quoting myself but for those of you who aren't on twitter I'd thought you'd enjoy/relate...

 

 

 

And my favorite Tweet of the day because it's good lolz

 

 

Monday
Jan062014

Oscar's One Hit Wonders or When Bad Nominations Happen to Good Actors

[Here's abstew to talk about a semi-annual Oscar tradition. Even if you disagree with the picks you surely recognize the curious problem. Will any of 2013's future nominees qualify for this list? -Editor]

When it comes to acting nominations, let's face it, not everyone can be Meryl Streep (17 nominations and counting). And with only 20 acting nominations to hand out each year, there's always going to be people left out. So many factors affect nominations: how well the actor is liked in the industry, whether they've been nominated (or won) before, how visible they've been promoting the movie, whether or not it's their "time". Sometimes the actual performance doesn't weigh in as heavily as it should.

Which is why the Academy gives something I like to call the "Oh, sorry we didn't nominate you for that great movie you were in a couple years ago, but let's call it even by nominating you for this instead" nomination. For many actors their body of work greatly out-weighs the single nomination. (For purposes of this list, I'm focusing only on actors who've received their nomination in the past 25 years or so but this has been happening since the beginning of (Oscar's) time.)

With so many greats yet to receive a nomination, perhaps we should be grateful that the following actors can precede their name with "Academy Award Nominee", but knowing how much better they are than this single nomination implies... 

Single Nomination: Best Actress, Catherine Deneuve Indochine (1992)

Click to read more ...

Sunday
Sep022012

Review: "Lawless"

The article originally appeared in my column at Towleroad

A terrible performance... or a great one? You decide.

Special Deputy Charlie Rakes (Guy Pearce) doesn't believe the tall tales about the outlaw Bondurant Boys especially the ones about Forrest (Tom Hardy). Local Virginia legend has it that Forrest can't be killed, that he's immortal.  "Have you ever seen what a tommy gun does to 'immortal'?" Rakes sneers in a (successful) effort to terrorize the town's Forrest-fearing men into submission. Rakes then beats the youngest Bondurant brother Jack (Shia Labeouf) into a blubbering pulp. But, as it turns out, the Bondurant brothers are resilient enough to inspire tall tales. Forrest and his brothers make their living as moonshiners in this Depression-era Western and with Prohibition empowering organized crime, everyone is looking to be the top boss. The brothers value their autonomy but the guns are out and if an actual crime lord (Gary Oldman's "Floyd Banner") don't get them, then the even more crooked law enforcement (Pearce's Deputy) just might.

Such is the bloody conflict of John Hillcoat's Lawless, based on the historical novel "The Wettest County in the World" which was written by a grandson of the Bondurants (all childless during the movie) suggesting straightaway that at least one of them is going to make it out of the movie alive. Not that the film is shy about spoilers given its heavy handed foreshadowing and the past-tense narration. (You gotta Live to Tell).

MORE AFTER THE JUMP...

Click to read more ...

Friday
Feb032012

Oscar Symposium Day 3: Farewells and Futures

On Day 1 of the symposium we partied with the Best Picture field and considered Star Vehicles. On Day 2 we discussed movies that are hopelessly in love with themselves (to good and bad effect), the forever contentious Lead vs Support debate, the invisible arts of editing and screenwriting. We pick up there. Nathaniel was admitting he wasn't entirely comfortable falling for Margaret.... 

Nader & Simin: A SeparationNATHANIEL:  I've scraped my knees up on cold hard pavement. I too was caught up in #TeamMargaret excitement. I love it when critics remember that part of their job is to advocate for buried treasure rather than merely rubber stamping the critical darlings over and over again (Did Michelle Williams really need to hog the majority of critics awards for My Week With Marilyn, which is straight down the middle awards bait? They didn't see anything off the golden path that was worthy of praise?). But when I finally saw Margaret, I left somewhat dejected. There's a lot to love. But there is also just an awful lot. It plays, to me, like a series of brilliant pieces that haven't quite been shaped to fit the genius-level mosaic they're intended for. Or maybe I was just thrown by the length and those phone calls to daddy. Lonergan is a brilliant writer but a brilliant actor not so much.

And maybe I was still just high on A Separation (my choice for Best of the Year) which illuminates a bit of the same ground in terms of personal actions creating ripples that we can't possibly grasp the full reach of. And they both show us how flawed people (i.e. all of us) can get tangled up in very difficult moral, social, religious, political and ethical webs they probably helped spin.

KURT: I'm glad you brought up that comparison between A Separation and Margaret, because it's definitely something I was thinking about while watching the latter (in between all the reveling in how Lisa initiates an allegorical, post-9/11 war that's ultimately futile and only reaps money for people who don't deserve it). Though vastly different in structure (one drum-tight, one manic and sprawling), these two scripts hold a lot of similarities, and are, in my opinion, at the tip-top of the year's best.

I'm also glad that Mark brought up Margin Call and Tinker Tailor in the same thought bubble because I found myself linking those two in my head a lot as well. Both films are essentially corporate dramas with power players coping with crisis, and both teem with a kind of impenetrable language you really have to crack. I hail from the team that doesn't really buy all the "Speak to Me Like a Golden Retriever" crap, because A) I don't believe those folks would actually expositionally coddle each other, or need coddling, in that way, and B), as mentioned, the movie keeps promising through dialogue that it's clearing things up, when it's really just thickening its fog of jargon. I do believe Chandor took a highly commendable crack at presenting this world, and I don't know if I've seen anyone do it better in terms of writing (Oliver Stone certainly didn't), but there's a lot of pretense about those scenes that irks me. (I prefer his small details, like the gross arrogance the company shows by firing Tucci's head risk manager, and little shots like the one of Demi and Simon Baker in the elevator with the cleaning lady.)

...and we've reentered MI6 where we began!

As for Tinker Tailor, there isn't a lick of coddling, just a glimpse into a radically rarefied world, filled with so much code talk, names and lingo it's like Tolkien does MI6.

Symposium Wraps with Bridesmaids, eye candy and film futures after the jump.

Click to read more ...

Tuesday
Jan242012

Podcast: Instant Reactions. Oscar Nom' Morning

Oscar Nomination Morning has always been like Christmas day to me. I sleep restlessly. I wake early. I tear open my presents. When I first met Nick Davis ten years ago, we knew we were kindred spirits since it's also like that for him. In some ways it can be even more exciting than Oscar Night. More to celebrate / complain about. We lean celebratory as best we can here. Congratulations to you and you and you and you... and okay, you too.

You can download the podcast on iTunes or listen right here at the bottom of the post. If you haven't yet seen the nominations, we have a full chart.

podcast topics include but are not limited to... 

  • Oscar as Christmas. Troubled sleep.
  • "Man or Muppet?", Bret McKenzie and Original Song
  • Blockbusters and how they performed in their categories.
  • Extremely Loud and Incredibly Close and War Horse overperformed while The Help underperformed
  • Echo chambers and their limitations ... especially in the various craft categories. 

 

  • Tilda Swinton's Oscar trajectories
  • NINE BEST PICTURES? Spreading the wealth.
  • Iron Lady's makeup and Harry Potter's nominations.
  • Brad Pitt happiness.
  • Congratulations to all the nominees... except you.
  • Actually we breeze through everything! 

Here's our instant reaction to the nominations!
I did no editing on this one so when you hear only silence that is Nick and I both furiously reading names on a screen rather than paying homage to The Artist.

Other New Oscar Posts
Here's an FYC for next year ;)  | Virgin Oscar Nominees | What would you say if you got an Oscar nom? |  Prediction Stats

Instant Reactions