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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in editing (35)

Monday
May192014

Oscar Predictions & Curiousities : Visuals & Score

I haven't forgotten about the Oscar charts. This first installment is the most time-consuming is all, as it sets the templates up for an entire years worth of handwringing and hiearchy juggling. With this latest update we only have the "big eight" categories left to do (minus actor & supporting actress which we've already surveyed). But here are a few thoughts on new charts that are up...

WarDaddy's (Brad Pitt) team in "Fury". The film is scored by Oscar-winner Steven Price

SCORE
I perhaps overstate the music branch's love for their favorite sons each year. It's not that that love isn't evident each year (stop to consider how many composers, for example, have 8 or more nominations and how rare that is in many other fields) it's that Hollywood's favorite composers are quite prolific so, John Williams & Alexandre Desplat aside (who never miss for a nomination)  aside, there's no guarantee that any of them will win traction since all of their rivals are also in the mix each year.

A few things to be curious about in 2014:

• Steven Price (Gravity) just won the Oscar on his first nomination so can he become a favorite? If so he's scoring Fury, the WW II tank drama with Brad Pitt in the lead this year. 
• Which Desplat score will they go for since they always have (at least) a few choices: Grand Budapest Hotel, Unbroken, or Godzilla? Or all three. Heh.
• It's been awhile since James Newton Howard (Maleficent) or Danny Elfman (Big Eyes) were in the mix. This year?
• Will Thomas Newman (Get On Up, The Judge) ever win the statue? He's the most nominated working composer who has never won with 12 failed attempts

CINEMATOGRAPHY
I would've given them their whole post but I can't even talk about this today. *sniffle* Gordon B Willis (RIP) 

Maleficent wonders which fairy tale Oscar wants to hear

COSTUME
The internet did a good job of spreading the fun factoid I once shared that Colleen Atwood (Into the Woods) and Sandy Powell (Carol) don't win the costuming Oscar unless the other one is nominated. So we'll have to look elsewhere for fun trivia this year. A few things I'm curious about this year:

• Milena Canonero is back! The three time Oscar winner  did wonderful work on Grand Budapest Hotel. Oscar tends to shun creative stylized work like that (what a shame that they passed up her instantly iconic work on The Royal Tenenbaums) when they can opt for period realism instead so that's kind of a longshot but wouldn't it be sweet?
• Will Oscar help Anna B Sheppard stretch? If they like her Maleficent costumes maybe she'll get offered movies outside the World War II genre, the box that Hollywood likes to keep her in (She also costumed Fury this year.
• Which of the rising crop of costume design stars is going to make it to an Oscar nomination first: Jane Petrie (Suffragette - I have it for 2015 but maybe it'll  be released this year), Kurt & Bart (Hunger Games: Mockingjay), or Steven Noble (Two Faces of January, Theory of Everything) ?

FILM EDITING 
It's too early to talk about this category really since, more than any other category, it depends entirely on what people like for Best Picture. 

Will AMPAS finally embrace the creative achievements in Wes Anderson's filmography

PRODUCTION DESIGN
My prediction for Grand Budapest Hotel is, I'll admit instantly, wishful thinking. (But it's early, so I'm allowed a few of those). It's perplexing that the art direction branch, like the costumers, often shun cool stylization such as the kind you often see in Wes Anderson features. But I'm hoping that the production designers can't help but recognize Adam Stockhausen's extraordinary range, hopping from pre Civil War realism (12 Years a Slave won him his first nomination) to Wes Anderson's fanciful dioramas with not only ease but confidence and panache. 

A few other things to be curious about:

• Is Oscar done with the Middle Earth films (last year they had their first miss in this category) or will they want to send the Hobbit trilogy away with a 6th nomination for Dan Hennah?
• Can Maria Durjovic (The Imitation Game) finally snag a nomination? She's done great work before and been egregiously snubbed (think Tinker Tailor Soldier Spy) and somehow the Oscar heat from Billy Elliott and The Hours didn't rub off on her either time
• Is Dennis Gassner a contender for his second win? He won the category for the very handsome Warren Beatty picture Bugsy (1991) but he's designed several completely gorgeous, classy and showy movies since then like, oh,  The Truman Show (1998), O Brother Where Art Thou (2000), and Big Fish (2003). Will Into the Woods be received well enough to make him a frontrunner?

 

Which Oscar fates are you most curious about for this season?

 

Saturday
Apr192014

I Met Thelma Schoonmaker at the TCM Film Festival

Our coverage of the TCM's 2014 festival in Los Angeles wraps with Anne Marie on legendary editor Thelma Schoonmaker

Thelma in the editing bay...

Thelma Schoonmaker is surprisingly calm. Not just calm, calming. As I sat listening to her twice at TCMFF--first at the introduction for A Matter Of Life And Death, next at an hourlong interview--I marveled at the three-time Oscar winning editor's stillness. Considering she is the preferred collaborator of Martin Scorsese, an infamously energetic director, one would think she'd need reservoirs of energy to tackle the boxing matches in Raging Bull or the tense chases in The Departed.

Schoonmaker wasn't at TCMFF to speak about herself, though...

Click to read more ...

Wednesday
Feb192014

Link Commando

Vanity Fair Bradley Cooper's commando White House trip
Theater Mania a screening of West Side Story on Sunday at 5 PM in New York. Rita Moreno will speak to the crowd. Who's going?
PopBytes Pushing Daisies might be coming back... as a musical! 
1:37:1 How often are entire Oscar nominated shortlists absent a Best Picture nominated film? Rarely. And almost always in the same category. I'll give you one guess  

Broadway World somehow I missed these images in early February from the set of Macbeth starring Michael Fassbender and Marion Cotillard so maybe you did, too?
Guardian films that use both black and white and color sequences
Film School Rejects looks to Foreign Correspondent, not Rebecca (both 1940) as the prototype for Hitchcock's Hollywood films 
NYT Neil Patrick Harris prepares for his Broadway turn in Hedwig and the Angry Inch
/Film Roger Deakins is not returning to the land of 007 post Skyfall for the the as yet untitled Bond 24. This is going to be a tough movie for all of them: how do you follow up that 50th anniversary behemoth?
NPR talks to Steve McQueen and the Oscar nominated editor of 12 Years a Slave about assembling the movie
MNPP Jake Gyllenhaal doubled up in Enemy, a behind the scenes look
In Contention an oral history of Reality Bites (1994) for its 20th anniversary 

Finally...  The Film Stage reminds us that Tom at the Farm, Xavier Dolan's wonderfully tense queer thriller still doesn't have US distribution but it has a new poster. Bam

I miss the days when US audiences went to the arthouse and talked about subtitled hits... *sniffle* Now people only binge-watch American television. We're a nation of shut-ins!

Saturday
Feb082014

ACE Eddie Awards: "Captain Phillips" Surprises

The Ace Eddie Award is given by Hollywood's film editor's guild. It was a very good year for music, since three of the big winners (20 Feet From Stardom, Frozen, and Behind the Candelabra) are musicals or in bed with the genre somehow. But that's not the big story.

The big surprise has to be the win for Captain Phillips which was up against both Gravity and 12 Years A Slave, the two presumed frontrunners for the Best Picture Oscar. What a tight race this year is bringing us and BEST EDITING, when it's announced on Oscar night, will not tell us who's winning Best Picture. It's oft repeated that it's nearly impossible to win Best Picture without an Editing nomination. But it's VERY possible to lose Editing and still win Best Picture. In fact, nearly half of modern Best Pictures do lose that statue...

Click to read more ...

Tuesday
Jan282014

We Can't Wait #7: Snowpiercer

[In the We Can't Wait series we're looking at our top 14 most exciting film prospects for 2014. Previously: NymphomaniacBoyhoodBig EyesThe Last 5 Years, Gone Girl , Can a Song Save Your Life and Veronica Mars plus movies that just missed the cutHere's Anne Marie on a 2013 offering that was delayed. -Editor]

Snowpiercer
Joon-ho Bong's much-discussed scifi masterpiece (?). A train powered by a perpetual-motion machine cuts through a snowy post-apocalyptic earth. Onboard, a caste system has developed. All is thrown into chaos when the lowest classes revolt and fight their way, car by car, to the front.

Talent
Joon-ho Bong brings together a versatile cast including Tilda Swinton, Chris Evans, Ed Harris, Jamie Bell, Allison Pill John Hurt, and Octavia Spencer.

Why We Can't Wait
Joon-ho Bong (The Host, Mother) has been rightfully called one of the greatest directors in Korean cinema, an area filled to brimming with great directors. Even if you don't know Joon-ho Bong's work well, the idea of a post-apocalyptic train heist movie starring Tilda Swinton should be reason enough to get any self-respecting sci-fi fan excited. Still not convinced? The film has done over $50 million internationally and has been officially selected as the best Korean film of 2013. Snowpiercer has been hailed as a new Metropolis, using its extraordinary world to tell an intelligent story of class struggle and humanity.

But We Do Have To Wait
Unfortunately for Americans, Harvey Weinstein thinks we're too unintelligent for this movie. Since Weinstein picked up the film's US distribution rights last year, he has been garnering lots of bad publicity for his decision to cut 20 minutes out of the US release. His reasoning? He doesn't think it would play well in middle America. Instead of 20 minutes of exposition, he's added voice-overs to cover the lost information. (Anybody else getting Blade Runner deja vu?) Joon-ho Bong has publically stated he's against it, but Weinstein has yet to relent. No official US release date has been announced, but folks may want to skip it anyway and wait for the uncut film to be released on Bluray and digital download, whenever that may be.

Friday
Jan102014

Editors' Picks. 

Jose here. Today we have the announcement from the American Cinema Editors who - shocker - went for more of the same movies! For almost 40 years, the Eddies were awarded to a single motion picture (their first winner was The Parent Trap and their last was the acclaimed Saving Private Ryan) but then they decided that they too needed to include as many movies as possible and split their award into Drama and Musical & Comedy. Now excuse me if I sound ignorant (I did go to film school and all...) but isn't editing exactly the same for both? It's not like you use different equipment and/or need to have different skills to do each, right? Isn't the editor's job actually (along with the director of course) to decide just how funny or how dramatic each movie will be? So I really don't get why guilds need to invent such categories. I don't see the ASC doing that, but god I love the cinematographers for being the classiest guild...anyway enough with my complaining.

Here are the nominees for this year's Eddies:

Click to read more ...

Monday
Jan062014

Podcast: Those Polarizing Wolves on Wall St.

Nick and Joe rejoin Nathaniel & Katey this week to talk about Martin Scorsese's The Wolf of Wall StreetIn the endless twitter battle over whether Wolf condemns or celebrates Jordan Belfort, several interesting questions have been swept aside or glossed over: does it earn its running time?; is Leonardo DiCaprio great or just better than he's been recently?; is Margot Robbie amazing or just sexy; "is it even well made?" Nick wonders, challenging its fans to name even three interesting shots. The gauntlet is thrown down!

Other (brief) topics / shoutouts include the WGA Nominations (Lone Survivor?), Philomena, and why American Hustle & WoWS lovers can't just get along.

Shea Wigham's Amazing 2013: American Hustle, Wolf of Wall Street, Boardwalk Empire, and Fast and Furious 6

Can't we all just get along? If only for Shea Wigham's sake!

Referenced Articles:

Listen right here or download it on iTunes and join the conversation. Next Weekend: one last pre-nomination discussion.

Wolf of Wall Street Discussion