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Entries in A Bigger Splash (14)

Monday
Nov272017

Beauty vs Beast: Lady (Bird) You Are Doing Just Fine

Jason from MNPP here, fresh off of standing five feet away from Greta Gerwig and Noah Baumbach just hanging out at MoMA yesterday (Baumbach had actually just done a Q&A for The Meyerowitz Stories, so "hanging out" might be a stretch I suppose) to take us yonder Sacramento way. I think it's time for Lady Bird to get the "Beauty vs Beast" treatment, you guys.

The film has a perfect score at Rotten Tomatoes and it just crossed 10 million bucks at the box office, which is about what it cost to make. So it's all profit from here on out for Greta & Co, and all signs points towards plenty. It's in around 800 theaters and doing terrific - I can see it playing well all holiday-season. Hooray for good things doing good! Now let's pit the film's complicated mother/daughter core (and eventual Oscar nominees) against one another.

PREVIOUSLY You guys surprised me! When I wrote last week beside our Bigger Splash poll that I figured I knew who you'd vote for I really thought you'd go for Ralph Fiennes. I suppose in retrospect it was silly to underestimate the pull of Matthias Schoenaerts in very small shorts, which drew almost 70% of your vote. Explained Dancin' Dan:

"Yes, Harry is more fun and more interesting than Paul (and Fiennes gives by far the better performance), but he's also INFINITELY more exhausting. I don't think I could stand to be around him more than a few hours. So I'm gonna have to vote for Paul, and the less clothes he wears, the better."

Monday
Nov202017

Beauty vs Beast: The Bigger Boys

Jason from MNPP here, ready to pop some peach champagne for the release of Luca Guadagnino's Call Me By Your Name, which finally hits theaters in New York and LA on Friday. The thing is, although I personally have already seen the film six times (if you've been to MNPP at any point in the past three months you're more than aware of my obsession but if you missed my first take on the movie out of NYFF it's one of the most meaningful pieces of writing I've ever done, says me), it seems that some of you have not seen the film six times yet. Since it's not in theaters yet, and all. So I probably can't devote this week's "Beauty vs Beast" to it then!

So we'll do the next best and look back at Luca's last movie, A Bigger Splash. When ABS came out we polled you about the film it's based on, La Piscine, but I figure enough of you have seen Luca's version by now. I'm pretty certain where you guys will fall when forced into Tilda Swinton's glamourous shoes to choose between the two men in her life, solid wall of Paul (Matthias Schoenaerts) and bearded blast of noise Harry (Ralph Fiennes), but I'm asking anyway...

PREVIOUSLY Oscar season is here but we devoted one last moment of silliness to Superhero Season by tackling Thor: Ragnarok's two actresses last week - Tessa Thomspon put up a valiant fight but... well, she was going against Cate Blanchett. Cate took 58% of your vote as bigger-than-Asgard-itself Hela; said chasm301:

"Do you really think that Cate Blanchett would lose a competition on this website? Her most gif-able performance outside of Carol (2015)"

Wednesday
Jul192017

Soundtracking: "A Bigger Splash"

This week, Chris Feil's series on music in the movies sits poolside with last year's steamer...

Confession: Luca Guadagnino’s A Bigger Splash has been something of a minor addiction for yours truly in the year since its stateside release. And it’s key use of “Emotional Rescue” by The Rolling Stones has put that track into heavy nonstop rotation as well. I mean how can you not fall in immediately love with a film that casts Tilda Swinton as a rock star named Marianne Lane. It is sensory overload, all mouthwatering cuisine and eye contact between actor and camera. But not least of its horny senses is its rock and roll soundscape, subtly infused throughout to appealing effect.

In Splash, the lasting impact of great music is just like to great sex for its lingering spell. Its cues and references are scattered throughout, recalling the visages of Bowie and Patti Smith to make its musical world more realized. Even more fluidly, it crafts character identity and relationship as one with the music in ways as subtle as how its reveals their shiftiness.

Click to read more ...

Monday
Dec262016

Going Crazy and Coping With 2016 Films

Year in Review. Every afternoon, a new wrap-up. Today Chris on films that represented the tumultuous year...

It's a comfort to know that even in no-good-horrible-very-bad years such as this that the movies will always be there to sustain us. However this year the movies seemed to reflect our troubled times right back at us - from racial divides in Zootopia to global communication breakdowns in Arrival. But these very films that embodied the awful also provided us with ways to cope with the ceaseless catastrophe that was 2016.

It should come as no surprise to have more than one horror film on such a list, but let's look at some examples...

The Witch
The Crazy: Look what nightmares can be wrought from living in a bubble, even a self-induced one. Is this even our reality or just perception?
How to Cope: Go join that coven! You go. You got this, girl!

Click to read more ...

Thursday
Dec222016

Two Serious Questions About Birthday Boy Ralph Fiennes

Thursday
Jul072016

Links

Guardian the kids of the controversial Oscar nominated documentary Jesus Camp 10 years later - how are they doing and how do they remember their evangelical childhoods?
ESPN's Bodies issue is out. Check out the gallery. The human body is really so beautiful. But I realize we're not supposed to acknowledge that because people are so angry about the profile at...
Vanity Fair on Margot Robbie. Which is... Honestly I can't see anything wrong with it. Almost every good celebrity profile talks about what the star looks like, and what their big screen appeal is. It's not especially salacious as these things go. I'm stunned that it offended so many people. But me...
Nathaniel... I don't want to live in a world where we cant celebrate movie star beauty
Playbill Kristin Chenoweth doing a reading of proposed Best Little Whorehouse in Texas for the stage? Oh god oh god let this Broadway musical happen. Amen.
Dear Cast & Crew Dear Harry Nilsson -- (great letter re: A Bigger Splash)
EW Five Nights in Maine poster and trailer. Apparently this premiered at TIFF last year. I don't remember reading about it but Dianne Wiest, Rosie Perez, and David Oyelowo are all in it!
Vanity Fair Hive A.I. isn't just all the rage in movies and on television. It's an investor obsession, too.
Twitter Apparently some dumb people launched a petition to have Jesse Williams fired from Grey's Anatomy due to his BET Humanitarian Awards speech 

Look at This!

Production has begun on Film Stars Don't Die in Liverpool which stars Annette Bening as Oscar winner Gloria Grahame in her final days. Jamie Bell is The Bening's leading man. We hope The Bening is making one last sustained run at winning that Best Actress trophy that's eluded her. Momentum counts for a lot in Oscar races so if it doesn't happen this year for 20th Century Women, maybe it'll happen next year for this biopic of sorts? Though actors win Oscars all the time for playing real life people, the only star who has won an Oscar for playing an Oscar winner is Cate Blanchett as Katharine Hepburn in The Aviator (2004).

Random Emmy Thought
By now you've probably heard that the 7th/8th Game of Thrones season will start shooting later than usual due to weather issues. Different websites have different wording on this news. Sometimes it sounds like just the slightest delay and not worth reporting but for the clickbait traffic. Other articles suggest that this will delay the premiere until late Summer instead of GoT's traditional late spring early summer airing. If the latter take is true that means we'll actually have an Emmy free year of Game of Thrones in 2017. That would be a welcome relief for those of us who hate to see the same shows dominating year after year. Unfortunately they're also splitting GoT into two more super short seasons with only 13 or so more episodes left before the series finale. It worked for Breaking Bad and Mad Men in terms of Emmy statuettes though it was bad for interrupting the natural flow of storytelling arcs (at least with Mad Men - I can't speak to how it affected Breaking Bad). At any rate I stand by my proclamation that these split final seasons are anti-audience and nothing more than a cynical cash grab for advertising dollars, extended media attention, and double the awards that a show should be eligible to receive. It's gross. I wish Emmys would rule against 6 or 7 episodes counting as a full season. There really ought to be some standards and "season" by its very name suggests a few months of time. Six episodes is not a few months of story -- it's barely more than one!