Thursday, September 8, 2022 at 2:43PM by Elisa Giudici
SAINT OMER could be a prize winner!
Have you missed courtroom dramas? Today Venice heard you, providing two strong movies about remarkable trials (one based on a true story, one fictional), plus an old school western. Also, have you heard? France now has a major contender for the Golden Lion (as usual)...
Wednesday, September 7, 2022 at 9:15AM 
In 1986, Joanna Hogg presented her thesis film at the National Film and Television School. Unlike the Sunderland photographs and experimental super-8 footage that had won her a place to study, Caprice feels like a repudiation of reality altogether. The short considers the Alice in Wonderland-esque journey of a mousy young woman through the pages of her favorite fashion magazine, all rendered in stylized staging and haute-couture. That work marked another's cinematic debut besides Hogg – Caprice was Tilda Swinton's first appearance on film. The schoolmates turned longtime friends turned artistic collaborators present their latest project at this year's Venice Film Festival – The Eternal Daughter, where the actress plays a double role.
Our Venice at Home program takes us back to one of the Italian director's first international hits and the second chapter in Hogg's multi-film memory play...