Judy Holliday @ 100: The Oscar Winner's Fascinating Career

by Brent Calderwood

I’m just going to say it. I’m glad Judy Holliday won the Best Actress Oscar for the 1950 comedy Born Yesterday. I’m not saying she should have won—I’m not even saying I would have voted for her if I’d been a member of the Academy. But if I could have been there when the winner was announced on March 29, 1951, I would have been cheering the loudest.

Today—100 years after Holliday’s birth and 56 years and two weeks after her untimely death—Holliday’s Sea Biscuit victory over frontrunners Bette Davis for All About Eve and Gloria Swanson for Sunset Boulevard is still a topic of discussion and debate...

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Showbiz History: For your eyes only, Mrs Miller...

10 random things that happened on  this day (June 24th) in showbiz history

1916 Mary Pickford, a very savvy businesswoman, becomes the first female movie star to get a million dollar contract. That was on top of her $10,000 a week (The average US income was under $20,000 in 1916... for the whole year). Can you imagine how much money that was in 1916 ???

1960 Opening weekend for the musical Bells are Ringing starring Judy Holliday (reprising her Tony-winning Broadway role). It proved to be the Oscar winner's last movie, tragically, since she died at only 43 years of age from cancer.

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Bunheads: Pantsuit

SusanP here, back for more Bunheads fun. The more I watch the show, the more it surprises me. Even in episodes that I find less engaging, there’s always something to pull me in. I think that has a lot to do with how the show is structured: The first third of the hour tends to play for laughs; the last third doesn’t necessarily drop the humor, but it closes the deal with an emotional payoff. In thinking of Monday’s episode, “There’s Nothing Worse Than A Pantsuit,” you could almost say that the show starts off wearing sweats or jeans, but finishes with a pantsuit (with lots of pockets).

This Week on Bunheads
The idea of acting or auditioning is at the heart of “There’s Nothing Worse Than A Pantsuit.” The episode, directed by veteran character actor and director David Paymer, is in some ways lighter than the last two episodes, but still offers an unexpected gut punch for Sutton Foster’s Michelle.

Each of the characters is trying on a new part...

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