Stage Door: Great actressing in "Summer 1976"

by Nathaniel R

It begins with a gesture. Twinned gestures, really, though they’re not identical. Laura Linney and Jessica Hecht enter from stage right and stage left, respectively and face the audience. Linney’s hand sweeps away from her body presentationally to the audience, It’s a fun and curious movement as if to say  ‘here you are and here we are’ at once. There’s a sharp edge to it, though. Is it mocking and, if so, who is the target? Hecht soon makes a similar gesture, though the body language is sloppier with a ‘whatever’ nonchalance.  And we’re off. 

The two actresses begin to recount the story of how two very dissimilar mothers, Diana (Linney) and Alice (Hecht) met and how they improbably became close friends…

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What would it take to get Sigourney Weaver an Honorary Oscar?

by Nathaniel R

Sigourney Weaver in "Master Gardener"

It's the age old question. When will the Academy honor [insert your legendary favourite here] with an Honorary Oscar? Oscars for actors that excel in genres outside of pure drama always have a more difficult road to industry honors. Michelle Yeoh & Jamie Lee Curtis' recent Oscars were grand exceptions, not the rule! Sigourney Weaver is one of those performers.

The 73 year old legend's best work has largely been in science-fiction and comedy, traditionally genres that Oscar voters don't think much of in terms of "acting". Sigourney Weaver is on the brain due to a "sizzle reel" that's going around the web that you should watch after the jump...

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Oscar Completism: Unfinished Business and Happy Endings?

Baby Clyde's Oscar Completist Diaries -- Part 2
(If you missed part one read that first!)

When COVID hit I happened to be in Colombia. I wasn’t frolicking on the beach in 90-degree heat or scuba diving in the beautiful clear blue Caribbean Sea but watching the Best Actress nominees of 1969 (That’s what holidays are for right?). Jean Simmons and Liza Minnelli had somehow passed me by over the years and with my new Russian pal I was able to fill in all the gaps. By the time I was back in London and lockdown had kicked in, I’d decided to make a project of it. Using Kevin Jacobson’s And The Runner-Up Is podcast as my companion I started watching every nomination in reverse order from 1969 down to 1927. I rewatched everything I’d already seen and added in the first-time watches along the way, noting everything down on a colour coded spreadsheet as I went and listening to the corresponding podcast episode (I promise I’m really not as sad as this suggests. I used to be a cool 90’s Club kid, remember!!!). This made for some very interesting stats on my Letterboxd Most Watched List – The best place on the entire internet.

2020 was full of stars of the 50’s and 60’s (Sophia Loren won) whilst 2021 was made up of the biggest names from the 30’ and 40’s (And Beulah Bondi). Cary Grant came out on top. By the end of the year Kevin had invited me on the podcast to discuss the Best Picture race of 1935. I waffled on for 2 hours and 20 minutes...

The further I went the harder it became...

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11th Annual Team Experience Award - WINNERS

From the team…

The team is just as obsessed with Lydia Tár as she is of herself.
Preferential balloting can do crazy things. It was neck and neck over the course of five rounds, with different films taking the lead at different moments. In the end, TÁR prevailed in the Best Picture race. Overall, the team of Film Experience writers decided to spread the wealth, rather than give Lydia Tár all the awards under the sun. In fact, this year’s Best Picture winner only won two other categories - Best Actress (tied) and Best Original Screenplay. Everything Everywhere All At Once also won three awards - Director, Supporting Actor and Film Editing.

Check out the rest of the winners after the jump...

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Sundance review: Judy Reyes and Marin Ireland give the pregnancy horror 'birth/rebirth' its juice

by Jason Adams

Let me just stop you right here, at the start, and admit that I am going to be terribly biased in this review of writer-director Laura Moss’ horror film birth/rebirth. Why? Do I know the director? Have I played ping pong with the cinematographer? Did the boom mic operator donate a kidney to my mum? No no nothing like that – it’s just the entirely sane fact that I love love love the actress Judy Reyes with all of my being and seeing her be given a leading role in a movie is too much for me to bear, qualitatively speaking. 

Here at The Film Experience, within this safe space of actressexuals, I know I can admit this freely. But I just feel an upfront warning is due...

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