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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Entries in Supporting Actress (339)

Monday
Feb262018

Smackdown '17: Allison, Laurie, Lesley, Mary and Octavia

Presenting Oscar's Chosen Supporting Actresses of the Films of 2017

THE NOMINEES 

Two mothers with combative relationships with their daughters (Janney and Metcalf). One sister/business partner (Manville). One mother struggling with oppressive farm life (Blige). And one cleaning lady (Spencer) whose coworker/friend is mute and in love with a fish crea... listen, it's a long story!

But here's a beautiful thing that's too little remarked on this season: they're all actually supporting characters. No leads masquerading as support for once! 

THIS MONTH'S PANELISTS  

From top left: Andrew Carden, Chris Feil, Candice Frederick, Erica Mann, Kevin O'Keeffe, and Nathaniel R

Here to talk about these five nominated turns, are in alpha order: Andrew Carden (Awards Connection / Gold Derby) Chris Feil (The Film Experience), Candice Frederick (Reel Talker), Erica Mann (NYC Film Chick), Kevin P O'Keeffe (Into) and your host Nathaniel R (The Film Experience). And now it's time for the main event... 

2017
SUPPORTING ACTRESS SMACKDOWN 

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Sunday
Feb252018

Smackdown Tease - Reader Votes!

by Nathaniel R

UPDATED POST: To correct for a second batch of ballots as I received both comment ballots and mail ballots.

Since the annual Supporting Actress Smackdown arrives tomorrow I thought I'd share a few notes from your ballots. Thanks for getting them in so quick. The most divisive performance with everything from 1 heart to 5 hearts on reader ballots was the Oscar frontrunner, I Tonya's Allison Janney. But it was Phantom Thread's Lesley Manville and Lady Bird's Laurie Metcalf who were neck and neck all through the counting of reader ballots. I'm on pins and needles -- looks like it might be close tomorrow! 

After the jump your favorite contenders who missed the Oscar nomination...

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Thursday
Feb012018

Months of Meryl: Kramer vs. Kramer (1979)

Hi, we’re John and Matt and, icymi, we are watching every single live-action film starring Streep. Previously Julia, The Deer Hunter, Manhattan and The Seduction of Joe Tynan


 #5 — Joanna Kramer, a mother and divorcée embroiled in a messy custody battle.

It’s 1980. Kramer vs. Kramer is a critical and commercial smash (the top-grossing film released in 1979). The dawn of a new era approaches and one actress is anointed as its icon...

“The face is beautiful but anguished, haunted by sorrow, despair, determination and love. Can one face express all these warring emotions, with a grave dignity that adds a deeper beauty to the physical structure? Meryl's face can and does in the extraordinary first image of "Kramer vs. Kramer". This first shot of a superbly crafted film prints indelibly upon the eyes and consciousness of the audience the face of a young actress who, at 30, may become the strongest performer of her generation, first American woman since Jane Fonda to rival the power, versatility and impact of such male stars as Dustin Hoffman, Robert De Niro and Al Pacino...

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Friday
Jan262018

FYC: Allison Janney in "I,Tonya"

by Seán McGovern

First things first: Lady Bird hasn't been released over here in the UK yet.
Secondly: Are you really going to begrudge Allison Janney an Oscar?
Then this FYC, by all accounts, is an unbiased endorsement of Allison Janney for Best Supporting Actress.

Allison Janney, as Tonya Harding's mother, in any other year, would have Film Twitter and Gay Twitter right behind her, and yet we hesitate. Janney is razor-sharp as LaVona Golden, whose love is more brutal than merely just tough. But as we have determined, this year there's a problem, and it's the problem of parallels..

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Thursday
Jan252018

Months of Meryl: The Seduction of Joe Tynan (1979)

Hi, we’re John and Matt and, icymi, we are watching every single live-action film starring Streep.

#4 — Karen Traynor, a Southern political operative who has an affair with a popular senator.

JOHN: I can’t even imagine what it must have felt like to be an actressexual in 1979, the year when Meryl Streep catapulted herself from that interesting, up-and-coming actress of The Deer Hunter, the Holocaust miniseries (which brought her first Emmy win), and the New York theater scene, to first-class movie star, appearing in three successful films and winning her first Oscar for the year’s highest-grosser and Best Picture champ, Kramer vs. Kramer. But let’s not get too ahead of ourselves; buried in the middle of all this impressive acclaim is perhaps Streep’s least-known triumph of her early period: Jerry Schatzberg’s The Seduction of Joe Tynan.

This story of a liberal senator (Alan Alda, who also penned the script) struggling to balance political ambitions with family life, is a keen, sophisticated relic from a time when studio movies were risky, inspired, and targeted towards an adult audience, free of gimmicks or condescension. They were capable of making bank to boot.

In Joe Tynan, Streep plays Karen Traynor, a Louisiana lawyer who, while aiding Tynan’s campaign against a racist Supreme Court nominee (Remember when racism disqualified you from office?), begins a fling with Alda’s fast-rising political star...

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Wednesday
Jan242018

Team Experience Grieving the Oscar Shut-Outs

Nathaniel R

We're not supposed to use the word "snub" anymore (stop trying to make "snubbed" rehappen). It's true that it's become overused to the point of insanity. The word implies a purposeful disdain, a rebuff, when Oscar voters surely aren't saying "ugh, that Franco!" when they vote (errr, bad example perhaps they were). The point is they're merely voting on the ones they keep hearing about their favorites. Some films and performances and achievements just don't quite make the cut. And who knows? Someone or something you love might have been one vote shy of a nomination so it wasn't "snubbed" at all, just unlucky! This is what I'm choosing to believe about Jake Gyllenhaal's raw, rangey, vulnerable, and altogether stunning turn in Stronger. He's one of his generations very best actors and keeps proving it in film after film and they just keep ignoring him year after year. It's driving me mad. So...

Which omission pissed you off the most? That's the question that I ask you in the comments and that I already asked the (usually) Oscar loving Team Experience. Their angry-fun answers are after the jump...

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