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Entries in Tatum O'Neal (3)

Thursday
Jul312014

Smackdown 1973: Candy, Madeline, Linda, Sylvia, and Tatum O'Neal

Behold the five Oscar-nominated Supporting Actresses of 1973: a "bitchin' babe" (Candy Clark), a pint-sized con-artist (Tatum O'Neal), a possessed teenager (Linda Blair), a selfish carnival dancer (Madeline Kahn), and a vinegary New York institution (Sylvia Sidney). 

THE NOMINEES

 

Last month's featured year, 1964, gave us an extremely senior acting shortlist of Oscar regulars but the corresponding shortlist of 1973, apart from Sylvia Sidney who had been a respected working actress for nearly a half-century, skewed very new and very young and not just because it gave us the youngest Oscar winner of all time in Tatum O'Neal; she was 10 years and 148 days old. The four actresses nominated with Sidney were in their first flush of stardom and only acting in their first (O'Neal) second (Kahn & Clark) or third films (Blair). The Academy of Motion Picture Arts and Sciences obviously approved of their career choice.

THIS MONTH'S PANELISTS

from left to right: Chambers, Delany, Harris, Longworth, Rogers, Turner

You've already heard 'what 1973 means to them' and now here to talk about these five performances are authors Mark Harris ("Five Came Back") and Karina Longworth ("Anatomy of  an Actor: Meryl Streep"), film critics Bill Chambers (Film Freak Central) and Kyle Turner (Movie Scene), your host Nathaniel R (The Film Experience) and our special guest: two-time Emmy winning actress Dana Delany ("China Beach", "Body of Proof", and the forthcoming "Hand of God").

And, as ever, we must thank StinkyLulu for the original Smackdown inspiration in which we revisit Oscar shortlists of the past without all the campaigning and heat-of-the-moment politics that infect each awards race. Without further ado, the first half of the main event.... (A podcast follows tomorrow!)

1973
SUPPORTING ACTRESS SMACKDOWN 

Click to read more ...

Thursday
Jul172014

Introducing Pt 1... Supporting Actresses of 1973

You've met our awesome panelists (Dana Delany, Karina Longworth, Mark Harris, Bill Chambers, Kyle Turner, and myself, Nathaniel) and on July 31st when the Smackdown arrives you'll hear from us again. Let's meet the characters we'll be discussing.

As is our new Smackdown tradition we begin by showing you how the performances themselves begin. There's usually some point in every nominated performance when it clicks in... here's the scene that did it. That can come as early as the introduction for some characters. At the very least the intro is the springboard for every thing you'll see about the character from then on. Do these introductions scream "shower me with gold statues!"? Do the filmmakers prepare us for what's ahead? Here's how 3 of the 5 nominees are introduced in the order of how quickly they arrive in their movies.

[No Dialogue]

Immediately. Meet "Addie Loggins" (Tatum O'Neal in Paper Moon)
This is the first shot of Paper Moon and the camera will rarely leave little Addie (Tatum O'Neal) again in the greatest case of Category Fraud ever perpetrated at the Oscars. She is staring tearless into her mother's freshly dug grave, flanked by unaffectionate adults who immediately pawn her off post-funeral to a stranger who bears a striking resemblance (Ryan O'Neal). He's meant to drive her to only kin, an Aunt she doesn't know. Tatum's/Addie's resistance to charming you or her co-stars actually proves better than charming, drawing you completely in to that poker face. Three minutes later she finally speaks and seems less child-like; she's all business, suspiciously scoping out her new situation and this "friend" of her mother's. 

Rita: Who is this?
Mrs Pritchett: Who do you think it is?
Rita: Why do you sound so strange?
Mrs Pritchett: I'm at Saks. 

5 minutes in. Meet "Mrs Pritchett" (Sylvia Sidney in Summer Wishes Winter Dreams)
We've spent enough time with Rita (Joanne Woodward), our protagonist, to know that she's neurotic and unhappy; the first scene is an actual nightmare. A phone call wakes her up. Disoriented from sleeping she doesn't recognize her own mother's voice. (That's Sylvia Sidney who today's moviegoers probably remember best from Beetlejuice.) Forget the dialogue as being at Saks is hardly a strange occurence judging from her expensive clothing and multiple shopping bags. The picture of their relationship is instantly clear: they bicker, they're terse with each other, they meet every week for lunch which is why the mother is calling and what they're about to do. One assumes then that the picture will be an acidic mother/daughter drama. But is that what's coming?

Now don't you drop nuthin' Imogene. You take care of those breakables, y'understand?

40 minutes in. Meet "Trixie Delight" (Madeline Kahn in Paper Moon)
This is one of those highlighted intros that a movie prepares you for, shouting 'New Chapter'.  It draws its comic energy from the "cut to". We're sitting in a hotel room with Addie and her exasperated shouting Daddy who explains that there'll be two new women in the car, a "lady" and her maid...

A REAL LADY AND SHE COMES FROM A GOOD FAMILY!"

Cut to: Madeline Kahn strutting out of the carnival's nudie tent "HAREM SLAVE - WORLD FAMOUS GIRLS", boobs bouncing. A real lady from a good family, eh? Kahn wins her first big laugh with literally her first second of screen time. There will be more. 

Do the introductions make you want to see more?
(In part 2 we'll look at the other nominees)

[If you'd like to participate in the Smackdown make sure to vote on the nominated performances (only the ones you've seen please, underseen performances are not penalized as votes are averaged out) by rating the nominees on a scale of 1 (inadequate) to 5 (beyond excellent) hearts.]

Tuesday
Feb142012

12 Days Till Oscar. What Happened to the Juvenile Oscars?

Remember when... Okay, scratch the "remember when?" question this time. Unless there are some really really ancient AMPAS members reading. The Oscars weren't televised yet so nobody could remember this one unless they were there.

What was Judy Garland so happy about at the 1939 Oscars? (circa February 1940)


I mean besides sitting with 'The First Lady of MGM' Norma Shearer which would obviously make anyone euphoric.

Flashback Discussion if you click to read more

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