Oscar Completism: Best & Worst of Supporting Actor

by Baby Clyde

Walter Brennan in "The Westerner". The last of his three wins was the most deserving.

After spending most of my life cataloguing all these Oscar winning performances, I feel uniquely qualified to bore you all with my rankings. We’ll cover my favourite winners before handing out some booby prizes to the all-time worst recipients in each acting category. 

Let’s start with the category that nobody cares about, Best Supporting Actor...

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I'll Link To That

Today's must read
• IndieWire's Eric Kohn has an interesting piece on Jim Carrey's retirement and why A list actors get bored and why they don't pursue more challenging opportunities. Some good theories here even if some of the information shared about how name actors (and their agents) invest time in finding fresh auteurs who could improve their filmographies.

Secret Lynch film, Nicolas Cage reflections, Nimona resurrected, Joel Grey celebration, Mother's Instinct pre-production, and more after the jump...

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How had I never seen... "Cabaret"?

In this new series, members of Team Film Experience watch and share their reactions to classic films they’ve never seen. 

By Ben Miller

Cabaret is Bob Fosse’s “musical” into the world of bohemian performer Sally Bowles and uptight Brit Brian Roberts.  Both try to navigate the world of love along with the struggle to reach a level of extravagance, all the while experiencing the adapting political climate of 1930’s Berlin.

Shamefully, I had never seen it.

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1972 Revisit: Awards Darlings

by Nathaniel R

Before the '72 Smackdown THIS SUNDAY (have you voted yet?) we thought it might be fun to look back at how the awards race played out across the big six categories by comparing the Globes, Oscars, and various other awards organizations of the time to see what the hottest commodities were. 

Where the Globes and Oscar lined up, I've lined them up on the chart belows (obviously the Globes have two wins for Best Picture and Leading Actors do to how they split the categories.) You'll notice that except for Best Actress no categories were closer than a 3/5 match. We wish awards season were that excitingly differentiated now! It's unfortunate that opinions have become so homogenized. As we've said many times, you don't need dozens of groups if they all feel exactly the same way about art. The "other" column is for key wins and nominations that season (if it's a different year for Oscar eligibility we've noted that) that add broader context to what excited people in 1972. 

Ready? Let's time travel...

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Cabaret Pt 3: 'From cradle to tomb...'

Occasionally Team Experience will take a classic movie and pass it around for a deep dive. This week Cabaret (1972) which is currently streaming on Filmstruck. But if you're in NYC don't miss your chance to see it in an actual movie theater at the newly renovated gorgeous Quad Cinema.

In Part One, Nathaniel investigated the way the musical's major players are introduced at the cliff end of the Weimar Era in Germany.

In Part Two, Dancin' Dan watched as two couples (Brian & Sally, Fritz & Natalia) fell in love and lust and into "money!". It makes the world go round. When we left off, Brian and Sally's new lover, a rich baron, has taken Brian out to lunch when a song interrupts their not-so-innocent idyll. - Editor

Part 3 by Chris Feil

1:18:16 - Out of nowhere, we hear a tenor breaking into the nationalist anthem “Tomorrow Belongs to Me”. We pan from his angelic face to see his Nazi uniform, realizing we've fallen into a musical number that is about to be a harsh reality in more ways than one.

It matters that “Tomorrow Belongs to Me” is a very different kind of song than what we have been given thus far, and the only number outside of the cabaret. Entirely without nuance, a straight-shooting melody that purposefully tries to pull you into its grip as we watch in horror while its grim subtext shows itself...

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