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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Oscars (14) (223)

Thursday
Dec182014

The Animated Feature contenders: The Tale of the Princess Kaguya

Tim here. This week's look at one of the 2014 Best Animated Feature Oscar contenders takes us someplace entirely new: to a film that might actually be able to swing a nomination. The film is The Tale of the Princess Kaguya, the penultimate film made by the late Studio Ghibli, and probably the final work directed by the great Takahata Isao, who hasn't officially announced his retirement, like friend and colleague Hayao Miyazaki; but when a director is 79 years old and has reached the "enormous gaps between features" stage of his career (his previous film, My Neighbors the Yamadas, came out in 1999), it's time to make some assumptions.

If it's a valedictory work that Princess Kaguya is to be, it's a brilliant one, right down to an ending about the pain of saying farewell when we're not ready to. The film adapts "The Tale of the Bamboo Cutter", a folktale that is thought to be the oldest extant work of Japanese literature, telling of a little girl found in a glowing stalk of bamboo by an old bamboo cutter one day. Convinced by this and other signs that he has been tasked by giving her the life a noble princess, the bamboo cutter focuses on pushing her into the upper crusts of society despite how clearly the girl, Kaguya, resents this life, and would prefer to be left in the peaceable wilds of her adoptive home.

Click to read more ...

Thursday
Dec182014

Boyhood Trophies. Nightcrawler Sweeps. Plus: A Bunch of Oscar Chart Updates

Pro Boyhood. Meh on Gone GirlAs you have undoubtedly heard by now even President Barack Obama has boarded the Boyhood train, declaring it the best of the year... that he has seen (it might surprise you to hear that presidents don't have a lot of time for moviegoing). FLOTUS, who helped hand out the Oscar for Best Picture to Argo if you'll recall, offers up no "Best" opinion to People Magazine but randomly shares that she didn't think Gone Girl was all that and preferred the book.

Where were we? Oh yes. Regional critics groups are feeling a tiny bit friskier than usual. No, they really are. Oh sure there is a lot of hive mind action happening (Boyhood, Arquette, J.K., Citizen Four etcetera) but it's not quite as lockstep as it has been in recent years.

Since we last spoke a few more cities have weighed in and it's semi-interesting at least to see a range of Best Actress choices (Reese & Rosamund) and how about San Diego's total unblinking obsession with Nightcrawler?

Lou Bloom must have given them the hard sell. Lou Bloom got that job. [More...]

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Tuesday
Dec162014

Open Thread & Roundtable Madness

I have been comically beset by obstacles this year so even though I'm roughly three weeks behind, I have to laugh a little at the strange stumbles and ouchy falls and just go... okay, well then. This is an interesting view of the floor! (apologiez: Oscar chart editing functions are somewhat on the fritz. trying for workarounds to fix)

Angelina Jolie talking about directing plane crashes and visual effects. Mike Leigh, hilariously also in this shot.

One of the victims of this impossible season for me at least has been THR's roundtables. I literally haven't watched a single one of those sometimes highly enjoyable if aggravating celeb gatherings. Not even the Actress Roundtable! (I'm certain it was its vibe of "The Amy Adams Show: Episode 5"  that killed my will to press play on the only day I had 50 minutes free on weeks ago. Important distinction: Amy Adams the actress is often very exciting to watch. Amy Adams the celebrity is like wallpaper.)

So consider this an open thread in which you can complain about all the Oscar stories we haven't covered this past couple of weeks (the charts WILL be updates tomorrow, damnit) and which exact minutes of these roundtables you would recommend that everyone including your host here must watch RIGHT NOW. The Hollywood Reporters six awards season roundtables to date follow. All five plus hours of them in case you've missed one. Or all six like me.  Along with the videos after the jump are the single questions per roundtable that I am pretending they answered...

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Tuesday
Dec162014

Makeup & Hairstyling: The Elephantine Origin Story (and this year's finalists since we must)

It's history time, kids! Gather round. Did you know that The Elephant Man, currently on Broadway with Bradley Cooper, is indirectly responsible for the Academy's makeup Oscar? No, not that kind of make up Oscar ... though the Academy gives those all the time, too (why, hello Ms. Julianne Moore "Ms. February 2015"!) and maybe Bradley Cooper will get one of those someday?

what's that? u think this intro was an excuse to post a photo of shirtless Bra---FINE! don't judge.

I digress. In the stage version of The Elephant Man the lead actor traditionally performs while wearing no special makeup; he merely acts deformity. But that stylization hasn't yet been tried on film. When it came time to make the film version in 1980, David Lynch, no stranger to depicting deformity without prosthetics -- deformity of the soul at least -- opted for makeup effects. People bitched about the lack of Oscar recognition since The Elephant Man was an Oscar hit (8 nominations) and the very next year we had our category! Unfortunately for the The Elephant Man's team Christopher Tucker and Wally Schneiderman and all, it was too late. Those makeup artists never won a Makeup Oscar or even the other kind of Make up Oscar for overdue peeps.

Once there was an official category a young pony-tailed prosthetics genius named Rick Baker immediately began his relentless reign, hogging 11 nominations and 7 statues starting with An American Werewolf in London. The Makeup prize continued on its weirdly lyncathropic, excruciatingly unstable number of nominee (0,2,3,4) effects-obsessed path for decades thereafter.

UNTIL...

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Monday
Dec152014

"Critics Choice" Flies With Keaton, Checks Into the Grand Budapest & Stands with Jolie, Unbroken

(We interrupt your Missi experience this morning to bring you more awards news. Missi returns this afternoon for two final posts.) 


If you missed my predictions and would like to mock them, they were here. The Critics Choice which will be broadcast live on A&E this year from the Iconic Hollywood Palladium (a new home and venue) on January 15th at 9 PM EST / 6 PM PST. I shall try and attend again. If I can get a better table. What? Travel expenses must be justified!

BEST PICTURE
Birdman - leading with 13 nominations
Boyhood - 8 nominations
Gone Girl - 6 nominations
Grand Budapest Hotel - second place with 11 nominations. wow
The Imitation Game - 6 nominations
Nightcrawler - 3 nominations
Selma - 5 nominations
Theory of Everything - 5 nominations
Unbroken - 4 nominations
Whiplash - 4 nominations

I suspected (aka predicted) that we'd see Unbroken and Gone Girl resurface in the conversation here. In fact the only prediction I got wrong was I didn't foresee Nightcrawler happening, fearing that the AFI love for American Sniper was significant. I think Boyhood will probably win in the end (especially given the weird halfhearted "comedy" section of the awards pulling votes away from Birdman) but good on Birdman for that astounding level of support.

I was really hoping for one non-Oscary thing though. I thought Under the Skin might have an outside chance for a shocker (and yes I voted for it).

JAKE GETS THE JOB and more after the jump...

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Sunday
Dec142014

Awards Roundup & Predictions: A Circus That Never Shuts Down!

I swear to you that I've been working my ass off of late but somehow TFE has fallen further and further behind. Let's blame the traffic nightmares in NYC of late (I normally subway it but with that fractured toe there were many cabs), that long Thanksgiving weekend, all the free food and drink consumed at various schmoozy Oscar campaign events and 1:1 interviews. These last are truly the Bermuda triangle of time-suckage. Interviews themselves generally last between 15-20 minutes but somehow they can consume entire days. I wish that I were exaggerating (since I love doing them) but I'm not what with travel time, scheduling negotiations, waiting time, rescheduling snafus, and then the only way those interviews gets to you: transcription time and article construction)

Wah Wah. I'll shut up. First world Oscar pundit problems! The inimitable Missi arrives soon (and while she's entertaining you we get caught up behind the scenes and update every single Oscar chart so comment on those right here )  After the jump all the stuff we haven't talked about yet (EFA Awards, Regional Critics Prizes + "Critics Choice" Predictions).

Can Unbroken start sprinting after a very rough week? Just how hot is Ida? Will the BFCA swarm around their fall favorite Gone Girl? 3...2...1... GO!

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