by Cláudio Alves
Greta Gerwig's Little Women is a bold adaptation of Louisa May Alcott's beloved classic in more ways than one. Structurally, it shatters the novel's chronology, making past and present, childhood and adulthood, talk to each other in a dialogue of echoes and rhymes. For instance, when Jo loses a sister in the wintery coldness of the present, Gerwig marries the moment to the memory of another kind of sisterly loss, when a wedding in warm colors was a harbinger of future loneliness for the heroine. Another element that makes this new adaptation so radically different from the previous ones is its treatment of Jo's sisters. No longer are Meg, Beth, and Amy March relegated to the periphery of the text. This 19th-century classic is called Little Women, after all, not Little Woman.
When it comes to its portrayal of Amy, the novel's most condemned character, the 2019 film is of particular innovation. We could almost say this Little Women redeems Amy March after centuries of villainizing her…
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