Doc Corner: 'Another Body'

By Glenn Charlie Dunks

Well, this is upsetting.

When college student Taylor Klein receives a chat message from a male friend with a PornHub link, she naturally assumes he’s been hacked. Turns out he is informing her that a sex tape of her has appeared online. Except that it’s no such thing. It is a fake. A deepfake; a video in which her likeness—taken from a social media sweep of images wherein she eats ice-cream, kisses her boyfriend and spends time with family—has been digitally imposed upon pornography. We’ve certainly come a long way from putting a celebrity’s head on a porn star’s body and saying it’s legit. Several sad yet logical steps down the ladder to the bottom of the barrel.

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BAFTA TV Award Winners: I May Destroy You, Welcome to Chechnya

The BAFTA TV Awards were announced yesterday with Michaela Coel's critically acclaimed I May Destroy You winning Best Actress and Best Mini-Series (it had previously taken Writing, Directing, and Editing at the "Bafta Craft awards). The Crown did not fare well (hits too close to home?) and Steve MQueen's Small Axe picked up just one major prize (Supporting Actor for Malachi Kirby). In better news, Paul Mescal won Best Actor for his exquisite work on Normal People and the superb queer documentary Welcome to Chechnya, which Oscar so unwisely snubbed last season, picked up another award. The winners are listed after the jump...

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Where are the docs in the technical categories?

by Juan Carlos Ojano

Almost two weeks after the Oscar nominations and one snub still stings: Welcome to Chechnya in Visual Effects. After making it in the shortlist, hopes were high that its life-saving use of facial replacements could catapult it to Oscar history as the first documentary to be nominated in this category, one largely dominated by Hollywood blockbusters (which were mostly missing last year) Only a year like 2020 could have brought a documentary film close to this category and it still did not happen. 

This begs the question: why are documentaries routinely ignored in categories outside of Documentary Feature? 

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Lunchtime Poll: Oscar omissions... the ones that sting?

by Nathaniel R

A lot of people -- including me! -- wanted to see Delroy Lindo nominated

Cláudio will be sounding off on the "almost there" class of 2020 soon but until then, let's get the disappointments out of our system before we concentrate on enjoying the rest of the Oscar race, which has now entered it's second phase. 

Here's to the fallen! Which misses on Oscar nom morning -- our Christmas! -- are the closest things to coals in your stocking? I'll start with the five I (virtually) weep for outside of the acting categories...

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Best Visual Effects: The most exciting race in years!

by Cláudio Alves

Every year, while most awards obsessives wring their hands over the starrier categories, I focus on those below-the-line categories I've grown to love even more than Best Picture. Costume Design and International Feature are usually the focus of my attention, though every "craft" award tends to entice curiosity and honest emotional investment. All that said, the last category I expected to be excited about on nomination morning is Best Visual Effects. And yet, here we are. It seems this oddball awards season insists on surprising until the very end…

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