Yes No Maybe So: That other "Pinocchio"

by Nathaniel R

Pinocchio is everywhere. It's a cyclical thing that happens with a lot of "public domain" characters who are essentially free IP for storytellers. Consider that in the 21st century alone Pinocchio has appeared --take a deep breath the list is long-- as a supporting character multiple films in the Shrek franchise, as a character in a TV musical (Geppetto), as the subject of two live action adaptations (interesting enough both were Italian films) and three animated adaptations (from Canada, Italy, and Russia). Next up in the next several months he'll be the lead in a new video game (only hot and 20something this time), and have two more feature-length adaptations of his story. We've already seen the trailer for the Guillermo del Toro's stop motion version of the story which arrives in December. Now we get the trailer to the live action (with lots of CG characters) version from director Robert Zemeckis which will be on Disney+ beginning September 8th.

A Yes No Maybe So™ breakdown after the jump...

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Hit Me With Your Best Shot: Kathleen Turner and Straight Camp

by Nathaniel R

Romancing the Stone's most famous sight gag. © 20th Century Fox

At the risk of accidental humiliation, like having a stranger end up face down in your lap due to a freak mudslide, I would like to propose a theory that Romancing the Stone (1984) is straight camp. Since no one can agree on a definition of "camp", let alone a heternormative variation on such a traditionally gay style / point of view, it's a risk. But looking back at Robert Zemeckis' classic adventure rom-com, the word 'camp' if not 'campy' kept coming to mind.

Right from its defining cheesy prologue, a heightened visualization of the last pages of a romance novel's already purple prose, it's an artificial wonder...

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Almost There: Jodie Foster in "Contact"

by Cláudio Alves

This past weekend, Jodie Foster threw a wrench into the Best Supporting Actress race, surprising pundits when she won the Golden Globe for The Mauritanian. Maybe we shouldn't have been so shocked; The Academy hasn't acknowledged Foster since her 1994 nomination for Nell, but the HFPA never stopped loving her (8 nominations, 3 wins, 1 lifetime achievement). Three years after her last Oscar nomination, she was back on the hunt for a Golden Globe. The movie was Robert Zemeckis' Contact and the role was one of the most challenging in the actress' long career…

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Beauty vs Beast: Never Trust A Dame In Sunglasses

Jason Adams from MNPP here on the 111th anniversary of my favorite lower-case dame's birthday - Barbara Stanwyck was born Ruby Stevens in Brooklyn NY on this day in 1908 and a rough-and-tumble 19 years later found herself making movies. Cut to 1944 she was one of the biggest stars there was or ever will be when she got what's probably her most famous role and the one that carved the Femme Fatale Archetype in stone - the unhappy wife with murder on her mind Phyllis Dietrichson, who wrangles the wranglable insurance salesman Walter Neff (a gloriously against-type Fred MacMurray) into doing her dirty work. And Billy Wilder's Noir classic Double Indeminity was born.

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PREVIOUSLY Forrest Gump couldn't run fast enough last week to outrun his Jenny Girl - Robin Wright took 65% of your vote on the now controversial Oscar winner. Said Doctor Strange:

"I have hated Forrest Gump since it premiered, so I'm hardly a johnnie-come-lately hater. I find it manipulative, simplistic, and just plain unbelievable from beginning to end. It's got some very good performances that almost save it... but it's mostly a succession of cheap shots. I'm a boomer myself, but I was never blind to its self-aggrandizing convservatism and retrograde sexual politics."

Beauty vs Beast: The Gump Generation

Jason from MNPP here with this week's "Beauty vs Beast" fun-time poll extravaganza - it feels, in the legendary words of Stephanie Tanner, HOW RUDE, to wish Tom Hanks a birthday today with what's come to be seen as his most divisive role, that of the lead character in Robert Zemeckis' 1994 Oscar-magnet Forrest Gump. "We hate that movie now," screams the internet echo chamber.

Except... I kind of don't? I've always been plenty privy to its gross conservative streak - I went to film school in the late 90s, we talked about it a whole bunch, don't worry. I get that it takes a feather-lite tickle to nostalgic Boomer bullshit when a hand grenade might've been more helpful. I was always rooting for Jenny (Robin Wright) and have always found the film's liberal ladling of degradation onto its independently-minded female character, in the words of here and now, hella probelmatic.

And yet despite all that if I stumble upon the film on TV I'll always get sucked in. Zemeckis spins his fable of Straight White Americana with soda-pop commercial zeal, and everybody's so good, iconic really, in their roles. Perhaps we can one day find a middle-ground, watching the movie as an under-amber representation of a vacuum-sealed culture's last gasp; this is the way America saw itself once, lucky and dumb, constantly blundering forward into the next morass without thinking and then making a pretty story out of the good parts.

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PREVIOUSLY Speaking of curdled American Dreams last week's I Tonya contest gave Tonya her gold medal at last - Margot Robbie kneecapped statue-hog Allison Janney with 68% of your vote. Said Suzanne, echoing most of your comments since y'all still mad about last year's Oscars:

"Laurie Metcalf should have won. (And if anyone were going to beat her, it should have been Lesley Manville.) It's Tonya for me."