Venice 2023: Roman Polanski's "The Palace" and more...

by Elisa Giudici

"The Palace"

Venice is experiencing an absence this year: the middle-ground movies. While there are some mind-blowing films and quite a few terrible ones, those good yet imperfect titles are notably missing. This 80th edition of the festival has been quite the rollercoaster, with moments of brilliance followed by real disappointments. Some movies have sunk so low that they become oddly memorable. Let's take a closer look at a few of the disappointments witnessed in Venice recently.

THE PALACE by Roman Polanski
It might be too early to pass judgment, but Polanski's latest film is a disaster of such magnitude that I hope the title of the worst movie in competition won't fall to an Italian entry...

Click to read more ...

Macbeth beyond "The Tragedy of Macbeth"

by Cláudio Alves

Joel Coen's The Tragedy of Macbeth is a beautiful experiment in bringing German Expressionism to 21st-century digital cinema. I could wax rhapsodic about its minimalist set designs and symbolic costumes, the crystalline black-and-white cinematography and ominous soundscape. Hell, there's a book's worth of material to be written about Kathryn Hunter's merge of avant-garde physical theater and Elizabethan dramaturgy. All that being said, and that Scripter nomination aside, the movie's a rather lousy Shakespeare adaptation. Despite pronouncements about trying to reinvent the Macbeths as a middle-aged couple, going deep into the psychology of two creatures whose youth is long gone, Coen doesn't go deeper than the surface. 

In the end, it's a standard reading of the play that serves as a foundation for all that style. The cinephile in me loved it, while the Shakespeare geek felt dispirited. However, there are enough Macbeth movies out there to please just about everyone. It all depends on what you're looking for… 

Click to read more ...

Poland's Oscar stats and the first 2020 news of the International Feature Race

If you've been reading TFE for any length of time, you already know we're obsessive about Oscar's Foreign Language Film race, last year retitled to Best International Feature Film. Normally we've long since begun talking about the submission list, but 2020 remains an unruly unusual beast. But we do have two pieces of news to share regarding our favourite non-actress based category.

First, we've neglected to mention that Oscar's longer-than-usual release eligibility period has also affected Best International Film...

Click to read more ...

Horror Actressing: Catherine Deneuve in "Repulsion"

by Jason Adams

Oh, Repulsion! Prescient, precious Repulsion! How could you have known that one day we'd all every last one of us be boarding up our doors and dreaming about probing walls of man hands every night? ... Just me? Watching Repulsion for the umpteenth time what immediately struck me this week, after having lost track of the time indoors myself, was its soundtrack -- the diegetic bird song, distant people playing and chit-chatting through the windows, the incessant clanging of trolley bells that slip in and out of some sort of wailing, panting kazoo cry whenever Carol (Catherine Deneuve) turns her inner heat up...

Click to read more ...

Cesar Winners: "Les Misérables" is tops... but now we're curious about "La Belle Epoque"

Yes yes, we were supposed to be taking the weekend off. But we forgot about the Césars held yeseterday in France. So...

Cast & Crew of "Les Miserables" at the Cesars

While Roman Polanski's "J'Accuse!" led the César nominations in the end it lost "Best Film" to France's Oscar nominated Les Misérables. Both films won multiple prizes. Curiously considering two prizes for Polanski himself, two films which center on the sexual abuse of kids (By the Grace of God and "M") also won Césars. The dramedy La Belle Epoque, starring longtime gallic icons Daniel Auteuil and Fanny Ardant, also made a strong showing with 3 wins. A complete list of winners, some stats, and the trailer to La Belle Epoque are after the jump...

Click to read more ...