How Had I Never Seen..."Bram Stoker's Dracula"

By Michael Cusumano

“You haven’t seen Bram Stoker’s Dracula?” my girlfriend gasped, stopping her laundry folding dead.

This caught my attention as it upset the established dynamic of our relationship. I am the one who interrupts every conversation with some version of “What? You’re telling me you’ve never seen [insert name of film no one has ever watched outside a film studies program]?!"

She then reflected on how gorgeous Coppola’s vampire opus is and chastised herself for not owning it. This again was a reversal of the natural order. I wake up with night sweats at the thought that there is a great movie somewhere I don’t own. She owns approximately seven DVD’s she acquired by accident in the early 00’s which she stores in a dusty case next to "Jagged Little Pill" and her old Microsoft startup discs.

I immediately turned off what I was watching and popped on the Coppola film...

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New Oscar Predictions: Best Actor

by Nathaniel R

Curiously all the action, or "buzz", to date is in the Best Actress and Best Supporting Actor races. The other two acting competitions are seriously wanting... at least from this vantage point. We haven't seen a Best Actor race this empty of potential players since circa 2003. Sir Anthony Hopkins (The Father) may well be destined to become the oldest actor ever to win in the male leading category (he's 82, and the current record holder Henry Fonda was 76). Gary Oldman's upcoming take on Mank and Delroy Lindo's much acclaimed turn in Da 5 Bloods are probably can't-miss nominees given the lack of competition unless something goes very wrong for them. But the 4th and 5th slots just might be a free-for-all. 

Much of that is due of course to the sparse field of films planning on opening before the eligibility deadline in February of 2021. Given this (currently) wide open race we might see someone from an ensemble picture like Trial of the Chicago 7 or One Night in Miami campaigning as lead. Who do you think might surprise us with a robust campaign and/or wild acclaim? Check out the new Best Actor chart. 

'The Woman in the Window' delayed again

by Murtada Elfadl

Remember the 2018 Oscars? Amy Adams was nominated for Vice and there was a time early in the season when we talked about the possibility of her winning because of the 6 nominations that she had amassed so far. That was of course before the Golden Globes when Regina King won for If Beale Street Could Talk on her way to the Oscar podium. Even then some said well King isn't nominated for SAG, Adams is bound to win there and start her narrative, Emily Blunt won for A Quiet Place, and at BAFTA Rachel Weisz won for The Favourite. Then we all looked at what’s next for Amy. For sure that would be her Oscar vehicle. Adams has given many great performances and is an actress who deserves to have an Oscar on her mantle.

The Woman in the Window was next... 

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Great Acting or Great Makeup?

by Cláudio Alves

As soon as the first Bombshell teaser dropped, many were ready to claim Charlize Theron's performance as a great feat of transformative acting. She had become Megyn Kelly, apparently. That people were saying this after having only seen a couple of pointed glances and a tense smile left me perplexed. Were people reacting to the acting or the makeup? Still thinking about Theron, one remembers how she sailed to an Oscar in 2003 but Monster didn't get a much deserving Best Makeup nomination. Sure, that performance is incredible, but part of the transformation is the cosmetic wizardry of the makeup brush rather than the virtuosity of the actress.

When it comes to "transformative performances", a lot of people conflate great acting with great makeup...

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Review: The Laundromat is an entertaining swing and miss.

by Tony Ruggio

Steven Soderbergh's fingerprints are unmistakable and unknowable simultaneously. He bounds from genre to genre, and studio to indie and back again with such regularity that he’s difficult to pin down. The only thing you can count on is that he’ll try new things and, unless he’s indulging in Ocean’s Eleven fun, and attempt to push the boundaries of what we know as cinema. That all sounds like embellishment and it is, because Soderbergh is nothing if not a bit pretentious. His newest film, The Laundromat, is a big swing aimed at uncovering the morbid, funny, and messed-up nature of the scheming that went on behind the Panama Papers scandal. He misses the mark by half an hour. It’s The Big Short if The Big Short was in a hurry to fill you in on the minutiae, or didn’t bother to impart to you the gravity of its subject matter.

The film is only ninety or so minutes long and for a topic as heady as financial con-artists around the world, and the all-seeing, all-ignoring facilitators who allowed for them, well, the world is not enough...

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