NOW PLAYING

reviewed - out in theaters

review index

HOT TOPICS


Welcome

The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Beauty vs. Beast

The Power of Poll Compels You

vote! Chris MacNeil vs. Pazuzu

Comment Fun

COMMENT(s) DU JOUR
Best TV to Film Adaptations ever?

I actually didn't realize that most of these originated from tv series.❞ -Courtney

 ❝ I stopped by just to say I decided to see Ghost Protocol after reading that short review. Spot on. My first reaction after I finished watching it, was checking IMDB to see when the next one is coming. So, thank you... ❞ - Iggy

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Twitter Feed
Subscribe

Entries in Bond James Bond (43)

Sunday
Jun292014

Our Link Summer

Must Reads
The Atlantic 'How Brando Broke the Movies' -excellent piece from Tom Shone on perceptions of movie stardom, acting and chameleon tricks
L'etoile on summer's anniversary nostalgia and childhood idles
Pajiba shares fun excerpts from Neil Patrick Harris' upcoming autobiography. Sounds like a must-read. The Scott Caan story is delicious 

More Links & News
The Guardian "The Glorious Folly of Dance on Film" Singin' in the Rain, Pina and more
The Dissolve Bond 24 gets a rewrite. But why? Daniel Craig returns of course with Ralph Fiennes and Naomie Harris in tow
Geeks Out Boo. Disney is taking pains to make sure we know that 'Wandering Oaken' from Frozen (the guy with the store and sauna) isn't gay like the internet said
Kenneth in the (212) Shia Labeuf and the Jordan Almond defense
Towleroad Gay Iconography: Bette Midler
Vérité recommends Rob the Mob (2014) with Michael Pitt and Nina Arianda. This is one of those rare 'under the radar' recommendations that actually is. I hadn't been aware of this Bonnie & Clyde like tale but I'm up for more Arianda for sure.

Off Cinema
Salon has a list of the 19 greatests 'double entendre' songs from "Brand New Key" to "Milkshake" and so on. I object to the exclusion of Cyndi Lauper's "She-Bop"
Gizmodo how long until we get this weird 'Smart Morphable Surface' technology in sci-fi movie designs? 

Oscar Notes / Production Design
In case you missed it as the weekend began, AMPAS made some minor adjustments to the rules (as they are prone to do) which In Contention analyzes. Mostly it's technicalities like how nominations are credited for Song & Best Picture but the super interesting one is that movies nominated for Production Design which feature heavily digital environments will now have an added nominee, the digital designer. I personally suspected /was hoping that the change which was bound to happen would be closer to the Black and White vs. Color designations that Oscar went through from the mid30s through the mid60s in cinematography and I was hoping it would happen in both cinematography and production design since visual fx achievements keep winning in one or both of those categories (think Avatar, Alice in Wonderland, Gravity, Hugo, etcetera). But I guess that was wishful thinking.

Tuesday
Jun172014

Visual Index ~ Goldfinger (1964)

For the mid season finale of Hit Me With Your Best Shot, and since we've been revisiting 1964 for its 50th, we're looking at the James Bond classic Goldfinger (1964). After selecting the movie I began to worry that perhaps the early image of a dead beauty suffocated in gold paint was too iconic to have people looking elsewhere but trust this crowd to keep their eyes open and receptive to varying beauties. Or maybe the Best Shot club (open to all -why haven't you joined?) was just purposefully avoiding it due to its fame? 

Click on the images for the corresponding article...

GOLDFINGER'S BEST SHOTS
9 shots chosen by 12 secret agents of blogging
(in chronological order within the film)

The image, created by Robert Brownjohn is nearly prophetic and totally inadvertently so... 
-The Movie Scene  *new participant* welcome!


Girls, Girls, Girls..."
-The Film's The Thing 


The all-time perfect collision of the things that, to my mind, make Bond Bond..."
-Antagony & Ecstasy 

Margaret:  Sexy, sexy violence.
Anne Marie: I suppose that’s what happens when you bring your work into the bedroom.
-We Recycle Movies 

What I always loved about James Bond is his ability to get under the skin of his opponent - to instinctively know which buttons to push..."
-The Matinee 

 A cramped space that nonetheless is full of detail...
-Drew Byrd *new participant* - welcome! 

Hamilton and director of photography Ted Moore shoot much of this film from wide-angles, which makes the film look "big"..."
-Entertainment Junkie 

There's something beautiful about the Bond movies when they slow down..."
-Basket of Kisses via TFE  *new participant* - welcome!

Three layers of depth here..."
-Allison Tooey 

One of the most fascinating things about this iteration of James Bond is how ineffective he is...
-Film Actually 

Goldfinger, however, does know how to pop some colors..."
-Coco Hits NY 


We need to talk about James Bond's cock in Goldfinger..."
-The Film Experience 

Please check out these fine articles. I really enjoyed this finale - some really funny and interesting pieces this time. This is our midseason finale. If you'd like 'Hit Me' to return in July, please do comment and support the series through comments, shares, tweets, and likes.

Tuesday
Jun172014

Best Shot: Deborah's Choice From Goldfinger (1964)

Hi, Deborah here, from Basket of Kisses.  We're currently experiencing a site outage, but will be back up soon! Meanwhile, Nathaniel is graciously hosting my entry in Hit Me With Your Best Shot.

Best Shot is one of my favorite blogging series anywhere, but I've never participated until now. Nathaniel tempted me unbearably, though, by selecting a Bond movie. Goldfinger is a movie filled with iconic imagery; imagery that springs immediately to mind. So I should warn you right now.

This is not my best shot... [more]

Click to read more ...

Thursday
Jun122014

ICYMI + Goldfinger

June is flying by and if you aren't here every day you're bound to miss something good. Here's a few posts just for the helluvit that you won't want to have missed that are already buried on pages 3, 6 or number whatever of this continually updated blog.

Sarah Paulson Reality Check - she thinks she'll keep getting stiffed for Supporting Actress and knows from Category Fraud
Disney Heroines - gorgeous old school paintings of Mulan and more
The Fault In Our Stars - reviewed through watery eyes
Miss Julie Posters - what'cha think?
Beauty vs. Beast - white swan versus Black Swan... the closest battle yet 

and for dessert
Maleficent Cake  - what do you suppose it tastes like?

and if you really haven't been here in a while...
First Oscar Predictions of the Year  and all the updated Oscar Charts

COMING SOON: Tuesday Night (June 17th) on Hit Me With Your Best Shot
James Bond in Goldfinger (1964)

We've never done a Bond film in this series and this one right here, 50 years old now, is universally regarded as one of the tippity-top entries in the franchise. Plus, it fits neatly into our '64 party and is available for instant watching on both Amazon and Netflix. I wonder if anyone will look beyond that gold corpse? You want to join in this week, I know you do.

Take the assignment - you're licensed to blog!


Tuesday
Apr082014

From Russia With Love's Visual Style

On the 50th anniversary of "From Russia With Love"'s US release our friend and James Bond expert Deborah Lipp (she even wrote a book about him!) is here to talk 007...

Sean Connery in "From Russia With Love" released 50 years ago today in the States

After 23 official films and 2 unofficial ones, From Russia With Love, the second James Bond adventure, remains the greatest of them all. Considered an iconic film in many ways, it may surprise the casual Bond viewer to note that certain "iconic" aspects of the Bond franchise were missing from or created in this film.

Let's focus on From Russia With Love's extraordinary visual signature on this anniversary

The first James Bond film, Dr. No, featured the production design of Ken Adam. Adam is justifiably famous. In Dr. No, he designed such sets as the nuclear launch room, and, needing one last set when the budget ran out, came up with an exquisitely simple interrogation room, as perfect as any of his more elaborate work. Adam worked on a total of seven Bond films, creating such sets as Goldfinger's Fort Knox and the hollowed-out volcano lair in You Only Live Twice. He is considered synonymous with the look of James Bond movies, but he didn't do From Russia With Love. He was busy working on Dr. Strangelove—go ahead and revisit the war room scene in Kubrick's film and ask yourself if it doesn't look an awful lot like a James Bond movie.

No, art direction for From Russia with Love was done by Syd Cain. Cain is kind of impressive. Like Ken Adam, he did multiple Bond films and worked with Stanley Kubrick (in Cain's case, on Lolita). 

The eye-popping chess tournament scene in From Russia with Love, in which the chess game takes place on a raised dais above a checkerboard floor mimicking the chessboard itself, is Cain's work. The movie also featured Blofeld's yacht-based lair, extensive scenes on the Orient Express, and location footage in Istanbul augmented by opulent set design. In fact, opulence is a good word to hang on Cain's work, and FRWL is an opulent movie.

Another iconic visual element in Bond films is the title sequence. Title design by Maurice Binder is considered part of the Bond signature, and Binder was there from the beginning. Dancing girls, silhouettes, sinuous animated movement, and the famed gunbarrel sequence were all Binder's designs. He did the title sequences for every Bond film from the first one in 1962 through License to Kill in 1989. Except two: From Russia with Love and Goldfinger. Robert Brownjohn did those. 

FRWL's title sequence features the credits projected on the mostly-nude body of a bellydancer. It's beautiful and so very Bond, so typical of Binder's signature work that you may wonder if Brownjohn wasn't influenced by the first Bond title sequence. He wasn't: Dr. No's titles are a psychedelic explosion of colored dots. Male and female dancing silhouettes come in around the 1.40 mark, and by 2.15 we're into the "Three Blind Mice" sequence—three blind beggars who turn out, as the movie begins, to be assassins. Nope, the sensual body of a woman in Bond titles wasn't made iconic by the iconic Bond title designer. 

From Russia With Love is great for many reasons: Plot, dialog, cast, and locations all play important roles. But the visual style is a key component. How interesting, then, that it stands separate from what we think of as "the" Bond style.