The Greatest Linkman

• Gurus of Gold our soon-to-be very outdated Golden Globe predix and current Oscar rankings
• Globe Predictions ...mine in full which our soon to be very embarrassing. It's tonight, kids!
• Slate as ever, the very long Movie Club is a great read. It begins, appropriately enough with Thanos's finger snap in Avengers Infinity War
• Irish Times terrific outspoken interview with Keira Knightley on Colette, Weinstein, and her public falling out with John Carney on Begin Again

• i09 Good news for people who loved Leonardo Nam in Westworld (like me!), he's been cast in a big role in the new Swamp Thing series
• AV Club Danny DeVito joins the Jumanji sequel
• My New Plaid Pants really loves Andrea Riseborough in Nancy

OffScreen
• Variety Interest report on album sales this year. The Greatest Showman (the only album to sell over 1 million copies in this streaming world where people rarely buy anymore) and A Star is Born are the top sellers.
• NYT 1 woman, 12 months, 52 places -- such a cool project and a good read
• Borowitz Report makes a funny about Nancy Pelosi avoiding "the middleman" to get the government working
• Playbill Anthony Ramos (A Star is Born) and Jasmine Cephas Jones (Broadway's Hamilton) are now engaged

List-Mania
• Boy Culture top 20 movies and performances. Some surprise picks
• Awards Daily Joey's top ten TV list

Happy 50th Mark Ruffalo !

by Eric Blume

Today marks the 50th birthday of one of our very best actors, three-time Oscar nominee Mark Ruffalo. Ruffalo burst onto the scene in 2000 with a remarkable lead performance in Kenneth Lonergan’s You Can Count on Me.  His complex, layered work had critics fairly sprouting comparisons to Brando, and his gorgeous duet with Laura Linney still feels like the standard-bearer for on-screen sibling chemistry.  It’s astonishing to think Ruffalo missed out on an Oscar nomination that year, considering his performance is unquestionably better than several of the eventual nominees -- was it category confusion or lack of name-recognition? Oscar has remained historically slow to coronate good looking young actors, and that recognition remained on hold for him for over another decade...  

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Podcast: The Lobster, Sing Street, A Bigger Splash, High-Rise

With two not-worthy wide releases set to dominate Memorial Day Weekend, Nathaniel, Nick, and Joe catch up on recent quality limited-release movies we hadn't yet discussed together. Catch these in the theaters, please.

Index (42 minutes)
00:01 The Lobster (Yorgos Lanthimos)
11:18 High-Rise (Ben Wheatley)
15:45 Sing Street (John Carney) and a Keira Knightley tangent
22:37 Dakota Johnson & actress nemeses
24:35 A Bigger Splash (Luca Guadagnino)
40:03 Venice detour & goodbyes

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

The Lobster & Sing Street

Review: Sing Street

Like Begin Again, his last love song to the restorative powers of music and collaboration, John Carney can play your heartstrings like an orchestra. And like that film’s original title – Can A Song Save Your Life? – Sing Street addresses songwriting as soul food, with a face full of neon eyeliner and a deliciously poignant streak of youth in revolt. And as a young kid trying to forge a path in 1980s Dublin, there’s plenty to rebel against – institutional alcoholism and abuse, isolation from the mainland and mainstream, and the collapse of your elders’ hopes playing out in an endless depressive cycle. The future looks as bleak as the dark and stormy skies portending above the Irish shore, but it just so happens that these are the conditions where inspiration can strike like a lightning bolt. If you don’t like the only song playing on the radio, you’d better chuck it in the bin and dream up a new one.

As the story so often goes, Conor (newcomer Ferdia Walsh-Peelo, the love child of Bud Cort and Harry Styles) starts a band with a ragtag uniform of Catholic schoolboys to impress a girl. He may not know it at first, but that’s not the only reason. More after the jump...

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Retro Sundance: John Carney and "Once"

John Carney at the Spirit AwardsLynn Lee revisits the 2007 Sundance hit Once as the current festival wraps up.

I was at Sundance in 2007—the only time I’ve ever been.  It was one of the highlights of my life as a moviegoer, albeit more for the experience than the actual movies.  While I enjoyed most of the films I saw there, few really stuck with me beyond the festival, with the exception of the lovely character study Starting Out in the Evening (which really should have gotten Frank Langella an Oscar nomination). 

Somehow, I missed the true breakout success of Sundance that year—the low-budget Irish musical Once, which won the festival’s World Cinema Audience Award.  It went on to become a critical darling, a sleeper indie hit, and even an Oscar winner for Best Original Song. How could I have bypassed being one of the first in the U.S. to see it?  Well, somehow I did, even though I became a fan when it arrived in theaters later that year. 

More...

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