Oscar Volley: "Best Supporting Actress" is a fun, fantastically chaotic Free-For-All!

The Oscar Volleys continue. NICK TAYLOR and ERIC BLUME discuss the ever volatile race for the Best Supporting Actress Oscar.

Amy Madigan in WEAPONS | © Warner Bros.

NICK:  Hello Eric! I’m writing you the day after the Actor Awards announced their winners. Amy Madigan took their Supporting Actress prize for her pristine turn in Weapons, while Wunmi Mosaku can add Sinners’ Best Ensemble award to her shelf. It’s a three-way race between them and Teyana Taylor’s commanding turn in One Battle After Another, and I for one couldn’t be happier. Hell, Inga Ibsdottir Lilleass and Elle Fanning are better also-rans than most of the past decade’s undisputed champions.

After several years in a row of middling lineups, this is the best Supporting Actress field since 2020, maybe even 2016. There aren’t even any leads (or categorically ambiguous) to dampen our fun. In a year with plenty of outside contenders and tantalizing non-starters, all five women earned their nominations fair and square, without feeling preordained. I’m still debating if Taylor or Madigan will go all the way, and while I ponder the fate of all things, let me ask you: How do you feel about this category, Eric? Where do you think the winds are blowing?

ERIC:  Nick, I agree wholeheartedly that this is the best field we've had in many years, not a lame performance in the bunch!  Which is why I'm personally a bit dismayed that the two performances I feel are the strongest (Sentimental Value's Inga and Elle) are the two that seem out of the running for a win...

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Berlinale's would-be scandal "Rosebush Pruning"

by Elisa Giuidici

Incest, murder, and the airless cynicism of extreme wealth: Rosebush Pruning positions itself aggressively as this year’s Berlinale provocation. Very loosely inspired by Marco Bellocchio’s 1965 debut Fists in the Pocket, Karim Aïnouz’s English-language drama borrows the earlier film’s diseased family structure but transplants it into the sterile rarefaction of contemporary ultra-wealthy excess.

Bellocchio’s earlier Italian classic centered on a wealthy young epileptic plotting to eliminate his blind mother and siblings to “free” his older brother from domestic obligation. Aïnouz retains the architecture of that premise while shifting the social register upward. Here the patriarch is a blind, theatrically transgressive father (Tracy Letts), alternately possessive and imperious, presiding over four adult children (Riley Keough, Jamie Bell, Callum Turner, and Lukas Gage) already enriched by their late mother’s estate. Pamela Anderson’s absent matriarch - killed by wolves - haunts the film from its opening frames...

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All Four Acting Categories -- Some Fun Through Lines & Connections

by Nathaniel R

Elle Fanning made her acting debut opposite Sean Penn in I AM SAM (2001) - both are up for Supporting Oscars in March 2026

When we're looking at Oscar trivia we're often focused on individuals. Once that's done it's fun to widen the view a little and think about the year's twenty nominated thespians as a unit. So here are some connections and percentages of note...

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Review: The Girl From Plainville (Hulu)

By Christopher James

Elle Fanning tackles the role of Michelle Carter, the teen who convinced her boyfriend to take his own life, in "The Girl From Plainville."The trend of documentaries getting turned into narrative miniseries continues with The Girl from Plainview on Hulu. The case of The Commonwealth vs. Michelle Carter has been widely reported on through documentary and deep dive articles. The story touches on so many hot button items: teenage suicide, social media, bullying in relationships and whether one can prosecute someone over texts. 

So does the new Hulu series have more to say on the topic that has already been said?

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Where has the time gone? "Super 8" is 10 today.

by Nathaniel R

the cast of Super 8

Remember Super 8? The sci-fi adventure was released ten years ago today. It was supposed to be a big Spielberg-size event (he produced it) and establish JJ Abrams as a successor. Things didn't quite work out that way, even though it was a decent-sized hit. Abrams retreated back into other people's franchises (Star Wars) where he'd begun as a film director (Mission Impossible and Star Trek). Super 8 grossed $127 million domestically (and another $100 million plus overseas) making it a success but probably not what Paramount was expecting stateside. Alvin and the Chipmunks: Chipwrecked and The Smurfs both outgrossed it, keeping it outside the top 20 of its year. Still the sci-fi adventure had its fans and people by and large loved the young cast. And who knows. Perhaps it reengineered pop culture's DNA enough that five years later audiences turned Stranger Things into a phenomenon. Both are about a quartet of nerdy young boys, and the girl they're in awe of / a bit scared by, dealing with otherwordly forces in the Midwest. They're even set just four years apart Super 8 in 1979 and Stranger Things begins in 1983. 

Super 8 is streaming on Paramount+ at the moment. We didn't have time to rewatch the whole movie though we skimmed to refresh the memory. Elle's "acting" debut in the movie within the movie is still a terrifically explosive scene. Anyway, we thought it might be interesting to see how the cast is faring today in their mid-twenties. Let's take them in billing order...

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