Oscar Stat Fun - No Sweeps in the Modern Era but can "EEAAO" change that?

by Nathaniel R

That complete sweep at the Spirits and SAG has us wondering now whether or not Everything Everywhere All At Once will win Best Picture but how many statues in total can actually win. We haven't seen a sweeper at the Oscars in a long long time. Yes some films have won all their categories but they aren't true "sweepers" i.e. thoroughly dominant movies. It would be technically accurate, for example, to say that CODA performed a clean sweep last season. It did win all of its categories but it wasn't a sweeper in any meaningful sense since it was only up for 3 Oscars.

In fact, a big sweep hasn't yet happened in the expanded Best Picture era!  Can Everything Everywhere All At Once change that? Let's look at the history and stats after the jump...

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Through Her Lens (Season Finale): The 83rd Oscars + 2010s RECAP

A series by Juan Carlos Ojano. Introduction / Explanation

After Kathryn Bigelow’s historic Director win at the previous Oscars for The Hurt Locker, the 2010 roster of nominees returned to the usual all-male lineup. The eventual five were pretty much unquestioned. David Fincher was the early frontrunner for Facebook drama The Social Network. Darren Aronofsky and David O. Russell received their first nominations in this category for the psychological horror Black Swan and the sports drama The Fighter, respectively. The inclusion of the Coen Brothers was considered a semi-surprise for the late-breaking Western True Grit. Ultimately, the winner was Tom Hooper for the Best Picture-winning historical drama The King’s Speech. 

Given that context, it is still a bit discouraging to see the return to normal especially with two female-directed films also up for Best Picture: Lisa Cholodenko’s dramedy The Kids are All Right and Debra Granik’s mystery drama Winter’s Bone. Both films received four nominations, though neither secured any wins. Women were also largely absent from the Best Director conversation. Out of the 248 films included in the Reminder List of Eligible Films in 2010 (83rd Academy Awards), only 24 (9.7%) were directed/co-directed by women...

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Oscar Volleys: Best Editing is a Category that Doesn't Know What it Wants to Be

Team Experience will be discussing each Oscar category as we head into the precurosrs. Here's Nick Taylor and Ben Miller with the first volley...

the 4 most recent movies to be nominated for editing that WEREN'T nominated for Best Picture.

BEN: Alright Nick, since I'm starting this conversation, I'll get on a soapbox. I hate what this category has turned into. It used to be a really cool category that highlighted the most underrated aspect of the filmmaking process. Instead, it's turned into Best Picture Redux.  In the last ten years, there have been 50 nominees for Best Editing. Only four were not nominated for Best Picture. When did this category get so lazy? Why, of all categories, is this one so linked to Best Picture... 

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'The Help' just keeps on being an Oscar good luck charm!

by Nathaniel R

from Jessica Chastain's Instagram

They is kind. They is smart. They is important. They is winning Oscars. Have you noticed that the cast of The Help, one of 2011's biggest hits (just behind the first Captain America, no joke, that year) just keeps collecting golden statues?! The Help had detractors from the start but it was hugely popular with the public considerably raising the profiles of all of its cast members, except the ones who were already enduring stars (hey Sissy Spacek, Mary Steenburgen, and Cicely Tyson! xo). It's greatest legacy might now be the Oscar winners it shoved towards the Dolby Theatre stage... 

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Oscar's complicated history with the "complicated woman"

by Matt St Clair

Remember when Maggie Gyllenhaal won a Golden Globe for her starring role in the miniseries The Honorable Woman? During her acceptance speech she spoke about not just the wealth of strong roles for women on television, but roles as complicated women, saying, “when I look around the room at the women who are in here and I think about the performances that I’ve watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy, sometimes not. Sometimes honorable, sometimes not.” Complicated female characters on TV still receive more proper acknowledgement than those in the movies. 

While Carey Mulligan earned a recent Best Actress nomination for her role as the duplicitous avenging angel Cassie Thomas in Promising Young Woman, the Oscars have a historically spotty track record when it comes to acknowledging actresses for playing complicated, and sometimes calculating, women....

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