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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 


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Entries in Actressexuality (50)


The Bening to the Rescue!

Murtada here. 2015 is a banner year for actresexuals. From Clouds of Sils Maria in the spring, to the summer of prickly older ladies (Lily, Blythe and Meryl) and through to this month’s Brooklyn and Carol, we were spoiled. Looking forward to 2016 though, it is looking barren. It might just be early days as the release calendar hasn’t taken full shape yet.

But fear not actressexuals, Annette Bening’s coming to rescue us all from more stories about men and the obsession with their legacy and position in the world (ahem Steve Jobs!). Here she is, in glorious ratty overalls on the set of 20th Century Women. Mike Mills' long awaited follow-up to Beginners is a casting dream with lead roles for The Bening, Greta Gerwig and Elle Fanning. Bening is Dorothea Fields, a mother raising her teenage son, Jamie, in Southern California in the summer of 1979. Also in Jamie’s life are a sophisticated photographer (Gerwig) and his teenage friend (Fanning). Mills based the characters on women he knew growing up.

And what’s with those blue overalls? And she’s not looking too happy. Hopefully that means there’s lots of drama to deal with. Mills after all made a poignant and beautiful story in Beginners, another movie he based on his personal experiences. That led to Christopher Plummer winning an Oscar. Could he work his magic for The Bening as well?

Are you excited for 20th Century Women? What other 2016 releases do you think can continue the actressexuals bliss we are having now?


CAST THIS: Actressexual Ocean's Eleven

Hi, everyone. Coco here, with a fantastic opportunity for all agents and casting directors out there...

 Indiewire reports an Ocean's Eleven sequel is in the works, and that it will feature an all-female caper crew. Clooney is producing, Olivia Milch (Little Women) is writing, and Gary Ross (Seabiscuit, Hunger Games) is directing. The biggest news for Actressexuals: Sandra Bullock has landed the Danny Ocean role. 

Bullock's star-persona is a little goofier than Clooney's ultra-suave schtick, but she seems like a great choice nonetheless. Very few performers ooze of charisma as strongly as Bullock. I mean, I still find myself thinking of her speaking "Chinese" at the Oscars from time to time.

The bigger question, though, is what other wonderful actresses should join her and her team of madcap con artists. Here are some options:

Melissa McCarthy: McCarthy and Bullock had great chemistry in The Heat, so who wouldn't love a reunion? The only problem I can think of is the fact that McCarthy is already committed to the Ghostbusters reboot. Would two all-female franchise revivals be too much? 

Reese Witherspoon: Listen everybody, this is where the Reeseurgence takes flight. Just think of Reese playing the Brad Pitt to Bullock's Clooney. 

Lily Tomlin: Ocean's Eleven had its share of older mentors with Elliott Gould and Carl Reiner. Tomlin's on everybody's mind right now thanks to Grandma, and we all know she'd be really funny in the role. 

Julia Roberts: Well, she's already been in the Ocean's movies. And even if you weren't a fan of her infamous impersonation of herself, you should consider the following possibility: Roberts and Bullock were the queens of nineties comedies, wouldn't it be great to see them share the screen? 

Angela Bassett: Because she should be in every movie, don't you agree? Maybe she could play the villain?  

Mary Tyler Moore: Is she in good health? Because wouldn't it be cool if this television legend played the Carl Reiner role in a wink to The Dick Van Dyke Show

But here's the fun part: What would you cast? Go ahead, sound off in the comments! 


Ranking Kate Winslet's Oscar-Nominated Performances

Kieran, here. With this week's wide release of the already heralded Steve Jobs and yesterday's Elizabeth "Lee" Miller biopic casting announcement, it could well be a entering a second era of peak Kate Winslet. Winslet was on a career high with six Oscar nominations, four before her thirtieth birthday. Then things slowed down considerably. Yes, she had that awards run for Mildred Pierce and she was Globe nominated for her turns in Carnage and Labor Day. However, the consensus these past few years is that Winslet has been in a bit of a slump. If her Steve Jobs work does indeed land Winslet a seventh nomination, it'll be thrilling to see her return to the ceremony.

It's been seven years since Winslet last nomination for The Reader (which she won). In honor of one of our favorite actresses/shampoo-bottle-Oscar-speech-rehearsers let's look through her list of nominated performances, and rank them. Heavenly Creatures and Holy Smoke!, two of her best, are missing, but that's another story.


6. Little Children 
(Best Actress, 2006--Lost to Helen Mirren in The Queen)

Her turn in Little Children is an excellent example of how Winslet is rarely uninteresting to watch on-screen, even when she happens to be miscast. Todd Field makes good use of her highly-charged eroticism and her gift for conveying inner turmoil. Unfortunately, the screenplay forces her to tell more than show.

Click to read more ...


Debicki F.E.A.R.

Jose here. While watching The Man From U.N.C.L.E. yesterday and getting endless cinephile-boners from watching Elizabeth Debicki slink her way through the senseless plot - as she played the sexiest villain this side of Eartha Kitt as Catwoman - a pervading fear entered my mind: will Hollywood know what to do with her?

Combining the voice of la Blanchett, the statuesque-ness of Nicole and the effortless class of both Hepburns (although she's much more Kate than Audrey), Debicki might find spineless studio honchos not knowing what to do with her! Will they stick her to playing villains forever (she might've been a much more interesting Bond baddie than what hammy Christoph Waltz is doing in the Spectre trailers)? Will they stick her to playing icy sidekicks like she did in The Great Gatsby? If they saw what she was up to onstage in The Maids where she stole the show from both Blanchett and Isabelle Huppert (!!!), casting agents should be dreaming roles for her 24/7. However we know how these things usually turn out, and now I'm worried, we'll never see her again! *breathes into paper bag*

Dear readers, what movie-related fears invade your mind today?

Let Elizabeth whisk you away into dreamland as you come up with witty answers in the comments, we're all ears...


Happy Nicole Kidman Day !

Proposal: Since Australia (grew up there, family and friends) and the US (born in Honolulu, lives in Nashville) share the one and only Nicole Kidman with citizenship and residence, a national holiday won't do. We propose an International Nicole Kidman Day, each June 20th to mark the birthday of one of the big screen's bravest and best and most beautiful.

Herewith a few lists to mark the day...

The roles with which she'll arguably always be most associated

  1. Moulin Rouge! (2001) -which speaks to her bonafide movie-star charisma
  2. The Hours (2002) -which boldly underlined her cool (divisive) persona and intelligence
  3. To Die For (1995) -her breakthrough and which initially and ungenerously clung to her rapid rise as a star on another star's arm


  1. The Paperboy (2012) - the psychic sex, the skanky past her prime makeup, the death wish
  2. Birth (2004) - "you're a little liar, aren't you?"
  3. Dogville (2003) -Here are some chalk lines, hyper stylized dialogue, and precious tchotchkes. Action!


  1. Moulin Rouge! (2001)
  2. Eyes Wide Shut (1999)
  3. Batman Forever (1995)
  4. To Die For (1995)
  5. The Paperboy (2012)


  1. To Die For (1995)
  2. Moulin Rouge! (2001)
  3. Herself... on talk shows


  1. The Hours (2002) - Oscar & Globe & BAFTA & Silver Bear wins, SAG nom
  2. Moulin Rouge! (2001) - Globe & MTV win, Oscar, SAG & AACTA noms
  3. To Die For (1995) - Globe & BFCA win, BAFTA nom
  4. Rabbit Hole (2010) - Oscar, Globe & SAG noms
  5. The Paperboy (2012) - Globe & SAG & AACTA noms


  1. "Grace" 3 characters: The Others (1995), Dogville (2003), Grace of Monaco (2014)
  2. "Isabel" 2 characters: Bewitched (2005) and Portrait of a Lady (1996)
  3. "Julia" 2 characters: Wills & Burke (1985) and The Peacemaker (1997)

*Movies that were far far more successful overseas than in the US

  1. The Golden Compass (2005) $372* 
  2. Batman Forever (1995) $336
  3. Paddington (2015) $259*
  4. Just Go With It (2011) $214
  5. Australia (2008) $211*
  6. The Others (2001) $209
  7. Moulin Rouge! (2001) $179*
  8. Cold Mountain (2003) $173
  9. Eyes Wide Shut (1999) $162* 
  10. Days of Thunder (1990) $157 


  1. Actress - 4 roles: Grace of Monaco, Nine, Bewitched, Moulin Rouge!)
  2. Writer - 4 roles: Margot at the Wedding, The Hours, Hemingway & Gelhorn, Genius)
  3. Reluctant Sexworker (or thereabouts) - 3 roles: Moulin Rouge!'s whore, Birthday Girl's mail order bride, Far and Away's temporary burlesque dancer)
  4. Psychiatrist - 2 roles: The Invasion, Batman Forever
  5. Boss Lady Who Moonlights in Kidnapping - 2 roles: The Golden Compass, Paddington



  1. Tom Cruise (Marriage + 3 films: Far and Away, Days of Thunder, Eyes Wide Shut)
  2. Colin Firth (3 films: Before I Go To Sleep, The Railway Man, and the forthcoming Genius)
    [tied with] David Wenham (3 films: Australia, Moulin Rouge! and the forthcoming Lion
  3. Jude Law (2 films: Cold Mountain, and the forthcoming Genius)
    [tied with] Ben Mendelsohn (2 films: Australia, Trespass), Daniel Craig (2 films: The Invasion, The Golden Compass), and Dianne Wiest (2 films: Practical Magic and Rabbit Hole)



  1. More of whatever makes her happy
  2. One more classic as beloved as Moulin Rouge! or as Oscar-honored as The Hours or as widely argued over / prestigey as Eyes Wide Shut or as audience-friendly as The Others (we're not picky/greedy... any of those will do)
  3. A project to do with her bestie Naomi Watts. It's been since Flirting (1991) c'mon... 
  4. A project to do with Ewan McGregor (Moulin Rouge!) or Stephen Dillane (The Hours) because MY GOD THE CHEMISTRY in both of those cases. Why hasn't she worked with either again? 

Naturally, in the comments you'll want to share your five favorite things about this goddess and what you'd give her for her birthday




The Toughest Emmy Quandary: Supporting Actress in a Drama Series?

We begin an Emmy FYC series tomorrow (Daily at Noon) since voting commences this month for nominations for the 67th Annual Emmy Awards. Emmy rules allow for 6 acting nominees per category. Though I shudder when any pundit suggests expanding lineups in any awards show -- it reduces the meaning if it's easy to get nominated -- if there were ever a convincing argument against honoring twice as many actors as usual, isn't it the 2015 Supporting Actress in a Drama Series field? 

For the past three years the category has been almost exclusively dominated by five women. The 2012, 2013 and 2014 seasons saw a nominated shortlist that always included Christine Baranski (5 nominations for The Good Wife, 7 previous nominations with 1 win), Christina Hendricks (Mad Men, 5 nominations), Maggie Smith (4 nominations and 2 wins for Downton Abbey, 4 previous nominations with another win) and Anna Gunn (Breaking Bad, 3 nominations and 2 wins). Joanna Froggatt (Downton Abbey, 2 nominations) was usually in the lineup as well leaving very little wiggle room for other fine actresses. Essentially voters had one free spot each year that they were then quite fickle with. All but one of these five women are still eligible (Breaking Bad is finally off the air) which begs the question of how Emmy will deal with so many new and valuable players from freshman series or players who've been coalescing fans and momentum towards nominations without quite breaking in for other series.

Unless Emmy is willing to ditch one of their four beloveds (and it better not be Hendricks who had such a great sendoff in Mad Men and has been robbed in the past) there's only room for two newbies or returning players and there are a couple dozen of them (at least) to consider after the jump...

Click to read more ...


Best Limited or Cameo Role. The Women

In the imaginary awards ceremony we hold for the Film Bitch Awards each year (when: January through March; where: Nathaniel's brain and on this website) Missi Pyle as "Ellen Abbott" announces the nominees for the limited or cameo role categories. With three or four sharp scenes in Gone Girl she's too big for this category but she's good TV, you must agree. Getting the balance right for this category is tricky. Which roles are too big to fit? Many of the people who immediately popped to mind this year as "cameos" were really were more than that. Oprah Winfrey is great in that crucial opening expose about voter suppression in Selma but she also marches, gets arrested and her throughline doubles as the whole narrative arc of the movie, so we couldn't really include her. Lindsay Duncan in Birdman, was another close call, but we opted to include due to only two scenes even though she's the focus.

We take this seriously y'all. As proof look at all these fine actresses we were considering... 

Top left to right by row: Karin Myrenberg (Force Majeure), Charlotte Rampling (Young & Beautiful), Lesley Manville (Mr Turner); Jena Malone (Inherent Vice); Alison Pill (Snowpiercer); Lindsay Duncan (Birdman); Hong Chau (Inherent Vice); Sela Ward (Gone Girl); Anamaria Marinca (Fury); Menna Trusslar (Pride); Tilda Swinton (Grand Budapest Hotel); Annie Funke (A Most Violent Year); Uma Thurman (Nymphomaniac Vol. 1); Casey Rose Wilson (Gone Girl); Kathleen Rose Perkins (Gone Girl); Karina Fernandez (Pride)

And here are the nominees, wrapping up nominations in all categories for the 15th annual Film Bitch Awards. The nomination stats are at the bottom of the "best scenes" page if you're interested. Gold, Silver and Bronze medals in all categories will be handed out this weekend.