Almost There: Marilyn Monroe in "Some Like It Hot"

by Cláudio Alves

September started with the Venice Film Festival where Andrew Dominik's controversial Blonde premiered and closes with its arrival on Netflix. As a Marilyn Monroe fan who tried and failed to get through Joyce Carol Oates' doorstop of a novel, I had early apprehensions about this production and its fictionalized account of the star's troubled life. However, the combination of a gorgeous-looking trailer and moralistic backlash online led me to anticipate the movie with bullish optimism. Yet, having seen the thing, I'm afraid I can't sincerely take on a contrarian positive take nor defend most aspects of the misbegotten mess.

Worst of all, I'm stricken by the picture's puddle-deep purview of stardom, image-making, and Monroe herself as a person and phenomenon. Considerations of her as an actress are similarly shallow, verging on nonexistent. This is especially disheartening because, above all else, she was an amazing actress whose talent is often overlooked, either obfuscated by the glare of tragedy or dismissed by those who can't see beyond media objectification. So, to combat both narratives, let's remember Marilyn Monroe, the actress, in one of her best films – Billy Wilder's Some Like It Hot…

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Almost There: Jack Lemmon in "Glengarry Glen Ross"

by Cláudio Alves

Last week, in the Almost There series, I took a look at Shirley MacLaine's Volpi Cup-winning turn in Madame Sousatzka. This week, it's on to another Venice Film Festival champion who got some Oscar buzz but failed to make it to the Academy's lineup. From a Best Actress winner to a Best Actor victor, from one elderly Oscar-winner to another, from The Apartment's leading lady to its leading man. In 1992, Jack Lemmon won two prizes at Venice, both for his performance in James Foley's screen adaptation of David Mamet's most famous play, Glengarry Glen Ross. The movie is iconic, full of memorable dialogue and oft-quoted one-liners, a treasure trove of vociferous acting, bursting at the seams with tired testosterone. Still, amid such a powerhouse cast of characters and acclaimed thespians, Lemmon shines brightest…

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Showbiz History: Taxi Driver, Grammy Openers, and Globe Switcheroos

5 random things that happened on this day, February 8th, in showbiz history...

Julie Andrews in her infamous 'kill them with kindness' Globes speech in which she thanked the producer of... wait for it... My Fair Lady.

1921 One hundred years ago movie star Lana Turner was born. More on her later.

1965 The 22nd annual Golden Globe awards honoring the films of 1964 were held. Becket (drama) and My Fair Lady (comedy/musical) took the Best Picture prizes. And at the peak of the popularity of gigantic big screen musicals, it was the "comedy/musical" winners for acting that repeated on Oscar night with Rex Harrison (My Fair Lady) and Julie Andrews (Mary Poppins) both winning here first...

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Movie Watching in Quarantine Times

by Murtada Elfadl

With all of us self isolating in quarantine the daily question of what to watch gains even more importance. Not only do you want to watch something good and entertaining but also something that will engross and really distract and take you away from the reality of the grave situation we are living in. Something soothing and comforting above all, however you never know where comfort might come from. 

Last night I thought a comedy was in order and based on Wes Anderson’s recommendation in a sweet email to The Criterion Channel I chose Arthur Hiller’s The-Out-of-Towners (1970) with Jack Lemmon and Sandy Denis. However I turned it off 15 minutes into the film. Lemmon constantly yelling his entitlement was not comforting nor funny. The rants were well written and the situations would have probably been funny in another context. But not at this time.

Last week the movie was Francois Trauffaut’s The Last Metro (1980)...

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Great Acceptance Speeches: Dustin Hoffman, "Kramer vs. Kramer"

We asked Team Experience to share their favourite Oscar acceptance speeches as we countdown to Hollywood's High Holy Night. Here's Ben Miller...

Dustin Hoffman had an incredible run of films at the start of his career.  After breaking through with The Graduate in 1967, he followed that with the legendary Midnight Cowboy, and steadily continued on with Little Big Man, Straw Dogs, Papillion, Lenny, All the President’s Men and Marathon Man.  When 1979 rolled around, he was 42 years old and already had three Best Actor nominations under his belt.

Hoffman was no fan of the Academy at the time.  In the midst of his 70’s run, Hoffman called the Oscars a garish and embarrassing evening.  He even drew the ire of Frank Sinatra during the 1975 ceremony.  Despite that, the Academy didn’t mind all that much as they nominated him again in 79 for Kramer vs. Kramer, and this time they gave him the award...

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