Locarno: The Struggle of Being David Lynch as told by his Producer

Elisa Giudici reporting from Locarno

David Lynch has consolidated his status as one of cinema's greatest auteurs and geniuses to such an extent that it is easy to forget just how much fighting against compromise every step of his career required, even after winning the Palme d’Or for Wild at Heart or revolutionizing TV history with Twin Peaks.

At the Locarno Film Festival, his Icelandic producer and lifelong friend Sigurjón "Joni" Sighvatsson was presented with the Raimondo Rezzonico Award for his decades-long career as an outsider working within Hollywood. The Festival recognized how, as an outsider, he found ways around the major studio system's rules, helping lots of the soon-to-be great directors of the Eighties and Nineties gain some experience as music video makers...

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DAVID LYNCH (1946-2025)

by Cláudio Alves

David Lynch as John Ford in his last big-screen appearance, in THE FABELMANS (2022).

Somewhere in LA, in the middle of a concrete nowhere, an open door beckons. It tugs, a jerky motion that makes you fly through space, into Club Silencio. The insides are old, the red velvet memory of a place that is no more. And yet, despite the unease, it's time to sit down and attend the MC's lugubrious presentation, a swirl of lies and jest, fakery that denounces itself in a spectacle that's a bit like a threat, a lot like a spell. Blue swaths over red, it glows, and then, at long last, the diva makes her entrance – Rebekah Del Rio will be singing "Llorando." But of course, it's not her voice, for she falls, and the ghostly tune persists. Somehow, that doesn't matter. In a palace of illusions, the false still rings true. And look, truthful tears stream down your face.

Watching this scene in Mulholland Drive feels like falling an endless fall, free-floating across the void, suspended in nothingness. It feels like pure beauty born of nightmares, pain and ravishment. It feels like nothing else in the world. Like something only David Lynch could have imagined. And what can we do other than surrender to that feeling on this day of all days when we must say farewell to the man, the artist, and the great? David Lynch has died…

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RIP Angelo Badalamenti

“Today, no music.”

Those were the words of David Lynch this morning following the announcement that composer and lyricist—and Lynch’s longtime friend and collaborator across a variety of mediums—had died at age 85. The death of Angelo Badalamenti is another heartbreaking loss for those like myself for whom Twin Peaks is something like a religion. Coupled with the 2022 deaths of Julee Cruise, Al Strobel, Kenneth Walsh and Lenny Von Dohlen, it’s been a tough year...

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Happy 50th to Heather Graham

Happy half century to the one & only Rollergirl!

We were so obsessed with Boogie Nights when it came out that the characters were as real to us as the stars playing them. We haven't seen much of Graham lately -- she was sadly missing from the Twin Peaks reunion series despite her character (Annie Blackburn) still being officially alive and in a mysteriously non-aging catatonic state when last we heard news of her --  but she has three movies in post-production currently including the thriller Wander (2020) with Tommy Lee Jones and Aaron Eckhart. 

What's your favourite Graham role from the 90s... and were you a fan of Annie Blackburn on Twin Peaks? 

Cahiers du Cinéma chooses ‘Twin Peaks: The Return’ as Best of the Decade

by Murtada Elfadl

Cahiers du Cinéma, the prestigious French film magazine, has selected David Lynch’s Twin Peaks: The Return as the best film of the decade. By doing so it reignites the twin debate of what is cinema / what is TV. Those lines have been blurring with the advent of streaming. Obviously Lynch is one of cinema’s most respected auteurs and while Twin Peaks: The Return was shown on TV, it also debuted at the Cannes Film Festival.That is similar to The Irishman or Marriage Story from this season which also debuted at prestigous film festivals but their ultimate home is Netflix...

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