Best Supporting Actor in the 80s: An Alternative Oscar History

by Cláudio Alves

As in real life, Jack Nicholson takes a Best Supporting Actor prize during the 1980s. But not for TERMS OF ENDEARMENT, however.

November is coming to an end and so is our 80s throwback celebration. That means I have to wrap-up these alternative Oscars posts. After sharing personal ballots for Best Actress and Best Supporting Actress, it’s time for the other acting categories, starting with the thespians who enrich their films from the sidelines. As ever, the ballots presented follow Oscar eligibility rules, all its quirks and oddities. There are also honorable mentions, some ineligible gems who weren’t up for the Oscar due to release date shenanigans or a lack of submission on their distributors’ part. Finally, I also added a number of titles on my watchlist and would appreciate all your recommendations to enrich these dream Oscars of mine…

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Almost There: Lois Smith in "Five Easy Pieces"

by Cláudio Alves

No matter how respected or prolific a thespian may be, the glow of Oscar gold isn't guaranteed. Just ask Lois Smith, a titan of the contemporary American stage with nearly 150 screen credits to her name. The closest she ever came to the Academy's good graces was at the start of the 70s and the New Hollywood craze, when playing Jack Nicholson's pianist sister in Five Easy Pieces. Bob Rafelson's film is something of a classic for those interested in this era of American cinema, but its legend tends to circle around the leading man and, maybe, Karen Black. Still, Smith delivers a performance worth considering and, as the title of this post suggests, she was almost there…

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Oscar Completism: Best & Worst of Supporting Actor

by Baby Clyde

Walter Brennan in "The Westerner". The last of his three wins was the most deserving.

After spending most of my life cataloguing all these Oscar winning performances, I feel uniquely qualified to bore you all with my rankings. We’ll cover my favourite winners before handing out some booby prizes to the all-time worst recipients in each acting category. 

Let’s start with the category that nobody cares about, Best Supporting Actor...

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The Postman Rings Four Times

by Brent Calderwood

The Lana Turner / John Garfield classic The Postman Always Rings Twice opened 75 years ago in US theaters. Based on James M. Cain’s bestselling 1934 novel about a wife who colludes with her lover in an attempt to pull off the perfect murder, Postman had to gloss over the grime to get past the censors, but it remains one of the best-loved film noirs of all time, and its huge box office success has been credited with cementing Turner’s status as a top-billed star. 

While The Film Experience isn't set to celebrate the movies of 1946 until June, Postman belongs to multiple years. Here's a rundown of the four most famous screen adaptations of Cain’s crime novel, listed more or less in order of their critical reputation today...

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Gay Best Friend: Simon (Greg Kinnear) in "As Good As It Gets" (1997)

a series by Christopher James looking at the 'Gay Best Friend' trope   

Turns out, gay best friends can get Oscar nominated too. They just have to get beat up first.

Happy Oscar Hangover Week! Now is a time to rejoice in the winners we love and lick our wounds from the snubs along the way. In honor of the Oscars, we thought we would look back at a nominated example of the “Gay Best Friend.” We don’t often see Gay Best Friends get Oscar nominations or wins. Since this caricature is used more as window dressing and less like a fully developed character, there often isn’t enough meat for an actor to get awards traction. Even if they are a scene stealer, they often will fall short. That is… unless trauma is involved.

Case and point: the 1997 Best Supporting Actor race. Our first entry in the column was about the formative work of Rupert Everett in the hit rom-com My Best Friend’s Wedding. His George still stands as one of the best examples of the “gay best friend,” as he elevated the trope and crafted a fan favorite character. Some pushed for him to be nominated for Best Supporting Actor, but there was only room for one gay character in the category. Instead, Greg Kinnear showed up in the Oscar lineup for his mincing performance as Simon in As Good As It Gets, a gay artist defined by his trauma. Dear Oscar, is that really as good as it gets for this category?

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