50th Anniversary: "Harold and Maude" is as necessary as ever.

by Brent Calderwood

It might be time to stop calling Harold and Maude a cult film. Yes, it’s true that when it came out fifty years ago (December 20, 1971), many critics and audiences greeted it with a mix of bewilderment, indifference, and even hostility—Variety, for example, claimed it had “all the fun and gaiety of a burning orphanage.” And yes, it's also true that Harold and Maude has been a staple of midnight art-house screenings almost since its release and has topped “best cult films” lists for as long as “cult film” has been a recognizable term.  

But 50 years on, Harold and Maude is so widely beloved by critics and new generations of film lovers that what was faintly hailed as an exquisite but slightly rarefied document of post-’60s counterculture is now firmly a part of our culture...

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25 Oldest Best Supporting Actress Nominees of all time

by Nathaniel R

Maggie Smith (Gosford Park), Ethel Barrymore (Spiral Staircase) and Rosemary Harris (Tom & Viv)... all just a bit TOO YOUNG for this list!

We recently published an "Oldest Best Actor Nominees of all time" list since TWO men this year (Gary Oldman and Sir Anthony Hopkins) landed in the mix. (Related lists "Youngest Best Actor" and "Youngest Best Actress"). Given that unusual two-for-one accomplishment we figured we needed to update the correlative Oldest Best Supporting Actress list where the exact same thing has happened. We first published this list only three months ago but then the focus was on the possibility that Ellen Burstyn would make history as the oldest nominee ever in that category. But Pieces of a Woman proved polarizing when it "opened" and was ignored outside of Vanessa Kirby's Best Actress bid. 

So an update to the list. Which elder women have been looked at fondly by Oscar in the Best Supporting Actress category? Supporting (for both men and women) skews older than Lead since Hollywood prefers midtwenties to mid fortysomethings for protagonists. Herewith the women who broke through the wall of ingenues, girlfriends, wives, and mothers, to score Oscar nominations in Best Supporting Actress category later in life... 

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The 25 Oldest Nominees of All Time in Best Supporting Actress

by Nathaniel R

Since Claudio was just discussing Ellen Burstyn's estimable Oscar history and the fact that she'd become the oldest acting nominee of all time (in any of the four categories) if the Academy picks her for Pieces of a Woman, we figured it was time for an Oscar list. (Cue talkback: when isn't it time for an Oscar list, Nathaniel?)

Which older women has Oscar gazed at fondly in the Supporting Actress category? Supporting (for both men and women) typically skews older than Lead since Hollywood prefers midtwenties to mid fortysomethings for protagonists. Herewith the women who broke through the wall of ingenues, girlfriends, wives, and mothers, to score Oscar nominations in Best Supporting Actress category later in life... 

25 OLDEST NOMINEES IN BEST SUPPORTING ACTRESS 

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Smackdown '65: Nuns, child abusers, and tragic pawns

The Supporting Actress Smackdown series picks an Oscar vintage and explores...

 

THE NOMINEES  1965 was all about the Julies, Christie and Andrews, headlining the years biggest hits but both were located in the lead actress category. When some of the year's most lauded supporting actress turned up in films Oscar wasn't interested in they selected quite an odd list from which films they were looking at, still missing one very obvious great choice. Recent Oscar winner Shelley Winters (A Patch of Blue) and recent nominee Joyce Redman (Othello) were invited back and future Dame and Oscar darling Maggie Smith (Othello) was invited for the first time. TV regular Peggy Wood (The Sound of Music) and a longtime Hollywood screenwriter Ruth Gordon (Inside Daisy Clover), nabbing her first nomination in an acting category, were also chosen. The resulting shortlist of characters included a nun, a child abuser, two women doomed by hateful petty men, and an eccentric old Californian who wasn't quite in touch with reality... not unlike some Oscar voters! 

THE PANEL  Here to talk about the performances and films are, in alpha order, Oscar buff Baby Clyde (The Film Experience), freelance writer Kayleigh Donaldson (Pajiba, What to Watch, SyFy FanGrrls), character actor Spencer Garrett (Bombshell, Once Upon a Time in Hollywood), writer and podcaster Kevin Jacobsen (And the Runner Up Is...), writer, cosplayer, and director Terence Johnson (Le Noir Auteur, Vampyr Resistance Corps). And your host at The Film Experience, of course, Nathaniel R. Let's begin...

1965
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

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Rosemary's Baby Pt 2: This is Really Happening!

Rosemary's Baby print by Jonathan Burton. For sale here.50th Anniversary Three-Part Mini-Series
Occasionally we'll take a movie and baton pass it around the team and really dive in. 

Rosemary's Baby (1968) is 50 years old now but it feels both ancient and fresh. It's always alive when you watch it. Having seeped into the very DNA of both the movies and our nightmares, it deserves a deep dive. In Part One by Seán McGovern we watched as Rosemary (Mia Farrow) and Guy Woodhouse (John Cassavettes) moved into a strange new apartment building, saw a neighbor mysteriously die, and become socially entangled with an intrusive neighbor couple Minnie and Roman Castavet (Ruth Gordon and Sydney Blackmer), who are both eccentrically endearing and very possibly sinister. 44 minutes into the film we can scratch out "very possibly" and just make that sinister. Full stop. We return to Rosemary just as we realize she's been drugged by Minnie's chocolate mousse "mouse" and has begun to dream... - Editor

Part 2 by Jason Adams

44:21 It seems appropriate to jump right in in the middle of a dream about to turn nightmare, for what else is Rosemary's Baby but that?

44:21 So much of this sequence will come back to haunt us later when Rosemary makes her final horrific discovery...

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