HOT TOPICS

NOW PLAYING

IN THEATERS & OUT ON DVD

all reviews


 

 

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Beauty vs. Beast
Comment Fun

COMMENT DU JOUR
Who's That Girl? Annie Funke!

"I found her riveting in A Most Violent Year, I'm so glad other people noticed and that she's building a nice career for herself.."- Steven 

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe
What'cha Looking For?

Entries in Foxcatcher (23)

Friday
Feb132015

Best Make-Up & Hairstyling: Freaks, Schnozz, or Old Lady?

They use to disqualify movies from this Oscar if they used too much computer enhancement (see The Hours) and always wanted their makeup effects practical (like American Werewolf in London). But nowadays computer enhancements seem to be a non-issue (see several recent winners and one of this year's nominees Guardians of the Galaxy). There are four indisputable truths about this relatively young category and this Oscar branch and they are like so:

• They love old age makeup
• They worship werewolves and love fantastically weird creatures, but hate zombies
• Hairstyling was recently added to the official category name but usually the wig heavy movies lose to films that are more prosthetically-focused
• There should be five nominees like every other category since literally every live-action film employs makeup and hair. Not every film requires visual effects or original songs or even original scores and those categories all have 5 nominees.

The Nominees:

Foxcatcher - Bill Corso & Dennis Liddiard
Grand Budapest Hotel - Frances Hannon & Mark Coulier
Guardians of the Galaxy - Elizabeth Yianni-Georgiou & David White

Corso and Coulier previously won Oscars (for Lemony Snicket and The Iron Lady respectively)  but the other four nominated artists are Oscarless. All three nominated films have a lot going for them but Foxcatcher would be a longshot since the recreation of existing people's looks via wig, hair and prosthetic enhancements generally has to settle for a nomination. But will they go with Guardians or Grand Budapest? It's tough to say. Guardians is well-loved -- I even talked to a voter who had it at #1 on his Best Picture ballot during the nomination round -- and very showy what with its rainbow of skin colors (blue, green, red you name it) and sci-fi hairdos and scarring. It wouldn't surprise me to see it win. But Grand Budapest Hotel has just about everything they love in this category: old age prosthetics, elaborate hair, memorable hideousness. And who can forget Tilda Swinton's glaucoma-plagued eyes, silver wigs, and old lady liver spots?

Will Win: Grand Budapest Hotel
Could Win: Guardians of the Galaxy
Should Win: Grand Budapest Hotel 

My ballot for this category (Hint: I'm thinking of renaming it "The Tilda Swinton Styling" Award)

Thursday
Jan152015

Interesting Stats About The 87th Oscars

DuPont has something in common with those other sociopaths Lisbeth Salander and James BondDid you know...

• The tiny grossing Foxcatcher is now tied with two blockbusters Skyfall and The Girl with the Dragon Tattoo for "most nominations without a Best Picture nomination" in the modern Best Picture expanded era. The all time record holder if you include years with only 5 Best Picture nominees is They Shoot Horses Don't They from 1969 which received 9 nominations but not Best Picture. And that one is better than all of the actual Best Picture nominees from its year.

• Grand Budapest Hotel, a very atypical nominee in so many ways (comic, uber-stylized, filled with slapstick) is also the highest grosser currently. The Oscars went very small this year after a few years of big hits peppering their Best Picture lineup

Click to read more ...

Friday
Jan022015

Linkcatcher

Forbes a curious realization. Nearly half of the 20+ sequels coming in 2015 are sequels to 2012 films from Magic Mike XXL to Pitch Perfect 2 and beyond
Erik Lundegaard great movie quotes of the year 
Film Stage unused concept art for an Alien film from Neill Blomkamp (of District 9 fame)


Deadline talks to rising DP star Bradford Young (Selma, A Most Violent Year) about lensing black films 
Variety Selma will be screened for free in its titular city
/Film Yes, Emily Blunt is aware that the internet would like her to play Captain Marvel in the upcoming Marvel film
LA Times on Robert Elswit, another fine cinematographer with two films this year (Nightcrawler, Inherent Vice)
Boy Culture Mark Wahlberg pic (the headline for pic is A+)
The Feminist Spectator is justifiably miffed that Theory of Everything and The Imitation Game can't be bothered to pay more attention to women or pass the Bechdel Test (though I actually think Theory of Everything technically does due to that unintentionally hilarious "you should go to church. bye" scene) 
YouTube Avengers: Age of Ultron commercial. I know this is par for the course now but it never fails to amaze and amuse and depress me that commercials (all trailers are commercials) now get their own commercials (premiering on January 12th!) when they themselves are sequels to commercials (third trailer!). What a world. FWIW this ant-size commercial for the upcoming Ant-Man commercial is pretty clever.

a few more 'best of' lists
Kyle Turner's top 14 from Mommy to Gone Girl
Scott Feinberg's unusual top ten, critical hits of various ilk and... Magic in the Moonlight?  
Pop Culture Crazy's "foolhardy" top ten construction from Life Itself on upward 

Happy New Year NPH

 

Dave and Mark Schulz in Olympic timesOscar Campaign Pot Holes
Pretty much every website is writing about Mark Schultz absolute freak out over Foxcatcher (that links takes you to the fullest recap I've seen with his "Die! Die! Die! deleted tweets and all) so I figure it doesn't need its own post. But it is the juiciest current movie explosion going on now that the Sony e-mail hack story has slowed down. The former Olympian didn't seem to have a problem with the film in which Channing Tatum plays him until several months after he first saw it. Interestingly his U turn happened during Oscar voting. Hmmmm. He says he is contractually obliged to support the film making this very public rage even more complicated. His about face appears to stem from a delayed realization of the film's homosexual subtext... which we only very recently discussed on our podcast and weren't all that impressed with as a choice. Schultz has since apologized for the outburst but is sticking with his claims of total inaccuracy.

Variety suggests that what's going on with Imitation Game and Selma is smear campaigns but is it really? Disputes about accuracy of biographical pictures are plentiful throughout history no matter the subject or Oscar heat. But for what it's worth people are saying that Selma's depiction of LBJ is problematic (sorry Tom Wilkinson - not what we needed disputed if we want to avoid that Robert Duvall nomination!). Now even a former Presidential aide to LBJ is chiming in on the controversy. For what it's worth, director Ava DuVernay, who used to be a publicist so knows this game, is very smart about dodging these attacks and keeping a cool head with her statements.

Disputes over Selma's screenplay credit aren't half as gripping, if only because this just happened last year with 12 Years a Slave and it seemed a lot bitchier then. Remember Steve McQueen's airclapping when the screenwriter won his Oscar?

Tuesday
Dec232014

Podcast: Wild Catcher

In this new episode of The Film Experience, Nick, Joe, and Nathaniel go wandering with Witherspoon and wrestling with Tatum to try to make sense of it all. And by 'all' we mean the directorial styles of Jean-Marc Vallée and Bennett Miller, our complicated and divided personal reactions to the films and the performances, and a light sprinkling of Oscar talk. 

Breakdown
00:01-15:32 Wild 
15:33-41:57 Foxcatcher

Recommended Supplemental Material: 
"The Making of Foxcatcher" - by Mark Harris

You can listen at the bottom of the post or download from iTunes. Continue the conversation in the comments. 

WILD & FOXCATCHER

Sunday
Nov162014

Box Office: America Loves... Dumb Things?

Amir here, reporting to box office duty. Dumb and Dumber To came out on top this weekend, beating Big Hero 6 to the number one spot. It’s curious that my anticipation for this sequel which had been building up and gradually increasing over two decades completely deflated the minute it was released, but that tends to happen when reviews, commercials and even the film’s stars seem unenthused about their work.

Meanwhile, the weekend’s other wide opening, Beyond the Lights, finished fourth. I want Gugu Mbatha-Raw to be a star so badly, so here’s hoping it sticks around in the top ten for while. And speaking of sticking around, Gone Girl remained the top 5 for the seventh week in a row, a bigger success than most had imagined and now the second biggest success of David Fincher's career (after Se7en) if you adjust for inflation.

TOP DOZEN
01 DUMB & DUMBER TO $38 NEW
02 BIG HERO 6 $36 (cum. $111.6) Tim's Review / Nathaniel's Take
03 INTERSTELLAR $29.1 NEW Michael's Review
04 BEYOND THE LIGHTS $6.5 NEW 
05 GONE GIRL $4.6 (cum. $152.6) The Podcast /  Jason's Review
06 ST. VINCENT $4 (cum. $33.2) Michael's Review
07 FURY $3.8 (cum. $75.9) Michael's Review
08 NIGHTCRAWLER $3 (cum. $25) The PodcastNathaniel's Review 
09 OUIJA $3 (cum. $48.1) 
10 BIRDMAN $2.4 (cum. $11.5) The Podcast Nathaniel's Review
11 JOHN WICK $2.2 (cum. $38.9) Michael's Review
12 ALEXANDER... VERY BAD DAY $1.5 (cum. $62.3) 

PLATFORM / LIMITED
excluding wide openers losing theaters
01 ROSEWATER $1.2 371 locations NEW
02 KIRK CAMERON'S SAVING CHRISTMAS $1 410 locations NEW 
03 WHIPLASH $.8 419 locations (cum. $2.4) The Podcast / Michael's Review
04 THE THEORY OF EVERYTHING $.7 41 locations (cum. $1) Nathaniel's Review
05 FOXCATCHER $.2 NEW 6 locations Nathaniel's Review / Michael's Review

I saw Christopher Nolan’s Interstellar, and while I have you here in our intimate little corner of the internet at The Film Experience, away from the wrath of Nolan fanboys, let me vent for a minute about how awful it is. Seriously, do any of you want to stop Nolan, pull him to the side and whisper in his ear: “your films are too long; your plots are convoluted; several of your characters are redundant; your dialogue is atrocious; your spirituality is plastic; get a screenwriter”? Those are the same problems comings up in every one of his films since… The Prestige? Anyway, Matthew McConaughey was the saving grace, making his earthy, warm presence felt through Hans Zimmer's loud screeching in the sound mix.

High profile openers were happening in limited release: Jon Stewart’s story of political imprisonment in Iran, Rosewater, didn’t do great business but you’ll hear more on that one soon right here. Doing exactly 40 times the business per screen was Bennett Miller’s Oscar hopeful, Foxcatcher. It’s going the same route that most of Sony Pictures Classics’ awards contenders go and it’s probably the correct strategy for this film. Finally, there was Tommy Lee Jones’ The Homesman, which won far better reviews than its Cannes reception predicted, doing decent business on only 4 screens.

Have any of you seen of those yet? If not what did you see this weekend?

Saturday
Nov152014

Meet the Contenders: Channing Tatum "Foxcatcher"

Each weekend a profile on a just-opened Oscar contender. Here's abstew on this weekend's new release, Bennett Miller's chilling FOXCATCHER, which won him Best Director at Cannes. 

Channing Tatum as Mark Schultz in Foxcatcher

Best Actor

Born: Channing Matthew Tatum was born April 26, 1980 in Cullman, Alabama

The Role: Bennett Miller, the Academy Award nominated director of Capote (2005) and Moneyball (2011), takes on another film based on a true story. Tatum stars as wrestler and Olympic gold medalist Mark Schultz as he struggles to get by (surviving on ramen and taking $20 inspirational speech gigs) and to ultimately step out of the shadow of his older brother, fellow wrestler and gold medalist, Dave Schultz (Best Supporting Actor contender, Mark Ruffalo). Mark is soon contacted by an eccentric billionaire (Steve Carell playing John du Pont) that encourages Mark (and eventually Dave) to come to his estate near Valley Forge, named Foxcatcher, to train the athletes on his compound.

Tatum met with Miller years before the project got off the ground, but initially passed on the role then fearing he wasn't yet ready to tackle the dark places the character  goes. Once the film was set to go into production, Tatum was ready for the challenge, transforming himself physically (he gained 20 pounds of muscle and trained as a wrestler) and emotionally (Tatum was so intense in one scene where Mark smashes his head in a mirror that he actually cut his own head and put a hole in the wall). 

Click to read more ...

Sunday
Oct192014

Podcast Leftover Chat Pt. 1

Better late than never. Our TIFF coverage, was meant to have this podcast attached shortly thereafter but then NYFF got in the way and before I knew it, NYFF was over. To get us back to your weekly in-the-moment podcasts (resuming next Sunday) here is that delayed convo presented unedited because I just gotta get it up and rejoin the now! Starring: Nick Davis, Nathaniel R, and special guests Angelo Muredda and Amir Soltani as we discuss some festival favorites and flops.

Films discussed include but are not limited to:

  • Two Days One Night
  • Foxcatcher
  • Whiplash
  • Miss Julie
  • Still Alice
  • Silvered Water, Syria Self-Portrait
  • Phoenix
  • Heaven Knows What
  • 99 Homes
  • The Princess of France

You can listen at the bottom of the post or download on iTunes tomorrow. Continue the conversation in the comments. 

TIFF Leftovers Pt. 1