Almost There Extra: Tilda in "We Need to Talk About Kevin"

A bonus episode of "Almost There" (Claudio's Monday afternoon series) this week. Here's Eric Blume on a 2011 race...

There was a sad surprise when the 2011 Oscar nominations were read:  Tilda Swinton did not make the Best Actress slate, despite checking every precursor box along the way.  She had nominations from SAG, the BAFTAs, and the Golden Globes, but Oscar overlooked her magnificent performance.

Three of the nominees for the Oscar that year were considered locks:  Meryl (who won, of course) for The Iron Lady; Viola Davis for The Help; and Michelle Williams for My Week with Marilyn.  But the final two to make the list were Glenn Close for Albert Nobbs and Rooney Mara for The Girl with the Dragon Tattoo...

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Top Ten: Ezra Miller Lewks

by Nathaniel R

Tilda & Ezra 7 years ago. He learned from a master

We have been greatly remiss in celebrating Ezra Miller's rising fashion-icon insanity. I am pleased in retrospect to have been one of the five people who saw and admired his debut performance in the disturbing art film Afterschool which made $3,911* at the box office in 2009 (*actual figure, not sarcasm). I vividly remember seeing it because when I left the theater, a friend who worked at the Nashville Film Festival ran up to tell me that Nicole Kidman & Keith Urban had attended the screening directly before mine. (A tragedy truly: we saw the same movie at the same festival on the same day but weren't in the same showing. ARGH!)

More than ever in 2018, Miller has proven that his casting as Tilda Swinton's son in his breakout picture, Lynne Ramsay's We Need to Talk About Kevin (2011) was more than a little prescient because he's following in Tilda's iconoclastic and androgynous footsteps in the department of causing stirs on the red carpet.

So herewith a top ten of Ezra fashion after the jump...  

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Review: Joaquin Phoenix in "You Were Never Really Here"

by Seán McGovern

As the credits begin to roll on Lynne Ramsey's visceral and intense film, I felt an odd feeling of relief that Joaquin Phoenix did not win an Oscar for playing Johnny Cash. In the years since, Phoenix has eschewed the mainstream and become a full-blown movie-star weirdo. His raw performance in You Were Never Really Here isn't just told his line-readings but also his back muscles, feet, scars and posture. A role for the classical leading man, this is not.

Ramsey's first film since 2011 is a singular assault. It's quite possible that you hated We Need to Talk About Kevin, which took the parental horrors of Lionel Shriver's novel and intellectualised them at a remove. But Ramsey has a knack for distance, creating a particular style of alienation that works perfectly for the story of a traumatized hired-gun...

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Ezra Miller is Queer

Ezra Miller, the devil child that could put Damien in a headlock and kick Rosemary’s Baby off a bridge a la Jack Black in Anchorman, has come out as "queer".

I'm queer. I have a lot of really wonderful friends who are of very different sexes and genders. I am very much in love with no one in particular. I've been trying to figure out relationships, you know? I don't know if it's responsible for kids of my age to be so aggressively pursuing monogamous binds, because I don't think we're ready for them. The romanticism within our culture dictates that that's what you're supposed to be looking for. Then [when] we find what we think is love – even if it is love – we do not yet have the tools. I do feel that it's possible to be at this age unintentionally hurtful, just by being irresponsible – which is fine. I'm super down with being irresponsible. I'm just trying to make sure my lack of responsibility no longer hurts people. That's where I'm at in the boyfriend/girlfriend/zefriend type of question."
-Ezra Miller to Out 

I’m not one for semantics, personally, so if there is a brouhaha abrewin’ regarding the use of the word ‘queer’ rather than ‘gay’ or ‘homosexual’ or whatever label we’ve adopted/reclaimed recently, I’m not participating in it.

I will merely say that the young actor, so good in Lynne Ramsey’s We Need To Talk About Kevin (and one of the stars of the upcoming The Perks of Being a Wallflower) has appeared, in several interviews, to be kind, generous, self-possessed and remarkably aware of each action taken and word spoken on his behalf. I’m not going to say it’s brave (redundant/extraneous) or powerful (hyperbole); I’m simply going to say congratulations to a young, talented actor from my generation for taking a step into unknown waters. Beautiful abandon. 

Home Alink

Self Styled Siren on Margaret. She has no affinity for mess.
24 Frames talks to Anna Paquin about the resurrected movie.
Roger Ebert's Journal on the Oscar lalapalooza. Very strange piece. What's going on here? Ebert seems suddenly willfully ignorant of various Oscar rules claiming, among other things, that The Artist would be ineligible for Oscars if it were in French. Uh, not so, Ebert, not so.
Towleroad new photos from Magic Mike, Soderbergh's stripper movie.

IndieWire ten shooting stars of European film, Elena Anaya (The Skin I Live in) and Alexander's little brother Bill Skarsgård.
Boy Culture Joan Crawford is not one of Rick's (Santorum) Fans! I love it. 
Deja View pencil tests and the challenge of designing Gaston from Beauty and the Beast.
Stale Popcorn on rejected movie posters. I'd never seen some of these. Love a rejected poster from Bugsy that prominently features Annette Bening. 

We Need To Talk About Kevin McAllister...

The crazy thing is that if they wanted to go blonde for Kevin, couldn't Macaulay have worked?