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Entries in Supporting Actress (257)

Friday
Jan222016

Happy Birthday, Linda Blair!

Happy Birthday to horror legend and Oscar nominee, Linda Blair! The actress and activist's signature role as Regan in The Exorcist is as iconic as it comes, but she never landed another role as significant. Later years saw her winking at and spoofing her legendary demonic turn, but we will always be terrified by her icy stare behind the makeup.

Blair's Best Supporting Actress nomination remains one of our youngest nominees (though she was defeated by the even younger Tatum O'Neal) and one of the few honored performances in a horror film. Her Oscar chances were sidelined due to perceptions of Mercedes McCambridge's vocal contributions to the possessed Regan, but put the film on mute and Blair still stuns. The performance is as terrifying as it ever was - primal, physical, and unflinching. (If you missed last year's Smackdown which really dived into her work, check out the Smackdown and its companion podcast.)

Here's to one of the rare Oscar-approved Scream Queens!

Tuesday
Jan192016

Rachel McAdams is Flawless

Chris here, to curb your naysaying. I've heard plenty of "she doesn't even go here" comments about Rachel McAdams's Best Supporting Actress nomination, from even my delightful Team Experience colleagues. So here's a quick reminder (with help from this year's nominees)...

[MORE...]

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Monday
Jan112016

Beauty vs Beast: In Carol's Orbit

Jason from MNPP here, christening 2016 (yes, the whole darn year) "The Year of Carol" -- a memo the Globes missed. Like Therese Belivet I've just got stars in my eyes (or maybe I just feel bad I didn't manage to do this edition of "Beauty vs Beast" during Carol Week proper here at TFE) but I'm still head over for Todd Haynes' true romance and I have a feeling many of you are too. Point being every week should be Carol week, so let's keep singing! For the briefest of seconds I considered forcing us to choose between our leading ladies of lesbian love (as Oscar voters should have to do in a righteous, Category-Fraud free world) but not, no, it's time for the true Supporting Characters to shine.

PREVIOUSLY It was the 15th anniversary of the great Shadow of the Vampire last week and in between the holidays we asked you guys to choose between its two best bloodsuckers, literal and/or notsomuch, and it was Team Nosferatu for 64% - said Craver:

"Team Schreck. I always thought that Dafoe's work in Spiderman also merits an Oscar nom. It was that great, plus fun to watch."

Friday
Jan082016

Who Will Be This Year's Surprising Snub at the Oscars?

Coco here, ready to talk about the current Oscar race and the surprising snubs that wait around the corner.

Last week, I wrote about performances that might get nominated despite not having a lot of precursor support. This week, I'm writing about the opposite. If you're an actor and you're nominated for the Golden Globes, the SAG awards, and the BAFTAs, then you're widely assumed to be a lock for an Oscar nomination. This is true for the most part, but there are plenty of instances in which seemingly beloved performances that do great with precursors are nowhere to be found on Oscar morning. This has been especially true in recent years. We've seen at least one such performance be left off Oscar's list in each of the last four years.  

Here's a quick rundown... 

2014 - Jake Gyllenhaal's performance in Nightcrawler popped up at all the right places. What's more, the movie seemed to gain momentum consistently, scoring nominations from practically every awards-giving body throughout January. As you probably know, Jake didn't get the nomination. Maybe Oscar didn't like Nightcrawler as much as we were expecting. After all, the movie only got one nomination for Original Screenplay.  

2013 - This year was a bloodbath as far as snubs are concerned. The most surprising omission was Tom Hanks, who gave one of the best performances of his career in Captain Phillips. The movie scored six nominations including Best Picture, but Oscar couldn't make room for its lead star. Also ignored despite support from SAG, BAFTA, and the Globes were Emma Thompson in Saving Mr. Banks and Daniel Brühl in Rush. Although neither of those films were as beloved as Phillips (Saving Mr. Banks only got one nomination for Original Score, Rush wasn't nominated at all). 

2012 and 2011 stats, as well as 2015 speculation after the jump. 

Click to read more ...

Sunday
Jan032016

Who Will Be This Year's "Out-of-Nowhere" Oscar Nominee? 

Coco here, ready to talk about the current Oscar race and the surprises that might pop up.

Last week, we discussed SAG's bizarre taste. The math works against it but we're desperately hoping the Academy breaks free of their influence. Perhaps we should focus our hope on a recent wave of surprising, "out-of-nowhere" nominations at the Oscars.  Ever since 2011 (the year the Academy turned Best Picture into a flexible category with as little as 5 and as many as 10 nominees), there's been at least one acting nominee that landed on Oscar's list without being previously nominated at either the Golden Globes, SAG, or BAFTA.

Here are the stats...

2011 - The shocking inclusion of Extremely Loud and Incredibly Close in Best Picture came with the legendary Max von Sydow in tow for his mute performance in Best Supporting Actor. 

2012 - Everyone was surprised by the amount of support Silver Linings Playbook had considering the supporting Actress nomination for Jacki Weaver. (Various precursors had usually included Nicole Kidman in the divisive Lee Daniels film The Paperboy or random shout outs to Dames Judi Dench (Skyall) and Maggie Smith (Marigold Hotel) and even the then lesser known Ann Dowd (who was pitched as supporting in Compliance though she had the film's central role). It's also hard to remember now, but Quvenzhané Wallis had none of the big three precursor nominations before she made the Best Actress line-up for Beasts of the Southern Wild (though she was included at Critics Choice and at the Spirit Awards)

2013 & 2014 stats. Plus 2015 speculation after the jump... 

Click to read more ...

Thursday
Dec312015

FYC: Sarah Paulson, Carol's Best Supporting Actress

The Film Experience is proud to welcome back Matthew Eng for this personal FYC

Sarah Paulson photographed for VarietyThese days, to simply see Sarah Paulson’s name in the opening credits of any project is enough to make me sit back, relax, and sigh with deep and reverent relief that — no matter the lapses in storytelling, the dubiousness of politics, or the haphazard efforts of other actors — I am in the hands of at least one supremely assured and eternally convincing performer.

As someone who missed Aaron Sorkin’s infamous Studio 60 on the Sunset Strip and the extensive list of sitcoms and serials she appeared in from the mid-nineties to the late-2000s (not to mention her numerous stage roles and occasional film appearances), my Sarah Paulson fandom is fairly recent. Of course, like many, I’d seen and admired her wry gal pal in Down with Love, which remains a fun but frankly flaky memory.

But truthfully, I wasn’t fully onboard the Paulson bandwagon until 2012, when she offered American Horror Storys peak Asylum season a truly new and refreshingly tough-minded depiction of devastated-turn-mobilized female victimhood and then, a year later, sauntered into Steven McQueen’s 12 Years a Slave as one of contemporary cinema’s most memorably unrepentant villainesses, terrorizing Lupita and manipulating Fassy with ferocious, bone-chilling conviction.

When I heard Paulson had joined Carol, I took another of those deep and reverent sighs of relief, as if to say, 'Alright, this film will actually be as perfect as I need it to be.'  [More...]

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Friday
Dec182015

"Tangerine" and the Case for Mya Taylor

Kieran, here taking a moment to talk about Mya Taylor’s Independent Spirit Award-nominated performance in Sean Baker’s Tangerine.

Being the calm in a storm is not as easy a dynamic to render on-screen as it looks. That’s what Mya Taylor is tasked with in Tangerine—playing the careful, contemplative counterpoint to Sin-Dee’s (Kitana “Kiki” Rodriguez) turbulent rampage through the streets of East Hollywood. When considering the two performances, both accomplished but in very different keys, I immediately thought of Jennifer Jason Leigh’s Sadie and Mare Winningham’s title character in 1995’s Georgia (previously discussed here). Though both Alexandra and Sin-Dee’s lives aren’t exactly as diametrically opposed as Georgia and Sadie’s, there’s a similar thread of calm vs. irrational running beautifully through both films. Like Winningham, Taylor gifts her film with an unfussy balance of quiet observation and brimming, longstanding frustration. [More...]

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