TV Review – ‘Yellowstone’ Prequel ‘1883’

By Abe Friedtanzer

Paramount Network, formerly known as TNN and Spike TV, has found its flagship series in Yellowstone, the Montana-set drama starring Kevin Costner currently airing its fourth season. It’s no surprise that the show’s immense popularity would create the desire for a spinoff, and instead, sister streaming service Paramount+ has opted for a prequel. Set more than a century before the original, 1883 is a pretty straightforward Western tracking the establishment of the Yellowstone Ranch that serves as the center property of the franchise…

These two shows come from Taylor Sheridan, writer of the underrated Hell or High Water and also director of Wind River and Those Who Wish Me Dead. After I sampled the pilot, I didn’t stick with Yellowstone, even though I did enjoy Longmire, which had a similar vibe, and I continue watching the Montana-set Big Sky for unknown reasons since it’s really not good at all. Objectively, 1883 probably appeals more since it has to do with the trek west during lawless times and the official establishment of an American presence in a rural region already populated by indigenous people...

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March 25th is a super-duper Oscary day

If today, March 25th, is your birthday please brag about this fact...

Audrey Hepburn & Prince at their Oscar winning ceremonies

More Oscar ceremonies have been held on your birthday than any other day in history with the exception of March 29th, which has had the same amount of Oscar ceremonies: five. (Supposedly in 2022, these two March dates will have to share this peculiar honor in a three way tie with February 27th.)

1954 The 26th annual Academy Awards are held honoring the best of 1953...

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Actors Turned Producers @ the Oscars

by Cláudio Alves

We've already posted about many records broken with this year's Oscar nominations, but one particular achievement remained unmentioned. With her double nominations for Nomadland – for Best Picture and Best Actress – Frances McDormand became the first woman to earn an acting and a Best Picture nomination for the same project. This comes after a decade when this feat became incredibly common for male performers. Historically, ever since the 1950s, when AMPAs started to list producers with Best Picture nods, instead of merely the studios' name, actors have been producing their movies and earning added honors for those efforts. Still, it was only in the late 60s that someone scored the elusive double citation by the Academy…

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1987: The Untouchable Sean Connery, a look at the late actor's Oscar-winning performance

by Josh Bierman

When I heard about our 1987 retrospective I wanted to choose a film that I had never seen. I’ve been striving to cover blindspots in my film viewing history since the start of quarantine. I looked at the list of movies released in that year and when I saw The Untouchables the choice became obvious. At my home film festival, Cinema Quarantino, I’ve fallen in love with Kevin Costner as if it was 1991. I’ve also been really drawn to the films of Brian De Palma. All of that fell by the wayside when I woke up on Saturday morning to the news of Sean Connery’s passing. 

We’re all friends here, so please don’t judge when I say in keeping with the theme of having serious blind spots, the only other Sean Connery movie I’d seen is Murder on the Orient Express. Connery released his last studio film just as I was becoming obsessed with movies around the age of ten, so he wasn’t someone who was on my radar. I mainly associated Connery with Darrell Hammond’s inimitable SNL impersonation on Celebrity Jeopardy as well as his later career interviews (we’d be remiss to forget his one worded declaration of the Best Supporting Actress winner of 2002, we know Kathy Bates hasn’t). As if I wasn’t eager enough to watch it already, I welcomed the opportunity to not only watch a bit of Connery’s filmography, but the movie that won him his Academy Award...

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Almost There: Joan Allen in "The Upside of Anger"

by Cláudio Alves

Just as we did last week, today's Almost There was chosen by you, the reader. From a group of 2005 Oscar hopefuls, Joan Allen came out victorious for her work in The Upside of Anger. She got 25% of your votes, beating performances like Zhang Ziyi's watery Sayuri in Memoirs of a Geisha, Maria Bello's steamy turn in A History of Violence, and Scarlett Johansson's arresting Oscar bid in Match Point. All those actresses got closer to the gold than Allen realistically did, but she was still part of the conversation. After all, it's difficult to believe someone could watch The Upside of Anger and not want to shower its leading lady with accolades…

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