Cannes: Paweł Pawlikowski is Palmę-ready with "Fatherland"

by Elisa Giudici

Pawel Pawlikowski has always been a filmmaker of absence. Empty space, withheld emotion, silence so heavy it seems architectural: his cinema has long depended less on what characters say than on what lingers unresolved between them. Fatherland may be the purest expression of that sensibility, a film reduced to such an essential form that it almost appears to vanish while unfolding, only to return afterward with quiet, devastating force.

At first, it can seem unexpectedly modest by the standards of, say, Cold War. Fatherland is less sweeping, less immediately transporting. But the images begin resurfacing hours later. A corridor swallowed by shadow, a pause stretched slightly too long. A father and daughter speaking with perfect intelligence while emotionally disintegrating in front of one another. Pawlikowski has refined his cinema here into something severe and distilled, and the result is extraordinary...

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Poland & Ecuador make their Oscar picks

by Nathaniel R

Poland won their first Oscar in the Best International Feature Film category for Ida (2014) eight years ago and surely came closer than expected to a second win four years ago with a late surge for the brilliant Cold War (2018) which also scored Best Director and Best Cinematography nominations. In fact, Poland has had a major comeback with the Oscars in the past 15 years, racking of nearly half of their nomination total after a quarter century drought from the last time the Academy couldn't get enough of their cinema back in the mid seventies to early eighties.  Can they keep their hot streak going with the buzzy donkey point-of-view feature, EO... 

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Showbiz History: Snow White premieres, The Graduate opens.

7 random things that happened on this day, December 21st, in showbiz history 

the program for Snow White's premiere printed in the Los Angeles Times on December 20th, 1937

1937 Snow White and the Seven Dwarfs premieres at the Carthay Circle Theatre in Los Angeles. You can read about the premiere here. It would play Christmas week in LA but not open for the nation until February when it was a smash, briefly becoming the highest grossing film of all time.

After the jump Samson & Delilah, The Graduate, Jane Fonda and Steven Yeun...

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Almost There: Oskar Werner in "The Spy Who Came In from the Cold"

by Cláudio Alves

To be nominated in both Leading and Supporting categories at the same Oscar ceremony is a rare feat some actors have been lucky enough to achieve. Most often, though, AMPAS will pick a role to celebrate and only bless the performer with one nomination. Actors that came close to the elusive double nomination include people like Meryl Streep in 2002, Al Pacino in 1990, Jane Fonda in 1978, and today's Almost There case study, Oskar Werner in 1965.

This Austrian performer, famous for films like Truffaut's Jules and Jim, was nominated in the Best Actor category for his work in Ship of Fools. That same year, he was probably close to a Supporting Actor nod for The Spy Who Came in from the Cold…

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Is Black-and-White the Path to Gold?

by Cláudio Alves

Lately, it seems every time a film shot in black-and-white is even tangentially associated with Oscar buzz, it becomes an immediate contender for the Best Cinematography trophy. Even if many were skeptical (not Nathaniel, who predicted it), The Lighthouse proved this once again when it conquered a nomination for the work of DP Jarin Blaschke. In this case, at least, the nomination is amply justifiable with The Lighthouse looking like a series of haunted daguerreotypes, full of shiny fluids and battered bodies, ominous tempests and the enticing flame of the titular lighthouse.

Still, that's not always the case. Here are all the black-and-white Best Cinematography nominees of the 21st century…

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