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Entries in Florence Pugh (37)

Tuesday
Aug132019

Yes No Maybe So: Greta Gerwig's "Little Women"

by Eurocheese

Greta Gerwig's follow up to the brilliant Lady Bird looks like a potential Christmas smash hit waiting to happen. Can it stick the landing with such high expectations? Well, if the trailer is any indicator, we may be in for a treat. The Yes No Maybe So™ breakdown follows after the jump...

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Sunday
Jul072019

Podcast: MidSommar & Wild Rose

with Murtada Elfadl, Nathaniel R, and Chris Feil

 

Index (56 minutes)
00:01 A spoiler-filled discussion of Ari Aster's new horror film MidSommar starring Florence Pugh and Jack Reynor. We have three different opinions about its value.
38:10 Tom Harper's Wild Rose. You've seen this musical drama before but three performances by Jessie Buckley, Julie Walters, and Sophie Okonedo and the music (the finale song is by Mary Steenburgen!) elevate it. 
50:00 Lots of randomnees including Almodóvar movies, bad television, and future movies we're looking forward to including The Farewell and Once Upon a Time in Hollywood.

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Reading Assignments
Chris Feil's MidSommar review
"The End of Empathy" -Andrew Kendall on MidSommar
Halfway Mark Actresses - Nathaniel's fav performances of 2019
Nick's VOR ratings -an explanation

 

MidSommar & Wild Rose

Tuesday
Jul022019

Review: MidSommar

by Chris Feil

Ari Aster’s sunbleached hellscape MidSommar opens with a horrific tragedy, a shocking act that has nevertheless long been grimly foretold for Dani, a depressed collegiate played by Florence Pugh. What unfolds for her in the rest of the film feels as projected by the warning signs around her and as cataclysmic. No, not the ominous surroundings of her European countryside getaway. She’s in a relationship doomed to collapse.

Though Dani’s imminent breakup with Christian (Jack Reynor) gets stalled by this horrible event, she suddenly finds herself slipping into his vacation plans with his begrudging friends. Promised a once-in-a-lifetime folk traditions in the isolated home village of one of his bros, the group descends upon the Hårga of Hälsingland looking to get a little stoned and enjoy some cultural tourism. Once there, Dani’s already established isolation in the group (and her relationship) intensifies from her grief and the increasingly strange rituals in which they participate. Lines are crossed early, but for reasons that feel insignificant in the end, they still stick around.

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Friday
Feb012019

Sundance Surprise: Fighting With My Family

Abe Fried-Tanzer reporting from Sundance

Each year, Sundance hosts a “surprise screening” that’s printed as such on its advance schedule and only revealed during the festival itself. It’s a chance to premiere a hit movie for a small audience that is usually pretty excited about it. Last year, it was Jason Reitman’s Tully, and the year before that, it was eventual Oscar winner Get Out. This year, it’s Fighting with My Family, slated for theatrical release in just two weeks.

This premiere brought out some big stars, including Dwayne “The Rock” Johnson, Vince Vaughn, and real-life wrestler Paige, whose story serves as the inspiration for this film...

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Wednesday
Nov072018

THR's 20 New Stars to Watch. Plus Ezra Miller.

by Nathaniel R

Remember when the release of Vanity Fair's "Hollywood Issue" used to be so exciting for its semi-frequent attempts to predict who would be the next big things? You could spot future superstars as well as divine which actors, great future or not, had hustling agents that managed to snag them covers with little actual work to back that up. The Hollywood Reporter is trying their hand at something similar with their new issue, which has four cover stars, two of whom (Awkwafina, Ezra Miller) aren't listed within the "NextGen" list presumably because they've already "arrived"? We don't know. The other two cover stars (Letitia Wright, Noah Centineo) are represented on the list after the jump...

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