Over & Overs: "Murder on the Orient Express" (1974)

by Cláudio Alves

To celebrate the Sidney Lumet centennial, I reflected on the director's filmography and tried to surmise which of his films had the biggest impact on me. In retrospect, I wish that exercise led to one of his many masterpieces. Yet, to choose something like Dog Day Afternoon or Network would be dishonest. As much as I adore those pictures, they're not works I tend to revisit that often. Certainly not to the point where music cues, editing choices, singular line deliveries, and shot compositions are so ingrained in my mind that re-watching them is a jolt of muscle memory. You could call my relationship with the film what some folk feel for their favorite comfort foods.

When the mood is blue and the soul needs a pick-me-up, Lumet's 1974 adaptation of Murder on the Orient Express is a reliable treat, just frivolous and hearty enough to appease the spirit with whodunnit shenanigans. Or it could be a warm blanket of a movie, the soothing embrace of an old friend. Is it great cinema? Not really, but I wouldn't trade it for the world…

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Thankful for... Deborah Lipp

This year for our "thankful for" column we're mixing it up a bit and interviewing our team to share our gratitude for them. I first met DEBORAH LIPP through a mutual obsession with Mad Men. I'm proud to call her a friend and had the pleasure of attending her wedding several years back.

Deborah has a busy life (new books out!) so we dont see her around these parts much but she began popping in on occasion way back in 2012. As a James Bond fan she's written about her 007 favourite 007 films (and lots of other Bond posts). She's also wondered if Notorious is Hitchcock's only feminist film and since she loves romoms she's sung the praises of several here including Kissing Jessica Stein, Moonstruck, and and Four Weddings and a Funeral. She most recently popped in to review the final Daniel Craig Bond film No Time To Die.

Our short interview follows...

When did you first fall in love with the movies?

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1946: Martha Vickers in "The Big Sleep"

Each month before the Smackdown event, suggested options for an alternate ballot in Best Supporting Actress... 

by Nick Taylor

How is it I've ended up watching three Bogie & Bacall collaborations in reverse chronological order while celebrating the Smackdown years? At least this means that their pairings have only grown more rewarding, rather than less. I’d probably rank To Have and Have Not ever so slightly above The Big Sleep, but boy is it a twisty, entertaining film, making real cinema out of Raymond Chandler’s novel without sanding away his cynical wit and venom (This write-up is based on the 1946 version of the film, rather than the substantially reorganized and shorter 1945 cut). The Big Sleep also boasts the only real instance in any of these films of a supporting performer truly overshadowing the star couple for sheer charisma and watchability. That actress is Martha Vickers, in the role of Lauren Bacall’s drug-addicted, nymphomaniac sister Carmen Sternwood. If it’s one thing for Moorehead to walk away with a barely-there film like Dark Passage, it’s an entirely different feat to watch Vickers’ intense, dangerous, but visibly curtailed supporting turn swipe the whole movie out from under Bogie and Bacall at very nearly the top of their game. 

Before getting into Vickers’ performance, it’s worth sharing a bit of Hollywood history that explains why Vickers is in less of the film than one might be expecting...

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Best of the "Whodunnit?" Genre (Part Two)

by Eurocheese

If you missed part one, we're celebreating the whodunnit subgenre since Knives Out is out soon. Last time we listed rules of the genre (not all mystery and investigation films are whodunnits) and sang the praises of Gosford Park and The Thin Man. Now let's continue the list,

6. The Big Sleep
Bogie was bound to show up on this list (spoiler: he will again), and what better way to do it than next to his leading lady Lauren Bacall in her (arguable) career-best role...

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Beauty Break: Stars on the Phone

A key "on this day" we forgot this morning. March 7th was the date, way back in 1876, when Alexander Graham Bell got his patent for the telephone. So let's gawk at sexy photos of movie stars with telephones. It's really the only appropriate way to celebrate because who talks on the telephone anymore? Movie stars don't employ them much in photoshoots anymore either. 

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