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The biggest Oscar winners that weren't Best Picture nominees

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Entries in Actressexuality (71)

Monday
Feb062017

20 Days til Oscar. Beyond Meryl...

Everyone knows that Meryl Streep is Oscar's all time acting nomination queen. This year the queen received her 20th nomination, this time for playing the worst opera singer Florence Foster Jenkins. But Streep's astonishing numbers get a little less intimidating if you break them up into supporting and lead categories. So let's do that to place Streep in a slightly different context in the history of Oscar'ed actresses.

We'll ignore wins in this particular exercize. Streep isn't #1 in the supporting sweepstakes, but she remains #1 by a very comfortable margin for leading actresses. More details after the jump...

Click to read more ...

Monday
Dec262016

Female Performance Heaven Across Mediums

Our Year in Review is doubling up now, two "best of" lists a daily to wrap up. This afternoon Matthew Eng exercizes his actressexuality.

Here are 25 scenes, songs, shots, reactions, line-readings, gestures, and whatnot that have stuck with me the longest from some — but not all — of my favorite female performances across film, television, music, and theater this year. Remember these? They are... in alphabetical order:

01 Kate Beckinsale and Chloë Sevigny’s bravura comic badinage is the main engine driving Love & Friendship, which only ever threatens to turn softhearted when these two catty soulmates are finally forced to part. Beckinsale and Sevigny carefully modulate their straight-faced hauteur during this fond farewell, but refuse to let even an ounce of sentimentality disrupt their regal self-possession. It’s one final, triumphant occasion for game to recognize game.

02 “Value,” the sixth episode of Donald Glover’s extraordinary first season of Atlanta, opens with an extended showcase scene of friendly rivalry between the luminous Zazie Beetz (as long-suffering public school teacher Van) and one-episode wonder Aubin Wise (as her childhood pal, now an “Instagram escort”). Both actresses tear into the scene with a comical trenchancy that scores its necessary laughs but also establishes a layered and fleetingly poignant background of affectionately-waged one-upmanship.

Click to read more ...

Tuesday
Nov152016

Kelly Macdonald and other Oscar-Less Wonders

by Kyle Stevens

I was finishing up the new season of Black Mirror --which is alternately smart and smarmy, somehow managing to exaggerate reality to the point of smugness rather than satire-- when, lo and behold, who should pop up in the finale but Kelly MacDonald. And she's magnificent in it. Not being a Boardwalk Empire watcher, I hadn't really thought about her since her spectral turn as Rowena Ravenclaw in the Harry Potter movies. Then I remembered just how good she was in No Country for Old MenGosford Park, and even Nanny McPhee. I surprised myself by starting to fantasize Oscar-winning roles for her -- as one does. 

But there are so many worthy actresses without the big award. So to get our minds off the horrors of this past week, let's retreat into some good old-fashioned actressexual playtime. Who are your top five working actresses you'd love to see win an Oscar?

Off the top of my head, and in no particular order, mine are:

  1. Annette Bening
  2. Maggie Cheung
  3. Sally Hawkins
  4. Isabelle Huppert
  5. Kelly MacDonald

CAVEAT: I've not said Viola Davis, because her status will probably change soon!

Friday
Jul292016

Cast This!: A Bosom Buddy for Tilda's Auntie Mame

Chris here. It's been so long since we first heard about Tilda Swinton's plans to remake Auntie Mame that we'd assumed the project had died. But, as it turns out, Annie Mumolo and Tilda Swinton are giving us a banquet because we poor suckers are starving to death.

While being interviewed by Vanity Fair, Oscar-nominated screenwriter Annie Mumolo let slip that she's working on the screenplay for Auntie Mame, with Tilda Swinton taking over Rosalind Russell's fur coat. No, it won't be a musical version, because Tilda Swinton in a musical would be too much for our tender hearts.

This would be a huge star vehicle for the actress, putting her at the forefront of a big cast rather than her usual spot on the periphery of comedic ensembles. One thing Swinton doesn't get enough credit for is her incredible chemistry with a wide range of different kinds of performers, so the possibilities to pair her with a great cast is all too exciting. From her nephew Patrick, goofy Gooch, and dreamy Beau, there are a lot of great parts to bounce of Swinton's eccentric socialite.

Vera (Coral Browne) and Mame (Rosalind Russell) in the 1958 classic

But the role we should all be most intrigued to see cast opposite Swinton's Mame is her bosom buddy Vera. More after the jump...

Click to read more ...

Wednesday
Jul202016

Beauty Break: Natalie Wood Forever

My first true actress love as a wee boy watching her movies on TV whenever they'd pop up. She would have been 78 today. Happy Birthday in the Cosmic Cinema Pantheon, Natalie. Here are 12 glorious photos of her and a few listicles...

Click to read more ...

Tuesday
Jul122016

Q&A: Oscar-Free Dames, Supporting Shortlists, Disney Renaissance

Just answering six reader questions this afternoon for time constraints so we'll do another handful later in the week. Thanks for all the great Qs, readers! Here we go.

GSHAQ: Do you feel the gap is widening between the stories told in mainstream movies and contemporary issues? Oops, that might be an essay. 

NATHANIEL: This question hurts my brain but I'll try. I do fear for the health of cinema which directly addresses contemporary issues. For a long time the movies have preferred past-tense filters for social and political issues, once it's safer since history has sorted out consensus. The best of those past-tense films also address the here and now through their resonant power (see: Selma). And there's something to be said for the facility that good genre films have in addressing the way we live via metaphor (The Babadook, Bridesmaids, and Melancholia are MUCH better films about depression than some earnest dramas that directly take it on) Even superhero films can be reflective of the here and now in spite of (or maybe because of) all their mixed messages and contradictory 'have it both ways' politics. I don't think it's an accident that Batman v Superman and Captain America: Civil War, whatever their disparate qualities, are asking the same questions about Might Equalling Right and whether we have the right checks and balances in place for those in power. These are issues that we're facing in very real ways all over the world. But, that said, we do need a reenergized contemporary cinema. If we can only think about tough issues through metaphor or by dwelling on the past, we have some maturation to do as a society!

It's true that movies made in the right-now about the right-now can age quickly (see movies we've recently discussed like Working Girl)  but if they're any good -- and sometimes even when they aren't -- they make great time capsules about the way we were, the things we valued, and the issues that laid claim to our collective mental real estate.  

BVR: Rank the animated movies from the Disney Renaissance (1989-1999). Extra: which is the most underrated?

NATHANIEL: This is cheating and asking for a top ten list but here's a NON commital answer after the jump...

Click to read more ...

Tuesday
Jul122016

Three Women

Julie Christie, Ursula Andress, and Catherine Deneuve in 1966