Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Like The Film Experience on Facebook

Powered by Squarespace
What'cha Looking For?
Comment Fun

Comment Du Jour
Beauty vs Beast - Danny Zuko vs. Sandy
VOTE

"Team Rizzo! " -Anne Marie

"Patty Simcox for vice president! she's the most! to say the least!" -Par

Keep TFE Strong

 

LOVE THE SITE? DONATE 

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe

Entries in Cabaret (18)

Monday
Apr112016

Beauty vs Beast: Weimar Memories

Jason from MNPP here, willkommen and bienvenue, happy to see you! I trust you've all left your troubles outside? Today is the 84th birthday of the Master of Ceremonies himself, Herr Joel Grey, and so we're feeling frisky for some time inside the Kit Kat Club. As an aside, have any of you read Grey's recent autobiography? I highly recommend it if you haven't -- he's lived a hell of a life and doesn't hold back. (I recently shared my favorite tidbit from the book over at my site.)

Grey originated the role of the MC on stage (and won a Tony for it) and was the only person carried over from the cast to the film (much to Bob Fosse's chagrin), which led to him also winning the Oscar for the role. (This came up recently when Patty Duke, who also won both a Tony and an Oscar for the same role,  passed away.) Standing beside him that night and clutching her own statue was of course a little somebody named Liza Minnelli - maybe you've heard of her? But darlings, now we must choose...

PREVIOUSLY The new Captain America movie is out in about three weeks and we gave you guys the chance to make your Civil War wishes known --wellh the titular Captain stomped right over his fellow Avenger Iron Man to the tune of just under 90% of the vote! It's a blow-out for Cappy! Said Sawyer, taking these results to their (logical? harsh?) extreme:

"Cap all the way. I can not abide Tony Stark. I hope he dies in this movie."

Monday
Feb292016

The Mad Six

Glenn here helping out with the post-ceremony rush. The highlight of last night’s Oscars was surely the six wins for Mad Max: Fury Road. That haul solidified its place as not just one of the most successful Oscar titles of all time, but no doubt the strangest, too.

 

We may all say that most people were predicting at least four of five of those, but the path to those six wins has been rather extraordinary in the truest definition of that word. Who among us a year ago truly could have predicted that we would be here a year later celebrating six Oscars to a movie about a renegade road warrior, an amputee heroine, and a group of sex slaves rising up against an evil warlord in a post-apocalyptic future with the aide of a gang of elderly motorcycle ladies? While we can be disappointed – very disappointed – that they didn’t add a seventh for George Miller’s direction, any movie winning six golden statues is not only a rarity, but a moment to be extremely proud of so hats off to the team behind Max. It won as many awards as the last two best picture winners combined and it doubled the amount of awards of the next highest winner (The Revenant) on its big night. You done good, Max! May more films like you spring forth from your imposing shadow.

Mad Max: Fury Road joins some fine company, with only 26 films having ever won more awards. 26 over 88 years ! More impressive still, is that Miller’s post-apocalyptic action spectacle is a member of an even smaller collective of only five films to have won half a dozen golden statues without a Best Picture prize to go with them. It’s an interesting quintet to say the least.

The five classics after the jump...

Click to read more ...

Thursday
Oct082015

Dancing Emma Stone

Here’s Murtada with the latest dose of the Emma Stone Charm Offensive

Emma Stone is the latest movie star to appear in a music video. The video is question is for the song Anna by Will Butler, of Arcade Fire fame. Inspired perhaps by On the Town and Anchors Aweigh, the video is just Emma dancing on a boat with a bunch of sailors.

She’s goofy and funny but the dancing …. is not quite on point. Maybe she’s still playing Sally Bowles in Cabaret. Bowles of course is famously known for not being a good singer, and it seems Stone took that trait further and is playing a not good dancer in this video. And she's so method in the part!

But who cares when we can watch Emma being silly and funny for 4 minutes.

Enjoy!

Tuesday
Nov252014

Stage Door: Emma Stone in "Cabaret"

Jose here. Earlier this year I reported back from the Kit Kat Club to share my impressions about Michelle Williams’ performance as Sally Bowles in the Roundabout Theatre production of Cabaret. Last night I went back to see what Emma Stone (Spirit-Nominated this morning) brought to the part...

Halfway through the first act of Cabaret, Sally Bowles realizes that life with her naive, new lover Cliff (Bill Heck) might be exactly what she needs. She sits with Cliff on a chaise lounge and for a moment she sees herself living the life of a wife and mother, satisfied with keeping home and raising her child. Suddenly, the Emcee interrupts this precious moment by bringing a microphone, its allure too powerful for Sally to resist, and drawn towards it as if under a spell, she performs “Maybe This Time”.

Onstage, the heartbreaking irony of this moment (Sally selling her soul to showbiz, while fooling herself into thinking she’s doing the opposite) is hard to detect if the actress playing her is too eager, or not eager enough; a delicate balance which I’m thrilled to report was beautifully achieved by Emma Stone.

Having already proved to be a truly magnetic screen presence, Stone brings her unusual sensuality to Sally Bowles by subverting the quirkiness that makes her so much fun to watch in movies. Gone are the traces of the goofy girl from Easy A, or the naivete of her Gwen Stacy in The Amazing Spider-Man. If anything, she’s taking on the introspective self-destructiveness of her Sam from Birdman, the same volatile qualities that make her appealing and scary. Her Sally is a teenager who has convinced herself she can fool others into thinking she can play with the grown-ups. Her levels of delusion are such that she fails to notice she hasn’t really fooled anyone but herself.

Stone is also smart enough to know that in the stage version, Sally isn’t the star, she’s part of the ensemble. To a certain degree she's also a memory conveyed by Cliff who “writes” the show as it goes by looking back at his Berlin experiences. Stone’s Sally, while not the star of the show, is so seductive that we miss her whenever she’s not onstage, partly because we want to see her again, and partly because we are afraid of what will happen to her when we’re not looking after her. The audience develops caretaker feelings towards her, combined with sexual desire, making for Stone’s most mature performance to date.

And can she sing you ask? While she is obviously no Liza (then again who is?), Stone successfully delivers her numbers, bringing a raspy, sensual quality to them. (She often sounds like Lindsay Lohan did in her pop star moment!). Stone knows that singing isn’t her (or Sally's) true forte, so she lets this be an essential part of the performance, delivering the last third of the title song completely out of pitch, furiously fighting against the notes coming from the band. If a man can’t restrict her, why does this song think it can?

 

Tuesday
Apr292014

Tony Award Noms 2014: Much Movie-to-Stage Madness

The Tony Award Nominations are upon us. 8:30 AM is, I think, officially my favorite time each day. It's always when award nominations for anything are announced. Plus I've already had a cup of coffee, am wide awake and have usually already written something. The curse of the Early Riser. The 2013/2014 Broadway season  -- at least for the musicals -- was completely dominated by movie-to-stage transfers or classics that have become movies and are back on the stage again but most of the transfers didn't fare as well as you might have expected.

Ever adorable Jonathan Groff and Lucy Liu announced the nominees this morning with A Gentleman's Guide to Love and Murder leading the tally and Hedwig and the Angry Inch close behind. A complete list with commentary follows

Click to read more ...

Friday
Apr112014

Splink!

In Contention the Stephen Hawking biopic Theory of Everything starring Eddie Redmayne is getting an Oscar prime November release. Best Actor is going to be tight this year, people
Telegraph interviewed Winona Ryder last month. Not sure how I missed this one but it's a good interview with smart comments on her career and age.
Shadowplay "things I read off the screen in In The Heat of the Night" interesting piece on 1967's Best Picture

Playbill has a history of Cabaret's journey from the pages of "Goodbye to Berlin" to the stage and screen
Cinema Blend I hadn't heard about this but there's a Twilight related lawsuit going on about profit sharing. Apparently Robert Pattinson made $25 million from Breaking Dawn. Wow.
Pajiba on Rob Lowe's "awesome" Reddit AMA
The Playlist Denis Villeneuve's career is heating up post Prisoners/Enemy and he's prepping a sci-fi thriller called The Story of Your Life which might star Amy Adams. It sounds vaguely Contact-esque to me.
Towleroad X-Men Hugh Jackman, Michael Fassbender, and James McAvoy do great impressions of Sir Ian McKellen and more. Adorable.
AV Club on "the return of the consumptive heroine" via The Wind Rises and Winter's Tale 

Today's Watch
It's a new Batman short in the style of his animated adventures in the 90s to celebrate his 75th anniversary (which is actually in but people are excited so they're starting early)

 

Creative Tributes
Cinema Blend Jackie Chan, who turned 60 this year, has been immortalized with a portrait in chopsticks
i09 2001: A Space Odyssey gets an homage via fruits and vegetables in this commercial 
Chaz Ebert her late husband Roger Ebert is getting a statue during EbertFest 

An Actor's Director
Guardian Sean Penn is returning to the director's chair for a South African romantic drama starring his new squeeze Charlize Theron (originally from South Africa so that's kind of cool) and Javier Bardem. My main concern with Penn as a director is that he's just so heavy/grim. I hope he finds a way for a range of tones here. This will also be Adele Exarchopoulos follow up to Blue is the Warmest Colour as she's playing a journalist

And finally...


AV Club let's us now the remake of Time Cop (1994) is back on. I don't care about this but I will take any excuse to post Jean Claude Van Damme's infamous kitchen counter split. It's one of my most vivid memories of 1990s moviegoing. What?