The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.
How had i never seen... Enter the Dragon
"A action movie classic" - Jaragon
"Honestly, I saw Kentucky Fried Movie -- which ends with a long parody of this film -- about 5-10 years before I got around to seeing Enter the Dragon itself. I remember so much more about [the former]". -James
Tuesday, August 13, 2019 at 4:30PM by Eurocheese
Greta Gerwig's follow up to the brilliant Lady Bird looks like a potential Christmas smash hit waiting to happen. Can it stick the landing with such high expectations? Well, if the trailer is any indicator, we may be in for a treat. The Yes No Maybe So™ breakdown follows after the jump...
Sunday, July 7, 2019 at 4:10PM with Murtada Elfadl, Nathaniel R, and Chris Feil
Index (56 minutes)
00:01 A spoiler-filled discussion of Ari Aster's new horror film MidSommar starring Florence Pugh and Jack Reynor. We have three different opinions about its value.
38:10 Tom Harper's Wild Rose. You've seen this musical drama before but three performances by Jessie Buckley, Julie Walters, and Sophie Okonedo and the music (the finale song is by Mary Steenburgen!) elevate it.
50:00 Lots of randomnees including Almodóvar movies, bad television, and future movies we're looking forward to including The Farewell and Once Upon a Time in Hollywood.
You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?
Reading Assignments
• Chris Feil's MidSommar review
• "The End of Empathy" -Andrew Kendall on MidSommar
• Halfway Mark Actresses - Nathaniel's fav performances of 2019
• Nick's VOR ratings -an explanation
Tuesday, July 2, 2019 at 7:00PM by Chris Feil
Ari Aster’s sunbleached hellscape MidSommar opens with a horrific tragedy, a shocking act that has nevertheless long been grimly foretold for Dani, a depressed collegiate played by Florence Pugh. What unfolds for her in the rest of the film feels as projected by the warning signs around her and as cataclysmic. No, not the ominous surroundings of her European countryside getaway. She’s in a relationship doomed to collapse.
Though Dani’s imminent breakup with Christian (Jack Reynor) gets stalled by this horrible event, she suddenly finds herself slipping into his vacation plans with his begrudging friends. Promised a once-in-a-lifetime folk traditions in the isolated home village of one of his bros, the group descends upon the Hårga of Hälsingland looking to get a little stoned and enjoy some cultural tourism. Once there, Dani’s already established isolation in the group (and her relationship) intensifies from her grief and the increasingly strange rituals in which they participate. Lines are crossed early, but for reasons that feel insignificant in the end, they still stick around.
Friday, February 1, 2019 at 10:50AM Abe Fried-Tanzer reporting from Sundance
Each year, Sundance hosts a “surprise screening” that’s printed as such on its advance schedule and only revealed during the festival itself. It’s a chance to premiere a hit movie for a small audience that is usually pretty excited about it. Last year, it was Jason Reitman’s Tully, and the year before that, it was eventual Oscar winner Get Out. This year, it’s Fighting with My Family, slated for theatrical release in just two weeks.
This premiere brought out some big stars, including Dwayne “The Rock” Johnson, Vince Vaughn, and real-life wrestler Paige, whose story serves as the inspiration for this film...
Wednesday, November 7, 2018 at 1:01PM by Nathaniel R
Remember when the release of Vanity Fair's "Hollywood Issue" used to be so exciting for its semi-frequent attempts to predict who would be the next big things? You could spot future superstars as well as divine which actors, great future or not, had hustling agents that managed to snag them covers with little actual work to back that up. The Hollywood Reporter is trying their hand at something similar with their new issue, which has four cover stars, two of whom (Awkwafina, Ezra Miller) aren't listed within the "NextGen" list presumably because they've already "arrived"? We don't know. The other two cover stars (Letitia Wright, Noah Centineo) are represented on the list after the jump...
Friday, January 5, 2018 at 8:00AM Chris here. This year has had so many breakthrough performances that you'd be hard pressed to whittle it down to five performers, but such is the pain of awards season. And yet one of the season's biggest prizes for new talents, BAFTA's Rising Star award, has just announced its five contenders for 2017 honors: Daniel Kaluuya (Get Out), Florence Pugh (Lady Macbeth), Josh O'Connor (God's Own Country), Tessa Thompson (Thor Ragnarok), and Timothée Chalamet (Call Me By Your Name and Lady Bird).
This makes for a stellar lineup of headliners of Best Picture contenders in Chalamet and Kaluuya, indie darlings with Pugh and O'Connor, and the big budget superhero badassery of Thompson. The latter actress is a bit of a headscratcher here considering she's been a ferocious talent for years (and in lead roles!) in the likes of Dear White People and Creed, but we love her so much that we'll accept her placement if only to see her getting the love she deserves. This prize has been a boys club of late so my money is rooting for Pugh, such an emergent and invigorating new talent in the taxing Lady Macbeth.
Now you'd have to go back to Kristen Stewart's 2010 win to find a non-Brit winner of this prize, so consider this a statistical leg up for Pugh, O'Connor, and Kaluuya. But the past two winners (Tom Holland and John Boyega) also had the visibility of franchise weight behind them - could that spell some strong chances for Thor's Thompson? Or is this just another in a string of breakthrough prizes for Chalamet?
The full BAFTA nominees will be announced on Jan. 9!
