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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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FOXCATCHER & GONE GIRL teasers...

Foxcatcher: Carrell's fake schnoz and affected speaking voice could be VERY problematic over the course of a feature film, but this is a terrific teaser and Tatum in a singlet assuages many other concerns. This is a big yes too.❞ - Roark

 I love that the Gone Girl trailer purposely keeps Amy a mysterious figure throughout -- we just get glimpses. Casting someone like Rosamund was really genius because the character is supposed to feel unfamiliar.❞ -Bia

 


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Entries in Liz Taylor (30)

Friday
Jan032014

Burning Questions: Katniss in Context

The Year in Review continues with Michael Cusumano on Jennifer Lawrence's box office coronation, a more impressive achievement than you think.

At the sound of the closing bell, Iron Man 3 clings to the title of top grossing domestic release of 2013, but Tony Stark should savor the honor while it lasts. He is all but certain to relinquish the crown to Katniss Everdeen in the early weeks of 2014.

If one wants proof that this is all but a done deal, one need only compare the grosses of the first Hunger Games to its sequel. According to Box Office Mojo, Catching Fire’s 398 million is 24 million ahead of its predecessor at the same point in its release (41 days). Since the first Hunger Games’ final gross of 408 million is nearly tied with Iron Man 3’s 409 million, unless the grosses of Catching Fire unexpectedly crater it’s a safe bet that when we close the book on the 2013 the second entry in the Hunger Games series will hold true to its protagonist and emerge from the arena the final victor.

That a film with a strong, capable female protagonist as its sole lead is the year’s number one film is reason to cheer. That I was unable to recall the last film to duplicate this feat emphasizes the rarity of the achievement. It made me curious:

When was the last time a film led solely by a female character topped the domestic box office in its year? [The answer is after the jump]

Click to read more ...

Monday
Jul082013

How Many Biopics is Liz Going To Get? 

Late last year Lindsay Lohan did her best Elizabeth Taylor for Liz & Dick on Lifetime though by all accounts her best wasn't very good. Now BBC is getting in on the action with the far more respectable Helena Bonham Carter as the movie star of movie stars. This will be Helena's most challenging role in a good long while, don't you think? [More after the jump...]

Helena as Liz & Liz as Liz; she did love her caftans!

Click to read more ...

Wednesday
May082013

May Flowers: Liz & Dick

May Flowers blooming daily in the afternoons…

Andrew here to start things off. It only makes sense that the melancholic showers of Anna Karenina and The Truman Show would give root to the gloomy blossoms which open May Flowers this year. Connotatively you’d expect flowers to be a symbol of good things – life, hope, colour. But, not so in Who’s Afraid of Virginia Woolf. In Nichols’ adaptation of Edward Albee’s play it’s just another thing in a long line of objects which sparring couple George and Martha use to play games. Who cares about the danger of confusing truth and illusion when there are so many games to play? 

Here George comes to deliver our bouquet...

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Tuesday
Apr162013

Curio: McDermott & McGough

Alexa here. David McDermott and Peter McGough formed an artistic partnership during the 80s in the East Village, dressing as turn-of-the-century dandies in the scene that included Keith Haring and Jean-Michel Basquiat. Known as McDermott & McGough, they've worked in photography, painting, sculpture and film.  They continue to collaborate, even though McDermott lives in Dublin and McGough in New York (in quite the apartment).  

 

I thought their latest work, photorealistic paintings that celebrate actresses in classic films, would be of interest to TFE readers.  The work often pairs actresses from different films together in moments of intense emotion, or nestles them in modernist compositions with other elements of pop culture.

Here's a selection... 

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Tuesday
Nov272012

Liz & Link

Film.com Our friend Joe Reid debuts his Oscar column and explains why Oscars are good for us
Winnipeg Free Press interviews Kim Morgan on her Marilyn Monroe essay for Playboy
Huffington Post will Les Misérables virgins enjoy the film? Mike Ryan did.
Actors & Crew the best iPhone apps for filmmaking 
Natasha VC Feel all your feelings about James Spader (now appearing in Lincoln)
NY Times extensive audio & text piece on the sound design of Killing Me Softly. I love educational web goodies

The Atlantic worries that the conversion to digital will cost us deeply when it comes to the classics. Some of them may never look or sound the way they were intended to again. (With commentary from the brilliant editor Thelma Schoonmaker)
In Contention Can Beasts of the Southern Wild return to the Oscar fray? 
In Contention The "Oscar Bait" got good
Coming Soon photos from the set of R.I.P.D. with Jeff Bridges and Ryan Reynolds. They don't look much like zombie police officers to me?
Movieline Did you know that Steven Spielberg was once turned down when he asked to direct James Bond!?
The Carpet Bagger is back and looking at how the new Oscar schedule may change release dates and campaign strategies 

Linds & Tricks
Gawker
 the wordless acting of Lindsay Lohan in Liz & Dick
TFE Mean Girls predicted the future! 
PopWatch the best lines from Liz & Dick 
Huffington Post 100 Twitter Reactions... their layout is really messy/annoying but if you scroll down the post title can be found in a slide show that looks like an ad... but it's actually the content of the post after a long intro. 

And no... I haven't yet watched Liz & Dick. I know. I didn't have the energy, wasn't in the right mood to see Liz defiled (easily among the top five best celebrities who ever lived -- in multiple senses of "best") and maybe you had to be there at the online viewing internet party anyway!