John Waters kicks off an already swinging 'Top Ten Season'

by Nathaniel R

 It's the most wonderful time of the year. No, not Christmas... "top ten season"!!! It's when we get to read so many different writers on what they valued most in a given year of entertainment (movies and otherwise). As per usual the festivities kicked off with director John Waters annual list for Film Forum. He places François Ozon's Peter Von Kant up top. 

By far the best movie of the year. Fassbinder’s classic lesbian melodrama is appropriated and remade as a gay Frenchman’s love letter to the original version. Hilariously stilted, often overwrought, but always highly entertaining.

The enthusiasm is a smidge confounding...

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What did you see this week... or are you waiting for Thanksgiving like Hollywood?

By Nathaniel R

It was a strange weekend for moviegoers. Hollywood wanted to give Black Panther 2 ample room and it's not quite thanksgiving so only two new wide releases risked opening: The Menu and She Said. The former did okay and the latter struggled. In limited release a slightly similar story but just remove a few 0s as Bones and All and The Inspection both opened on a handful of screens. In both box office skirmishes, moviegoers tended to chose the violent option. Violent thrills are really what sells movie tickets these days, with or without vfx budgets. We wish the general moviegoer had wider taste, but it is what it is...

Weekend Box Office (actuals) November 18th-20th 🔺 = new or expanding /  ★ = Recommended
WIDE (OVER 800 SCREENS)	LIMITED / PLATFORM
BLACK PANTHER WAKANDA FOREVER	BONES AND ALL
1 BLACK PANTHER WAKANDA FOREVER $66.4 (cum. $287.1)	1 TILL $228k (cum. $8.5) 656 screens

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'Everything Everywhere' and all over the Spirit Award Nominations

by Nathaniel R

A24's restless inventive sleeper hit Everything Everywhere All At Once continues to win. It's now the leader at the 38th annuel Independent Spirit Awards with 8 nominations and all four of its principal actors were nominated. In second place is Tár with seven nominations. Aftersun missed a couple categories we thought it might hit but it still did very well with five nominations overall.  Love for the rest of the eligible movies was more measured but Bones and All, The Inspection, The Cathedral, and Women Talking also showed up in a few places. 

Since the Spirit Awards have a budget cap ($30 million now) many key potential Oscar players weren't eligible including most Netflix titles as well as presumed Oscar players like The Fabelmans, Banshees of Inisherin, Empire of Light   and naturally all of the spectacle blockbusters. The Spirit Awards rule also deny international cinema the chance to compete in major categories, relegating them to a single "international" category... 

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AFI Fest: “The Eternal Daughter,” “Living” and “Bones and All”

By Christopher James

Tilda Swinton confronts the ghosts of her family's past in Joanna Hogg's new film "The Eternal Daughter."

The AFI Film Festival ended this past Sunday on another packed day. There were plenty of interesting films to catch, from the latest auteur projects to remakes of classics. Without further ado, let's dig into the final titles...

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Semi-Contrarian Takes on 'Alcarras', 'Bones and All', and 'Triangle of Sadness'

by Nathaniel R

BONES AND ALL © United Artists Releasing

Hello strangers. Yours truly has been moving apartments for the past few days hence the radio silence. But HQ (aka the desktop computer) is now plugged in, wifi connected, and ready to be of use again if the rest of me can similarly recharge. When was the last time you moved? It's a bitch, right? Bone tired and the whole body aches from packing and box lifting and such. Can't wait to talk about The Fabelmans and TÁR but first some quick takes on recent NYFF screenings the last of which (Triangle of Sadness) is just fabulous and now in theaters. Go see it!

BONES AND ALL
The latest flick from Luca Guadagnino (Call Me By Your Name) is an interesting experiment in fusing tender romantic drama with sickening gore...

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