Venice at Home – Day 8: Who Are We?

by Cláudio Alves

Before either film had been screened to the public or press, there was already buzz surrounding Alice Diop and Florian Zeller's newest films. Many called Saint-Omer, Diop's first narrative feature after many documentaries, a likely contender for the Golden Lion. Lo and behold, the picture has receiving glowing reviews, which is unsurprising. In contrast, this eighth day of competition at the Lido saw a shocking development with Florian Zeller's follow-up to The Father. Defying expectations The Son has received mixed reviews, some of which lambast it unsparingly. Not even the cast is above reproach to the naysayers. Even so, Hugh Jackman remains mostly unscathed, keeping those Best Actor dreams alive.  Let's not forget that Zeller directed Anthony Hopkins to his second Academy Award. So let's take a look back at The Father and Alice Diop's last documentary before Saint-Omer…

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César Winners: Cate Blanchett, 'Annette', and 'Lost Illusions'

by Nathaniel R

Cate Blanchett and Isabelle Huppert backstage at the Césars (that's Ronald Chammah, Isabelle's man, between them)

France's top awards, the Césars, were held last night. The historical costume drama Lost Illusions which had led the nominations took home the most prizes including Best Film. But all was not lost for its competition since all but one of them won at least one César. The thorny musical tragedy Annette was the runner up in terms of wins even repeating the Best Director win at Cannes for Leos Carax. And of course Cate Blanchett took the Honorary César and was introduced by Isabelle Huppert herself.

The winners and comments and a few videos from the show are after the jump. (If we've written about the film, it's linked up)...

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"Quo Vadis, Aida?" and "Flee" win big at the European Film Awards

by Nathaniel R

The years bleed together in the world of movie awards. Quo Vadis Aida?, the Bosnian drama, premiered at the Venice Film Festival in 2020 before receiving an Oscar nomination for Best International Feature Film that same season. It lost the Oscar to 2020's European Film Awards champ, Denmark's Another Round. Now, a full movie awards season later, it has succeeded its once-vanquisher to also take the top prize at the European Film Awards. What's more two British Oscar winners last year, Promising Young Woman and The Father also picked up key prizes. The only Oscar hopeful this season that arguably got a boost from the European Awards was the animated documentary Flee, which triumphed in both of its categories, Animated Feature & Documentary Feature, a double-whammy it surely hopes to achieve again at the Oscars. You can watch the ceremony here if you're so inclined.

This has no bearing on the Oscars of course, since none of those films are eligible but it is a mild eyebrower raiser that France's Titane, Finland's Compartment No 6, Italy's The Hand of God, and Norway's Worst Person in the World, all of which are award-winning presumed threats to Oscar nominations this season, could beat the year-old Bosnian film in any of their categories. Complete list of winners after the jump...

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Anthony Hopkins' shocking win shouldn't have shocked anyone.

by Baby Clyde

Thank you all very much. I really did not expect this.

I watched the last 20 minutes of the 93rd Academy Awards with a sense of impending doom. The disastrous decision to cynically rearrange the final awards in the hope of ending the night on a contrived ‘high’ immediately struck me as problematic. Whilst back in the day Best Picture wasn’t always given out last, it’s been that way for nearly 50 years and changing the order this year was clearly done for one and only one reason. The emotional finale meant to honor Chadwick Boseman with a posthumous award was something the hapless producers couldn’t resist, and it infamously backfired. A slow moving, gold plated car crash ensued as Sir Anthony Hopkins was declared the winner. With no back up plan, no Zoom speeches allowed and no host to close the show the evening ground to an unceremonious halt. If only they’d asked me, the day could have been saved.

I’m not a great Oscar predictor. Every year I seem to get 17 or 18 right. Usually tripped up by the Shorts, even if I’ve watched them all --no, especially if I’ve watched them all! But this year I did manage to successfully predict both Lead acting races, despite them both supposedly being "shocks".  Best Actor was less clear, yes, but I put Hopkins in the #1 spot back in September and never moved him. I’ve been Oscar watching a VERY long time (When I started Glenn Close only had Supporting noms) and sometimes you just get a feeling about a particular race. For example, I never once thought Stallone was winning back in 2015 and I’m still puzzled when people insist Meryl’s third was a surprise as it was inevitable. I felt exactly that way this year and as the season went on (and on and on) there was plenty of evidence, I present six pieces, pointing in that direction...

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93rd Academy Awards: Best Production Design

by Daniel Walber

Is it a good year for the Best Production Design category at the Oscars? Is it a bad year? What does the word “good” even mean? Or, for that matter, the word “year”? Certainly not the same thing as “eligibility period,” given the way things have shaken out with the 93rd Academy Awards. Pour one out for First Cow.

But I digress. We have five films nominated for Best Production Design, and they’re a relatively modest batch. There’s the eternal joke about the Oscars nominating movies for “most” rather than “best” design, but by some miracle that hasn’t happened this year...

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