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Entries in Mulholland Dr (8)

Tuesday
Jul012014

Tuesday Top Ten: Unconventional Fourth of July Movie Selections

Glenn here with this week's Tuesday Top Ten. Wikipedia tells this Australian that the Fourth of July, Independence Day, is a day usually celebrated with “fireworks, parades, barbecues, carnivals, fairs, picnics, concerts, baseball games, family reunions and political speeches and ceremonies.” Curious that they don’t include movies since, at least since 1991 when James Cameron’s Terminator 2: Judgement Day premiered to one of the then biggest opening weekends of all time, the big July 4th blockbuster is an annual trend with the likes of Independence Day, the Transformers franchise, Superman Returns and seemingly anything starring Will Smith.

With the holiday this Friday, most lists of movies to watch over the long holiday weekend will feature masculine, almost brutish titles that celebrate America’s achievements in war and rah-rah bravura (The Patriot, Saving Private Ryan, Top Gun) or the coming of age of a nation and its people in almost gooey fashion (Field of Dreams, Forrest Gump, The Grapes of Wrath). So let's have fun and mix it up. Some of these titles are a bit off of the beaten path and others are outright bonkers, but I think they perform a somewhat patriotic service in one way or another.

TEN UNCONVENTIONAL 4TH OF JULY RECOMMENDATIONS

10. Mulholland Drive
David Lynch loves America. If we all lived in his world then people in small towns would never have to dream of moving to New York or Los Angeles because they’d all be just as interesting as each other. In Lynch’s world – predominantly the (overlapping?) universes of Twin Peaks, Blue Velvet, Lost Highway and this, arguably his magnum opus – America is full of weird people doing weird things and he wouldn’t change a thing. Mulholland Drive is the film of a director who loves his home and wants everyone to be as entranced by it as he. In Lynch’s world, the magic of the American dream is alive and well, and even if it doesn’t work out (as, let’s face it, it rarely does) then he’s going to portray it with as much dreamy, sensual beauty as possible.

9 more after the jump...

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Wednesday
Aug282013

10 Years Ago Right Now. Remember This Kiss? 

10th Anniversary Special! Ten years ago on this very night the VMAs were happening and Madonna was doing her thing (her thing being Performing / Button-Pushing) and this happened...

Britney Spears in a Like a Virgin gown and Madonna laying one on her. Christina Aguilera was also lip-smacked but no one ever talked about that... like Christina was the spin the bottle participant nobody in the room wanted the bottle to point to or something, poor thing.

In Britney & Madonna's honor I thought about doing a top ten of girl-on-girl kisses from the movies but instead, pressed for time, I polled readers on facebook (like us!)  and on twitter and in the wave of responses three things became clear. I'll share them after the jump along with my three favorite kisses.

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Friday
Dec212012

An Evening with Naomi Watts

Jose here to talk about Naomi Watts. She's having a great month. First, she won Best Actress nominations from both the Screen Actors Guild and the Golden Globes for her work in The Impossible (opening today!). Then she got a hell of an endorsement from Reese Witherspoon who promised she'd "tap dance on Sunset Blvd." to get her an Oscar for this movie. If other people in Hollywood start feeling she's as good as Meryl in Sophie's Choice (Reese's words) Naomi's stars might be finally aligning for a statuette.


Earlier this week I attended a preview screening of The Impossible (hosted as part of 92Y's Reel Pieces series) which was preceded by a Q&A with Watts. She discussed working with green screens, working with boy wonder Tom Holland (nominated for Best Young Actor at the "Critics Choice" Awards) and spent a surprising amount of time discussing her work in Mulholland Dr. But, hey, a lot of us have been talking about that for years as well!

[Mulholland Dr, King Kong and The Impossible after the jump]

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Wednesday
Aug292012

Melanie Lynskey: DVDs I Had To Own

[Editor's Note: The Film Experience is very pleased to announce that  the lovely actress Melanie Lynskey is our super extra special duper final guest blogger this week. Take it away, Melanie - Nathaniel R]

Hello everyone!

I could not be more honoured that Nathaniel asked me to do this little guest spot on my beloved Film Experience. I read this blog so much and it's always thoughtful, funny, and enlightening. I hope I do a good job guest blogging and I desperately wish I could use a word other than blogging, because ugh it is a horrible word. Okay. Remember, I'm a college dropout, so please forgive bad grammar and clunky sentences. (Dearest Nathaniel I hope you're having a great time with your mom.)

"picture of myself drinking a scotch as I blogged to go with your banner xo"

 

Somebody wrote to me on twitter and suggested that I write a piece about the movies I consider to be the ten best movies of all time. They said they'd be interested to see how the movies stacked up against the Sight and Sound poll. Well, the truth is, I honestly feel like I haven't seen enough movies to be able to compile a list of The Best Movies. My knowledge of pre-70s cinema is embarrassingly limited. I'm also super indecisive. So, I thought that instead, I could take a picture of a bunch of random DVDs from my collection and give a brief explanation of why I love these particular movies.

I don't buy a lot of DVDs so every one of these picks is because I said to myself "Yes. I must own this. It's important."

 

in photo order...

1) Terms Of Endearment- I remember one summer this was on TV when we were on a family vacation. I watched it with my mother and my grandmother (!!) I think I was nine or ten. I already knew, at that point, that I loved acting, I loved becoming a different person. But this was the first time I remember thinking, "oh, you can make people cry their eyes out from acting?" I couldn't believe how the performances made me feel, and I understood that even though the story was so moving, the thing that was making my heart ache was what these actors were doing. I knew it was magical. Shirley MacLaine, man. Wow.

2) The Piano- Oh Jane Campion I love you so much. I love the women in her movies. I love the sexuality. I love the light and the composition. I feel like I can smell the earth under the character's feet and feel the air around them watching a Jane Campion movie.

3) Gigli- yes. Gigli. [More Melanie Picks after the jump]

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Thursday
Sep222011

Distant Relatives: Persona and Mulholland Drive

Robert here with the first entry in Season 2 of Distant Relatives, the series that explores the connections between one classic and one contemporary film. This week we feature a request by Nathaniel himself. Feel free to make your own requests in the comments.

Two movies about two women

When Mulholland Drive was released to perplexed but ecstatic reviews in 2001, and then again when it was being declared the best film of the decade in many places nine years later, there were few mentions of a film that seems to be an obvious influence: Ingmar Bergman's Persona. Perhaps that's because the actual influence is as indefinable as the two films themselves. The Wikipedia entry on Persona shares a few non-specific sentences about its influence on Mulholland Drive paired with a note demanding a source for this information. So how do we know these films are related? Well they certainly seem like they should be. Both are about two women living together under unusual circumstances, one sick, the other a caregiver. In both cases, at least one of the women is an actress. Both films show a general degredation of these women's relationships. So why weren't more people blathering about the obvious intersection of these two movies? My guess is because both Persona and Mulholland Drive only really inspire one question: What on earth is going on? Interpreting, explaining, "decoding" if you will, these films is the understandable immediate concern of anyone whose just been exposed to these two terrific cinematic puzzles. Yet that does them a sort-of disservice. These films are more than puzzles. You could spend a lifetime trying to figure out what they're all about and completely miss what they're all about. That said, we won't spend much more energy here trying to find answers about these films. We haven't the time, the space, or the likelihood of agreement enough to keep it from being anything but a distraction.

Bergman's Persona begins with actress Elizabeth Vogler (Liv Ullmann) experiencing a sudden fit of despair and going voluntarily mute. In the hospital, she's paired with nurse Alma (Bibi Andersson) and the two are sent off to a seaside cottage where they develop an ambiguously intimate relationship and the silent, passive judgement of Elizabeth begins to turn Alma into an aggressor. Eventually the film begins to flip on it's head, revealing its own artificiality, and it becomes impossible to know who is who, and what role they're playing. Mulholland Drive opens with aspiring actress Betty's discovery of accident victim amnesiac Rita hiding out in her apartment. Soon, between line readings and Betty's audtions, the two lady sleuths are investigating Rita's life and identity and eventually becoming lovers (or have they always been?). Eventually the film begins to flip on it's head, revealing it's own artificiality, and it becomes impossible to know who is who, and what role they're playing.

Unusual universal themes

Death. Sex. Love. Ambition. Lynch and Bergman love all the standard universal themes. But they add two more strange, dark and upleaseant universal themes to the list.... Click for full post.

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