Venice at Home: Day 10 – The Artist Is (Not) Present

by Cláudio Alves

Well, it's time to say goodbye to the Venice at Home project. Maybe it'll return next year as other cinephiles flood the Lido and those of us who don't share in the FOMO.  There are three remaining directors in the official competition. First, Jafar Panahi, incarcerated since earlier this year but no less capable of dazzling cinephiles with his political, profoundly personal work. No Bears sounds like another triumph. Also vying for the honor is Susanna Nicchiarelli, whose Chiara completes an unofficial trilogy about historical women (Miss Marx and Nico, 1988 also screened at Venice). Finally, Roschdy Zem jumps behind the camera after having graced festival audiences with his acting in Other People's Children. For Les Miens he does triple duty as star, director, and screenwriter.

This miniseries was always intended to celebrate great artists, so it's fitting that the last three films are about them as we focus on an Iranian filmmaker (This is Not a Film), a German singer (Nico, 1988), and a French clown (Chocolat) of Afro-Cuban heritage… 

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Venice at Home: Day 9 – Best Actors of Festivals Past

by Cláudio Alves

Neither Vahid Jalilvand nor Andrew Dominik is a newbie when it comes to the Venice Film Festival. Though the Iranian director never before competed for the Golden Lion, his films have won many prizes at the Lido, screening within the festival's parallel sections. Maybe Beyond the Wall can repeat the feat and nab some trophy from Julianne Moore's jury. As for Andrew Dominik, his adaptation of Joyce Carol Oates' Blonde is already the topic of much controversy. Critics are divided regarding the movie's depiction of sexual exploitation – some see it as a ruthless dissection of celebrity culture, and others lament another voyeuristic desecration of Marilyn Monroe's personhood, intimacy, her legacy. 

For the Venice at Home program, let's remember two instances when these cineastes directed their leading men towards acting prizes. No Date, No Signature won Navis Mohammadzadeh the Venice Horizons Award in 2017. Ten years before that, Brad Pitt earned the Volpi Cup for The Assassination of Jesse James by the Coward Robert Ford…

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Venice at Home – Day 8: Who Are We?

by Cláudio Alves

Before either film had been screened to the public or press, there was already buzz surrounding Alice Diop and Florian Zeller's newest films. Many called Saint-Omer, Diop's first narrative feature after many documentaries, a likely contender for the Golden Lion. Lo and behold, the picture has receiving glowing reviews, which is unsurprising. In contrast, this eighth day of competition at the Lido saw a shocking development with Florian Zeller's follow-up to The Father. Defying expectations The Son has received mixed reviews, some of which lambast it unsparingly. Not even the cast is above reproach to the naysayers. Even so, Hugh Jackman remains mostly unscathed, keeping those Best Actor dreams alive.  Let's not forget that Zeller directed Anthony Hopkins to his second Academy Award. So let's take a look back at The Father and Alice Diop's last documentary before Saint-Omer…

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Venice at Home – Day 7: Between Reverie and Realism

by Cláudio Alves

In 1986, Joanna Hogg presented her thesis film at the National Film and Television School. Unlike the Sunderland photographs and experimental super-8 footage that had won her a place to study, Caprice feels like a repudiation of reality altogether. The short considers the Alice in Wonderland-esque journey of a mousy young woman through the pages of her favorite fashion magazine, all rendered in stylized staging and haute-couture. That work marked another's cinematic debut besides Hogg – Caprice was Tilda Swinton's first appearance on film. The schoolmates turned longtime friends turned artistic collaborators present their latest project at this year's Venice Film Festival – The Eternal Daughter, where the actress plays a double role.

Our Venice at Home program takes us back to one of the Italian director's first international hits and the second chapter in Hogg's multi-film memory play...

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Venice at Home – Day 5: Returning Champions

by Cláudio Alves

The fifth day of competition finds three award-winning filmmakers vying for more golden plaudits. Rebecca Zlotowsky's directorial works have left strong impressions across some of Europe's biggest festivals, and this is her first time in Venice. Her new film, Other People's Children, stars Virginie Efira and Roschdy Zem – he's also in competition as a director with a different film. Next, Italy's  Emanuele Crialese returns with L'immensità after nabbing nine prizes in past editions of the festival. Finally, there's Darren Aronofsky who is a former Venice champion whose new project, The Whale, is already enshrined in Best Actor Oscar buzz for Brendan Fraser.

So today we're looking back at Aronofsky's 2008 Golden Lion winner, Zlotowsky's sensual summer, and Crialese's voyage to the New World…

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