Poland's Oscar stats and the first 2020 news of the International Feature Race

If you've been reading TFE for any length of time, you already know we're obsessive about Oscar's Foreign Language Film race, last year retitled to Best International Feature Film. Normally we've long since begun talking about the submission list, but 2020 remains an unruly unusual beast. But we do have two pieces of news to share regarding our favourite non-actress based category.

First, we've neglected to mention that Oscar's longer-than-usual release eligibility period has also affected Best International Film...

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Cannes Begins: Iñárritu and His Jury Arrive

by Nathaniel R

The 72nd edition of the world's most famous festival has officially begun. We'll try to bring you comprehensive daily coverage by astral projecting ourselves across the ocean (i.e. watching online videos from France and following critics on Twitter). Earlier today the president of this year's main jury Alejandro González Iñárritu arrived with his gender-balanced fellow jurors in tow (or "classmates," as Maimouna N'Diaye so charmingly put it in the preference conference)... 

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Soundtracking: Cold War

by Chris Feil

Pawel Pawlikowski’s Cold War serves us romance as allegory, a love story that represents a falling out with and tidal pull towards national identity. The film’s lovers, Zuzanna and Wiktor, meet in rural post-war Poland, beginning an affair that spans years and countries, their inevitable frustrated split and reuniting not unlike a national identity continually struggling to redefine itself. But crucially, Pawlikowski positions them in a musical world, one where genres and tastes charge forward like the evolving, indifferent world around his torn protagonists.

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Best Director Fun. What a Category This Year!

How cute is this? Here's Adapted Screenplay nominee Barry Jenkins (If Beale Street Could Talk) celebrating Spike Lee's Best Director nomination for BlacKkKlansman:

And the biggest congrats to the 🐐 — ran into this portrait last night in Paris, couldn’t help but grab a selfie; no words necessary. And by every measure, this man — so necessary 👌🏿🙌🏿🙏🏿 pic.twitter.com/YXuzAwNdk3

— Barry Jenkins (@BarryJenkins) January 22, 2019

In related news: the Best Director Chart is updated and ready for your votes (who should win? vote every day!) and commentary. We've added trivia, stats, as well as speculated on "How'd they get nominated?" as is our annual habit. Let's take Spike Lee as an example. This is how'd we'd wager Spike got his nomination...

35% Reputation and do-over. An iconic director who'd never been so honored. Sorry about Do The Right Thing!
30% His biggest hit and best film in several years. Critically adored and guild supported, too. 
16% Timely themes - plus the world has caught up to him.
12% Cannes gave him an early boost and his movie instant highbrow cred.
7% Had the summer all to itself to percolate as Best Picture worthy

Find out how the others got nominated on the chart. Agree? Disagree? Are we forgetting a key factor? Do tell in the comments.

Podcast: Sorry to Bother You about Oscar's fifth spots!

Nathaniel R and Murtada Elfadl and Nick Davis talk Oscar races

Hello! No new movies to review but plenty to talk about.

Index (56 minutes)
00:01 Glenn, Regina, Olivia, and Patty saved the Globes
05:16 What we've been watching lately: Boots Riley's Sorry to Bother, plus Support the Girls, Minding the Gap, Eighth Grade and A Star is Born (again).
18:00 Supporting Actress / Actor: Foy or Robbie, and King? Sam, Sam, or Timothée?
29:22 Actor & Actress: Hawke or Washington? Blunt, Aparacio, or Kidman?
35:45 Screenplay confusions / Score weirdness
42:30 Foreign Film: Never Look Away or Burning?
45:50 Nick is thumbs down At Eternity's Gate
47:20 Director / Picture and Pawel Pawlikowski and Spike Lee
55:00 Wrap-up

Further Reading / References
• Oscar Charts
• Golden Globe Speeches
• KCRW's "The Business" interview with Spike Lee
• Nathaniel's Ben Foster interview

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Sorry to Bother You about Oscar's fifth spots