The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Tuesday, November 8, 2022 at 6:00PM By Christopher James
Tilda Swinton confronts the ghosts of her family's past in Joanna Hogg's new film "The Eternal Daughter."
The AFI Film Festival ended this past Sunday on another packed day. There were plenty of interesting films to catch, from the latest auteur projects to remakes of classics. Without further ado, let's dig into the final titles...
Wednesday, September 7, 2022 at 9:15AM 
In 1986, Joanna Hogg presented her thesis film at the National Film and Television School. Unlike the Sunderland photographs and experimental super-8 footage that had won her a place to study, Caprice feels like a repudiation of reality altogether. The short considers the Alice in Wonderland-esque journey of a mousy young woman through the pages of her favorite fashion magazine, all rendered in stylized staging and haute-couture. That work marked another's cinematic debut besides Hogg – Caprice was Tilda Swinton's first appearance on film. The schoolmates turned longtime friends turned artistic collaborators present their latest project at this year's Venice Film Festival – The Eternal Daughter, where the actress plays a double role.
Our Venice at Home program takes us back to one of the Italian director's first international hits and the second chapter in Hogg's multi-film memory play...
Wednesday, July 7, 2021 at 11:00PM Today at the Cannes Film Festival, Israeli cineaste Nadav Lapid and French provocateur François Ozon premiered two more films in competition. Both flicks, Ahed's Knee and Everything Went Fine, have received good notices, intensifying international anticipation. Since most of us can't be at Cannes, we shall distract ourselves with past works from these auteurs. Another notable first screening was Todd Haynes' documentary about The Velvet Underground, featured out of competition. In the Cinema à la Plage section, Jerry Schatzberg's Palme d'Or-winning Scarecrow returned to the festival, while Joanna Hogg's The Souvenir screened for the Director's Fortnight in anticipation of its sequel. Considering all this, let's delve into our Cannes at Home alternative program…
Friday, February 1, 2019 at 6:26PM Murtada Elfadl reporting from Sundance
“Show don’t tell” is how Joanna Hogg directs The Souvenir. Hogg is the former photographer and experimental filmmaker behind Archipelago (2010), and Exhibition (2013). Those films made a splash on the European indie scene but not many waves on this side of the Atlantic. Here she withholds the narrative to only slowly reveals what her film is about. We first meet a young film student Julie (Honor Swinton Byrne) in 1980s London, trying to make it in film school. Perhaps this is a character study somewhat based on Hogg’s own life? Only later do we discover that it’s about an intense all consuming co-dependent relationship between our lead and a sweet but drug-addicted snobbish man who works for the foreign office (Tom Burke)...
