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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Tues Top Ten (75)

Saturday
May102014

Team Top Ten: The Best Cannes Winners of All Time

Amir here, to bring you this month’s edition of Team Top Ten, a monthly poll by all of our contributing team at The Film Experience. Cinephiles all around the world turn their attention to the south of France in May as the most prestigious film festival in the world gets underway in Cannes.

The festival’s history is a rich one, full of interesting cinematic and political narratives. It’s an event that has celebrated the best in cinema and operated as a launching pad for emerging artists as much as it has played games of politics and festival world favouritism. Still, when all is said and done, the list of Palme d’Or winners can rival any list of the best films ever made.

With this year’s edition of the festival just about to begin, we thought it would be a good time to revisit the past and choose our Top Ten Favourite Cannes Winners of All Time. For this poll, we’ve excluded the first two editions of the festival (1939, retroactively awarded to Union Pacific, and 1946, when the top prize was shared between 11 films.)

There is really no easy way to select the cream of the crop here, because these films are already... well, the cream of the crop. Consider the eight films that finished behind our top dozen: Pulp Fiction; Dancer in the Dark; Viridiana; 4 Months, 3 Weeks and 2 Days; Farewell My Concubine; Secrets & Lies; The Tree of Life; The Pianist. Not to mention masterpieces like Black Orpheus, Wages of Fear and Rosetta that placed outside the top 20. The point is that this is the highest echelon of films awards so the standards are high and margins are slim. Some of you will surely disagree with our ranking, but we welcome that. Let us know what you think in the comments.

THE BEST CANNES WINNERS OF ALL TIME
a non-definitive poll which begins with a three-way tie for tenth

10= La Dolce Vita (Fellini, 1960)

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Tuesday
May062014

Tues Top Ten: "Friends" Episodes

Jose here. Ten years ago today (May 6th, 2004) television as we knew it passed away as Friends came to its end after ten landmark seasons.

The show redefined what Thursdays on NBC were all about and made huge stars out of Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matthew Perry, Matt Le Blanc and David Schwimmer. It also pretty much set the standard for what would become “the” multicamera sitcom rules.

On a more personal note, I was obsessed with this show as a teenager, having only caught up with it through syndication. I officially joined the “live” watching only during the fifth season and by the time the show ended, I understood what it was like to “lose” something you grew up with. I’m still mourning the loss of Friends and that other show about New Yorkers that ended its run the same year.  I’m sure you all have your favorite episodes, but whenever I think of me as a kid watching episode after episode after school, these are the ten I’d gladly take with me to Central Perk.

TOP TEN "FRIENDS" EPISODES 

10) The One with Phoebe’s Wedding (S10E12)

Why It’s Here: Everything that can go wrong, goes wrong as Phoebe prepares to walk the aisle and marry Mike (Paul Rudd). Her stepdad stabs a man in prison and Joey has to fill his shoes, while Chandler and Ross fight over who gets to replace one of Mike’s best men. Monica gets fired as wedding planner and a blizzard arrives forcing the gang to improvise...all leading to one of the most magical moments in the series.

MVF: Ross and his sidekick Chappy the dog.

Could it Be Any More Quotable?:

Joey: Friends, family, dog, thank you all for being here to witness this blessed event. The cold has now spread to my special place, so I'm gonna do the short version of this.

nine more greats after the jump...


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Tuesday
Apr082014

Top Ten: Lars Von Trier's Actors

Jose here with your weekly top ten.

 

Visionary. Lunatic. Nazi. Enfant terrible. Misogynist. Genius. Poseur.

Lars Von Trier is called so many things that we often forget that he's a terrific director of actors. With his strange sense of humor and world views, his films are often as alienating as they are enlightening, but actors seem to die to work for him. He's led three of his actresses to wins at the Cannes Film Festival and has injected new life into the careers of actors like Kirsten Dunst, Willem Dafoe and now Uma Thurman. Whether you're a fan of his films or not, his contributions to directing actors are incomparable. Now that both of his Nymphomaniac volumes are out in theaters (reviewed), it's a great time to look back

Ten Best Performance in Lars von Trier Films
(after the jump)

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Saturday
Apr052014

Team Top Ten: The Greatest Working Cinematographers

Amir here, to welcome you back to Team Top Ten, our monthly poll by all of the website’s contributors. For our first episode in 2014, we are looking at The Greatest Working Cinematographers in the (international) film industry. As long time readers of The Film Experience are surely aware, the visual language of cinema is something Nathaniel and the rest of us are very fond of discussing. Films and filmmakers that have a dash of style and understand cinema as a visual medium always get bonus points around these parts. We celebrate great works in cinematography on a weekly basis in Hit Me With Your Best Shot, but it was time to give the people behind the camera their due.
 

More than 50 cinematographers from all across the world received votes. If the final, somewhat American-centric, list doesn’t quite reflect that, chalk it up to the natural process of consensus voting. Cinematographers like Agnes Godard, Oleg Mutu, Mahmoud Kalari, Rodrigo Prieto and Eric Gautier all had their fans, as did Hollywood stalwarts like Dante Spinotti and Robert Richardson. Furthermore, Harris Savides’s name was attached to several ballots, with the unfortunate note that if he were still alive, he’d be on the list. That would have certainly been the case, so here’s Glenn Dunks with an honorable mention for Savides, and then on to the top ten:

Does anybody doubt that Harris Savides would appear on this list if it weren’t for his death in 2012 at the age of 55? I would even hazard a guess that he could have been number one. I distinctly remember wanting to know who this man was and what his career had been after witnessing Birth. The way he mixed golden hues of UWS high society with the chilly silver of a New York winter captivated me. That film alone with its graceful tracking shots and magnetic opera sequence would be enough of a game changer if it weren’t also for his prior film-defining work with Gus Van Sant on Elephant, Gerry and Last Days. He would later work with David Fincher (Zodiac), Noah Baumbach (Greenberg) and his last great collaborator, Sofia Coppola (Somewhere and The Bling Ring). A mighty force taken too soon.”

 

TOP TEN GREATEST WORKING CINEMATOGRAPEHRS

10. Dion Beebe
“Who on Earth is Dion Beebe?” felt like a common question in the early-to-mid-2000s when the Australian cinematographer stormed onto the Hollywood scene. Whatever it was that director Rob Marshall had seen of his prior work that gave him enough faith to turn to him for Chicago I’m not sure – Australian films Praise and Holy Smoke! were hardly indications to hire him for a lavish musical – but beautiful work it was. Still, if his further collaborations with Marshall on Memoirs of a Geisha (for which he won an Oscar) and Nine (for which he should have been nominated) suggests perhaps little more than a handsome craftsman, then it was his sensual and sensorial work on Jane Campion’s In the Cut, visually representing erotic tingles with images, and Michael Mann’s digital masterworks Collateral and Miami Vice that proved he was a bold and innovative one, too. – Glenn Dunks

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Sunday
Mar022014

Best of the Year: Introducing... Nathaniel's Top Thirteen

I've waited so long to share my top ten list that it's become a crushing psychic weight, a symbol of my failure to keep up in this strange Oscar season I've had.  I realized today that if I didn't share it on this very day, it wouldn't happen at all which is unthinkable. TRADITION. TRADITION...... TRADITION  

We're all eager to move on to 2014 but I personally can't make the calendar leap without the Film Bitch Awards (and the Oscars, duh). They're my own internal clock and how I clock the film years. If I could rewind said clock I'd watch all the movies again. They're all dusty now, like cherished objects I shoved into closets or drawers for reasons of clutter when people were coming over. Now I can't remember where I've left them or why it was I thought they were worth hoarding in the first place. 

You still with me? Oh god stay with me. This is my moment of neurotic need! 

If this were a top twenty I'd be writing about these films too, in random order: two animated charmers Frozen and Ernest & Celestine, Joe Swanberg & Jane Adams little seen but extremely worthwhile collaboration All the Light in the Sky, 2012's Spanish Oscar submission Blancanieves (released in the states this year), Sofia Coppola's The Bling Ring... "I wanna rob", two gargantuan blockbusters I seemed to have liked more than most sentient life forms Iron Man 3 and World War Z and the dark, gripping and literally labyrinthine Prisoners. Does that make twenty-one pictures? I'm bad at maths.

ONE MINUTE FROM EACH FILM
Now, the hard part. Hierarchies of wonderment. To break free of the mental shackles that have been holding me back from writing and sharing this list, a self-imposed directive: I am putting each one of these in my DVD player (the joy of screeners) and shuffling to a random scene. Wherever it lands I watch one minute to jog my memory and write whatever comes to mind. Get it? Let's go.  

HER
(Spike Jonze)
Warner Bros. December 18th.
126 minutes

... and Action [98:24] we enter mid montage during a Scarlett Johansson rendition of "Moon Song"...

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