Girls Gone Wild -- Favorite Bad Girl Oscar Winners

Kieran, here. We've been celebrating Girls Gone Wild this month at The Film Experience. If you haven't already done so, make sure to check out Team Experience's wonderful relay-style Thelma & Louise 25th anniversary retrospective. 

As the month comes to a close, it felt fitting to take a look back at some of the Best Oscar-winning "bad girl" star turns. Here are 11 of the juiciest...

Honorable Mention:

Cristal Connors in Showgirls (Gina Gershon)

Should have been nominated. Very possibly should have won. Haters be damned.

Top Ten Oscar Winning Bad Girl Roles

10. Addie Loggins in Paper Moon (Tatum O'Neal - Best Supporting Actress 1973)

A charismatic yet unsentimental child performance that perfectly nails the tone of its film. The only complaint is that she wasn't promoted to lead Actress where (judging by that roster) she very well could have contended.

9. Barbara Grahame in I Want to Live! (Susan Hayward - Best Actress 1958)

Delightfully over-the-top and melodramatic. Barbara refuses to wear a nightgown while in prison for murder. She wants to "sleep raw!" 

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TCMFF Presents Faye Dunaway & Network

Anne Marie here, reporting with a 30 share on Hollywood Blvd!

The 7th Annual TCM Film Fest ended on a high note this year with Network. Though a satire about network television may not seem like the first choice for a film festival sponsored by a teleivion network, nonetheless TCM rolled out the red carpet, not only for the movie, but also for Faye Dunaway. The Academy Award-winning legend introduced the movie by talking to TCM host Ben Mankiewicz about the work - her process, her co-workers, and her thoughts on television and film.

Dunaway started by describing just how many people told her not to take the role of Diane Christensen in Network. Hot off the success of Bonnie & Clyde and Chinatown, Dunaway had awards goodwill to burn. Even Network director Sideney Lumet told her not to take the role. However, Faye Dunaway went against Lumet's good advice, and starred in Network regardless. When Mankiewicz asked her why she'd risk her career to play such a heartless character, Dunaway replied, "This was too interesting an exploration of American culture not to do it."

Dunaway was effusive in her praise of her costars and crew. She called William Holden as a man with "crusty elegance," and amitted that she nicknamed Sidney Lumet Roller Skates because he delivered movies on time and under budget no matter what. When asked what it was like to win an Academy Award, Dunaway could only quip, "You forget to thank people you were supposed to thank."

While the dour tone of Network may not seem like your first choice for a TV film festival, nevertheless the film and its interview beforehand showed what TCMFF is all about. Over 4 days, TCM screened dozens of lost treasures from Hollywood and beyond, exposing the multiplicity that makes true cinephile. As Dunaway said before she was whisked away: TCM does crucial work for promoting classic cinema. And this definition of "classic" always evolves.

HBO’s LGBT History: Gia (1998)

Manuel is working his way through all the LGBT-themed HBO productions...

Last week we looked at the tender In the Gloaming, Christopher Reeve's directorial debut starring Glenn Close. And while that film ultimately focused on Close's character (her gay son is dying of AIDS), today, for the first time since we started this project, we get to focus on an LGBT protagonist that isn’t a gay man!

We follow instead a gorgeous woman (Angelina Jolie) who's as sexually adventurous as they come, leading on men and women alike, lighting the modeling world on fire, and falling hard (to the point of stalker-ish behavior) for a certain make-up girl that'll be all too familiar for all of you LOST fans.

Angelina Jolie's "Gia" breakthrough is after the jump...

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Beauty vs Beast: Wet Hot American Rudd

Jason from MNPP here with this week's "Beauty vs Beast" -- you know who's been in love with Paul Rudd for twenty years? This guy's been in love with Paul Rudd for twenty years. Almost exactly - Clueless came out in July of 1995 and I think it's safe to say that 95% of everyone who saw Clueless in theaters fell in love with Paul Rudd that summer twenty summers ago. Well today is Paul's 46th birthday and here on the verge of what's probably his biggest role ever (a literally little superhero movie called Ant-Man) it seems a good time to look back...

... to something small, super small, that changed the course of his career. Even though Wet Hot American Summer wasn't a hit when it came out in 2001 I can still remember it being a topic of conversation, how everybody was a bit surprised at how funny Rudd was in it. He'd done light romantic comedies a la Clueless before but his work in WHAS was diffrent - raunchy, and going-for-broke. And as the Apatow School of Comedy took over the decade, Rudd slipped himself right into the zeitgeist.

As for Wet Hot it was a cult movie pretty much immediately - I've certainly been banging the drum for it from my microscopic corner of the internet for a good long while now, and that dedication's been rewarded with Netflix's upcoming Wet Hot series, which will premiere on the streaming service on July 17th (aka two days before the 20th anniversary of Clueless. Weird right?)

As for this week's "Beauty vs Beast," I'm focusing in on a single scene in the 2001 film (one I've probably re-enacted to my boyfriend's chagrin far too many times when I'm asked to pick up some mess I've made) in order to face off two of my favorite characters in the movie - in the left-hand corner we've got Andy (Rudd), the Camp's bad boy, and in the right-hand we've got Beth (Janeane Garofalo) the responsible-ish Camp Director.

Whose team are you on?

Team Andy

Team Beth

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PREVIOUSLY As Nathaniel noted in Friday's edition of April Showers last week was ALL about Mommie Dearest, and this contest was no different - and it wasn't Mommie's first time at the rodeo, and it showed. at 80% Joan Crawford (Faye Dunaway) trounced the competition like... well like those rosh buses, and that talcum powder, and Christina herself. Although it was par who made the most sense:

"Team Christopher! [mostly for having the sense to stay out of this mess until the end]"

April Showers: Joan Crawford & "The Man Who Seduced Hollywood"

waterworks, some weeknights at 11

The danger of the "Best Shot" series is that sometimes the film consumes me for a whole week when I need to be focusing on other articles and behind the scenes duties (Oscar Prediction Charts coming soon!) But let's wash Mommie Dearest (1981) out of our systems with one last post by way of kicking off April Showers, our annual misadventure of gawking at shower scenes.

Mommie Dearest does practically begin with one. And not just any shower scene. It's funny. It's weird. It's glamorous. It's expensive. It's monogrammed. It turns wildly inappropriate during the dismount! 

Surrender to Joan's pink after the jump...

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