Luca Guadagnino @ 50: A Trilogy of Desire

Happy belated 50th to Luca Guadagnino.

by Cláudio Alves

Like many a director in film history, Luca Guadagnino's cinema is characterized by common themes, through lines transversal to all his works, though more evident in some than others. During the release and promotional tour of Call Me By Your Name, the Italian auteur came to realize that his last three films could be construed as an unofficial trilogy of desire, though he later repudiated the notion. Nevertheless, akin to Bergman's Silence of God tercet, Guadagnino's I Am Love, A Bigger Splash, and Call Me By Your Name complete a three-part thesis in cinematic form. Instead of the Swedish master's spiritual dread, we have a multifaceted portrait of human desire as a force so great it's both overwhelming and life-changing, magical and terrifying, a blessing, a curse, perchance a deliverance…

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Pride Month Doc Corner: Four restored queer classics in re-release!

by Glenn Dunks

The Film Experience and Doc Corner is celebrating Pride Month with a focus on documentaries that tackle LGBTIQ themes. In this final edition we're looking at four classic documentaries that have now been restored and are back in theaters (in select cities), waiting to be (re-)discovered: The Queen (1968), A Bigger Splash (1973), Before Stonewall (1984), and Paris is Burning (1990).

We will begin with the earliest and move forward through time. I was lucky enough to see The Queen on the big screen at a repertory screening in New York several years ago... 

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Beauty vs Beast: Lady (Bird) You Are Doing Just Fine

Jason from MNPP here, fresh off of standing five feet away from Greta Gerwig and Noah Baumbach just hanging out at MoMA yesterday (Baumbach had actually just done a Q&A for The Meyerowitz Stories, so "hanging out" might be a stretch I suppose) to take us yonder Sacramento way. I think it's time for Lady Bird to get the "Beauty vs Beast" treatment, you guys.

The film has a perfect score at Rotten Tomatoes and it just crossed 10 million bucks at the box office, which is about what it cost to make. So it's all profit from here on out for Greta & Co, and all signs points towards plenty. It's in around 800 theaters and doing terrific - I can see it playing well all holiday-season. Hooray for good things doing good! Now let's pit the film's complicated mother/daughter core (and eventual Oscar nominees) against one another.

PREVIOUSLY You guys surprised me! When I wrote last week beside our Bigger Splash poll that I figured I knew who you'd vote for I really thought you'd go for Ralph Fiennes. I suppose in retrospect it was silly to underestimate the pull of Matthias Schoenaerts in very small shorts, which drew almost 70% of your vote. Explained Dancin' Dan:

"Yes, Harry is more fun and more interesting than Paul (and Fiennes gives by far the better performance), but he's also INFINITELY more exhausting. I don't think I could stand to be around him more than a few hours. So I'm gonna have to vote for Paul, and the less clothes he wears, the better."

Beauty vs Beast: The Bigger Boys

Jason from MNPP here, ready to pop some peach champagne for the release of Luca Guadagnino's Call Me By Your Name, which finally hits theaters in New York and LA on Friday. The thing is, although I personally have already seen the film six times (if you've been to MNPP at any point in the past three months you're more than aware of my obsession but if you missed my first take on the movie out of NYFF it's one of the most meaningful pieces of writing I've ever done, says me), it seems that some of you have not seen the film six times yet. Since it's not in theaters yet, and all. So I probably can't devote this week's "Beauty vs Beast" to it then!

So we'll do the next best and look back at Luca's last movie, A Bigger Splash. When ABS came out we polled you about the film it's based on, La Piscine, but I figure enough of you have seen Luca's version by now. I'm pretty certain where you guys will fall when forced into Tilda Swinton's glamourous shoes to choose between the two men in her life, solid wall of Paul (Matthias Schoenaerts) and bearded blast of noise Harry (Ralph Fiennes), but I'm asking anyway...

PREVIOUSLY Oscar season is here but we devoted one last moment of silliness to Superhero Season by tackling Thor: Ragnarok's two actresses last week - Tessa Thomspon put up a valiant fight but... well, she was going against Cate Blanchett. Cate took 58% of your vote as bigger-than-Asgard-itself Hela; said chasm301:

"Do you really think that Cate Blanchett would lose a competition on this website? Her most gif-able performance outside of Carol (2015)"

Soundtracking: "A Bigger Splash"

This week, Chris Feil's series on music in the movies sits poolside with last year's steamer...

Confession: Luca Guadagnino’s A Bigger Splash has been something of a minor addiction for yours truly in the year since its stateside release. And it’s key use of “Emotional Rescue” by The Rolling Stones has put that track into heavy nonstop rotation as well. I mean how can you not fall in immediately love with a film that casts Tilda Swinton as a rock star named Marianne Lane. It is sensory overload, all mouthwatering cuisine and eye contact between actor and camera. But not least of its horny senses is its rock and roll soundscape, subtly infused throughout to appealing effect.

In Splash, the lasting impact of great music is just like to great sex for its lingering spell. Its cues and references are scattered throughout, recalling the visages of Bowie and Patti Smith to make its musical world more realized. Even more fluidly, it crafts character identity and relationship as one with the music in ways as subtle as how its reveals their shiftiness.

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