May Retrospective: “The Heartbreak Kid” (1972)

by Cláudio Alves

After many years redefining the paradigms of American comedy along with Mike Nichols on the New York stage, Elaine May made the jump to the movie business when she appeared as an actress in some late 60s cinematic endeavors, including Mike Nichols' The Graduate. It wouldn't take long for her to branch out and, by 1971, she was writing, directing, and starring in A New Leaf.

In our last piece about this intrepid artist, we looked at that movie and how May's genius was able to transcend the interference of pushy producers and remain a near-masterpiece. This time, we'll be looking at the picture May directed after that flick, a production that suffered much less interference from panicky executives. It's also the only picture May directed she didn't also write and the single one of her movies to ever be nominated for the Academy Awards.

We're, of course, talking about the Neil Simon-penned The Heartbreak Kid…

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Podcast: Smackdown '72 Conversation

Part Two of the Smackdown of 1972. (Part One ICYMI)

 

You've read our blurbs about Oscar's Supporting Actress Nominees of 1972, a fascinating bunch. Now hear the in-depth conversation that goes along with it. Nathaniel welcomes actresses Donna Lynne Champlin (Crazy Ex-Girlfriend) and Kathy Deitch (American Horror Story: Freakshow) as well as writer/directors Arun Welandawe-Prematilleke and Eric Blume to discuss these talented women and their time capsule movies. Come with us to 1972! Find out which movie is accurately described as "hot garbage," which inspired a musical spoof, and marvel that the Smackdown winners were somehow the performances we were actually most divided on.

You can listen to the podcast right here at the bottom of the post or download from iTunes. 

Supporting Actresses of 1972

Smackdown '72: Jeannie vs Eileen vs Susan ...with Geraldine Page and Shelley Winters

An overprotective mother, a vain social butterfly, a swimming grandmother, a newlywed, and a barfly walk into an Oscar ceremony...

Geraldine Page did not attend the ceremony but the rest were there.

The 1972 supporting actress Oscar lineup is quite literally a singular group. It's the only one in all of Best Supporting Actress history to feature not a single Best Picture nominated film. There's always at least one Best Picture represented. Not so in 1972. Even The Poseidon Adventure missed that top category despite 8 nominations in total.

The panelists and part one of the Smackdown after the jump...

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DVD Review: "Cafe Society"

by Chris Feil

While never reaching the heights of his other showbiz-adjacent comedies, Woody Allen's Cafe Society has charm and gloss to spare. Allen is marking the same thematic territory and era fascinations as he has frequently visited in the past, here with more hidden snideness than much of his recent works. Under its sparkling surface, Society is a subtly mean-spirited film.

Much of that tone comes from Jesse Eisenberg's central performance as Bobby Dorfman, a transplant to 1930s Hollywood under the not so watchful eye of his talent agent uncle (Steve Carell). Bobby is quick to chase girls, ultimately arriving to (or creepily wearing down) secretary Vonnie (Kristen Stewart), who also is secretly having an affair with his uncle. Vonnie becomes Bobby's girl on an eternal pedestal, always more an idea of a person than the woman before him...

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Tweetweek: Braindead Marquees and Out-of-the-Box Casting

I don't know if I like the sound of this double feature...

Sausage Squad? pic.twitter.com/9fW5XdZvAq

— You Had One Job (@_youhadonejob1) August 24, 2016

After the jump funny tweet games, supportive boyfriends, The Night Of casting, a dissolve from The Godfather, a proposed franchise for Hugh Jackman, FYC Ellen Burstyn, and a little webslinging... 

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