by Nathaniel R
Blade Runner 2049 is our current prediction for "Most Nominations Without Best Picture" though maybe it'll snag that, too.Here at The Film Experience I like to keep track of favorites all year long for two reasons. The first is to not to be unduly influenced by the studio shenanigans of backloading the film year with their intended Oscar hopefuls. The second is to prevent forgetfullness when it comes time to give out the Film Bitch Awards, my own virtual awards fest to close out each film year. When I don't keep careful track it's much harder to wrap things up at year's end.
Being a bit late this quarter, here are Best ofs per Oscar category from films released from July through October 6th (an extra week added on because we're running late). This list does not include films with known release dates from now until the end of the year. We'll save those films till we get there. Unreleased films without a future date are marked with an asterisk. Got it?
Key movies I missed this quarter (that I'll try and catch up with on screeners hopefully): It, Valerian, Logan Lucky, Patti Cake$, Tulip Fever, Good Time, Lady MacBeth, and A Ghost Story
PICTURE and/or DIRECTOR and/or SCREENPLAY
(i couldn't decide which to cut so this first grouped selection is 8 wide)
released
ATOMIC BLONDE (David Leitch) The lack of audience turn out for this uber-stylish, inventive actioner, with Charlize Theron showing all the other movie stars how to do action hero performances (again!) was one of the bummers of summer '17.
BATTLE OF THE SEXES (Jonathan Drayton & Valerie Faris) Such a surprisingly strong history lesson and funny resonant drama, too
BLADE RUNNER 2049 (Denis Villeneuve) Hypnotic if already overrated (calm down! If you're claiming that it's better than the original if it's not your #1 of 2017 with ease you'll have to explain why you've dissed one of the greatest and most influential movies ever made)
DUNKIRK (Christopher Nolan)
THE FLORIDA PROJECT (Sean Baker) The new criticism that I keep seeing online that this film romanticizes poverty is a head-scratcher as it's an exceedingly dark movie that merely looks like candy (due to all that color). The imagined future of virtually all the characters is outstandingly bleak and politically aware for those who are willing to see it. Sean Baker's recent (also terrific) movies Starlet and Tangerine are similarly focused / staged / and tonally nimble with gallows humor, character specificity, and socioeconomic concerns. If having this much empathy for marginalized people is romanticizing poverty, I say bring it on!
mother! (Darren Aronofsky) Sorry not sorry.
more after the jump including best unreleased pics, highlights in cinematography, costumes, and the like...
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Monday, February 8, 2021 at 8:00AM 
