...well, you're wrong!"
Comment(s) Du Jour
Handmaid's Tale ep 1 & 2
"Margaret Atwood's novel is superb. If this is half as good, it will be great!" - Marcelo
"My one concern is how much of the novel is covered so quickly. Even in the first episode, they pulled a lot of events from the middle of the novel right in there to establish the universe. The pacing works onscreen, but what are they going to have left to cover by episode 9 and 10?." - Robert
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...well, you're wrong!"
by Nathaniel R
The title sequence for Feud, really couldn't be better. The Saul Bass inspired graphics cut-outs act out both the iconic beats in hagsploitation classic Whatever Happened to Baby Jane (1962) and Joan Crawford and Bette Davis's own rivalry as stars while alluding to their embattled natures (the hearts as tears is a particular fine move) within Hollywood where both had been wildly successful but not without their backs up and claws out, as it were.
When the action kicks off in Feud though we're in 1961 and both were now "has been" at least in terms of A list leading lady roles at 55 (Crawford) and 53 (Davis). Feud: Bette and Joan casts much older actresses to play them with Jessica Lange (67) and Susan Sarandon (70) which is maybe the most unintentionally positive takeaway of the show; it takes much longer to be considered "old" in Hollywood now!
Everyone knows that Meryl Streep is Oscar's all time acting nomination queen. This year the queen received her 20th nomination, this time for playing the worst opera singer Florence Foster Jenkins. But Streep's astonishing numbers get a little less intimidating if you break them up into supporting and lead categories. So let's do that to place Streep in a slightly different context in the history of Oscar'ed actresses.
I begged for this Crayola set as a child. pic.twitter.com/uB5CDBkXup— Louis Virtel (@louisvirtel) February 3, 2017
We'll ignore wins in this particular exercize. Streep isn't #1 in the supporting sweepstakes, but she remains #1 by a very comfortable margin for leading actresses. More details after the jump...
Our Year in Review is doubling up now, two "best of" lists a daily to wrap up. This afternoon Matthew Eng exercizes his actressexuality.
Here are 25 scenes, songs, shots, reactions, line-readings, gestures, and whatnot that have stuck with me the longest from some — but not all — of my favorite female performances across film, television, music, and theater this year. Remember these? They are... in alphabetical order:
01 Kate Beckinsale and Chloë Sevigny’s bravura comic badinage is the main engine driving Love & Friendship, which only ever threatens to turn softhearted when these two catty soulmates are finally forced to part. Beckinsale and Sevigny carefully modulate their straight-faced hauteur during this fond farewell, but refuse to let even an ounce of sentimentality disrupt their regal self-possession. It’s one final, triumphant occasion for game to recognize game.
02 “Value,” the sixth episode of Donald Glover’s extraordinary first season of Atlanta, opens with an extended showcase scene of friendly rivalry between the luminous Zazie Beetz (as long-suffering public school teacher Van) and one-episode wonder Aubin Wise (as her childhood pal, now an “Instagram escort”). Both actresses tear into the scene with a comical trenchancy that scores its necessary laughs but also establishes a layered and fleetingly poignant background of affectionately-waged one-upmanship.
by Kyle Stevens
I was finishing up the new season of Black Mirror --which is alternately smart and smarmy, somehow managing to exaggerate reality to the point of smugness rather than satire-- when, lo and behold, who should pop up in the finale but Kelly MacDonald. And she's magnificent in it. Not being a Boardwalk Empire watcher, I hadn't really thought about her since her spectral turn as Rowena Ravenclaw in the Harry Potter movies. Then I remembered just how good she was in No Country for Old Men, Gosford Park, and even Nanny McPhee. I surprised myself by starting to fantasize Oscar-winning roles for her -- as one does.
But there are so many worthy actresses without the big award. So to get our minds off the horrors of this past week, let's retreat into some good old-fashioned actressexual playtime. Who are your top five working actresses you'd love to see win an Oscar?
Off the top of my head, and in no particular order, mine are:
CAVEAT: I've not said Viola Davis, because her status will probably change soon!
Chris here. It's been so long since we first heard about Tilda Swinton's plans to remake Auntie Mame that we'd assumed the project had died. But, as it turns out, Annie Mumolo and Tilda Swinton are giving us a banquet because we poor suckers are starving to death.
While being interviewed by Vanity Fair, Oscar-nominated screenwriter Annie Mumolo let slip that she's working on the screenplay for Auntie Mame, with Tilda Swinton taking over Rosalind Russell's fur coat. No, it won't be a musical version, because Tilda Swinton in a musical would be too much for our tender hearts.
This would be a huge star vehicle for the actress, putting her at the forefront of a big cast rather than her usual spot on the periphery of comedic ensembles. One thing Swinton doesn't get enough credit for is her incredible chemistry with a wide range of different kinds of performers, so the possibilities to pair her with a great cast is all too exciting. From her nephew Patrick, goofy Gooch, and dreamy Beau, there are a lot of great parts to bounce of Swinton's eccentric socialite.
But the role we should all be most intrigued to see cast opposite Swinton's Mame is her bosom buddy Vera. More after the jump...
My first true actress love as a wee boy watching her movies on TV whenever they'd pop up. She would have been 78 today. Happy Birthday in the Cosmic Cinema Pantheon, Natalie. Here are 12 glorious photos of her and a few listicles...