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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Rocky Horror (2)

Wednesday
Oct152014

Baz, Rocky, Sarandon and Me

Editor's Note: Faithful reader and frequent Best Shot participant Derreck (see his tumblr here) attended a special film event that we desperately wanted to make it to last week, a screening of "The Rocky Horror Picture Show" with everyone's favorite red curtain Aussie auteur hosting. I invited Derreck to share his memoir of the event, so here he is to do so! - Nathaniel R.

I've never seen The Rocky Horror Picture Show

Oh, don’t get me wrong, I’ve heard about it. I’ve seen images of Tim Curry in a corset, fishnets and makeup, heard about shadowcasts and seen its enduring cultural presence in movies like The Perks of Being a Wallflower, but I’d never actually watched the film. I was born way after it was released and even though to this day, it is one of the longest theatrical releases in the history of cinema, it never made it to theatres in my homeland of the Bahamas. Rocky Horror ended up in my “I’ll get to that eventually” pile along with other much-discussed 70s movies like Apocalypse Now and Xanadu. 

Fast-forward to me living in New York. I was doing my daily blog readings and saw that Rocky was playing at the IFC Theater in Manhattan as part of Super Week leading up to Comic-Con. I thought “oh, that’s nice. Maybe I’ll go.” Until I read on and saw that Baz Luhrmann would be there in person to conduct a Q&A about the film and speak about how it influenced his work. 

Baz Luhrmann. The man behind the film that remains forever close to my heart and inspired my ridiculous obsession with love: Moulin Rouge!

I immediately left my apartment to get a ticket. 

Fast-forward to the big night. I was sitting in my chair shivering with "antici--

….

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Tuesday
Nov132012

Top Ten: Strange Golden Globe Musical Snubs

Glenn here with a tuesday top ten on a topic dear to my heart, and Nathaniel's too. We both have a strange fondness for the Hollywood Foreign Press Association’s annual Golden Globe Awards. Beyond the gif-ready celebrities-getting-drunk setting and the organisation’s occasional flurries of bonkers brilliance (too many to list), I think I like most of all that their splitting of films between drama and musical/comedy means so many very worthy films get big awards and nominations that they otherwise wouldn’t have. The general rule of thumb is that musicals have a much easier time getting a nomination because there are far fewer of them and, thus, stick out more. Sure, Burlesque, Across the Universe, Nine, and Mamma Mia are recent examples of none too acclaimed musicals landing big time best picture nominations.

Forgotten Awards Trivia: The Globes didn't consider "Dancer in the Dark" a musical (???) and Björk's awards show bird fetish didn't begin with the Oscar swan dress. Note that owl purse!

But what about those that didn’t? There’s more than you’d think!

11 with an Asterisk
Given the somewhat lax definition of “musical” by the HFPA – Ray? Coal Miner’s Daughter? Walk the Line? The Rose? – it’s a surprise that Robert Altman’s classic Nashville and Lars von Trier’s masterpiece Dancer in the Dark weren’t classified as such. The former because, well, it’s also pretty funny, right? The latter because it was a true, honest to god MUSICAL in the tradition sense. Altman’s ode to country garnered a whopping 11 nominations (including multiple for the now defunct “Best Acting Debut” category) and Dancer in the Dark snagged one for Bjork’s performance. Still, it’s about as dramatic as you can possibly get so we’ll let it slide.

TOP 10 MOST MYSTIFYING GOLDEN GLOBE MUSICAL SNUBS


10. Xanadu (1980)
Nominated instead: Airplane!, The Coal Miner’s Daughter (won), Fame, The Idolmaker, Melvin & Howard
Oh sure, laugh! Yes, this infamous movie was scorned upon release, but so was Burlesque and they had no trouble nominating that fabulosity twenty years later. Given the universal acclaim for, if nothing else, its soundtrack you’d think it could have at least gotten an original song citation for the title track. No, it’s not great art but who’s ever heard of Taylor Hackford’s The Idolmaker since?

Nine more increasingly acclaimed and tuneful snubbees after the jump

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