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Entries in Diane Kruger (18)

Saturday
Sep102016

Red Carpet: Venice, Toronto and Kruger (Oh, My!) 

Jose here. I'm glad to report that as the temperatures come down, slightly, so do the hemlines, which means it's red carpet season! <3 So let's get down to business! First up in Venice we have Eva Herzigova in a sheer, but elegant, Alberta Ferreti. The Italian designer's bold work usually pops up in Venetian red carpets and Herzigova's simple styling make us think she's equally ready for a fancy cocktail party, as she is for lounging poolside. Next up the divine Emma Stone in Atelier Versace, who more and more seems to be paying homage to red carpet goddess Nicole Kidman and you won't hear me complain about that.

European red carpets tend to be more playful which is why it's no surprise to see Chiara Mastroianni in this androgynous suit from Gucci, the smoky makeup and severe hair round up one of my favorite looks of the year. Since Amy Adams is in the new Tom Ford movie, she might as well wear what he designs, right? (Also, talk about multitasking Mr. Ford) She's a vision in this sparkling column that seems to have sprung from a Halston wet dream.  More looks after the jump!

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Sunday
Aug212016

Interview: Alice Winocour on Disorder, PTSD, and Joining the Academy

by Nathaniel R

Alice Winocour, writer/director of "Disorder"The absence of strong female representation behind the camera has been a constant sore subject this past year in the world of cinema. But there are shining exceptions to the rule. Though Alice Winocour began making shorts a dozen years ago and released her first feature in 2013, the 40 year old French director really broke through with the one-two punch of Mustang (which she co-wrote) and Disorder (which she co-wrote and directed) last summer at Cannes. Mustang went on to an Oscar nomination for Best Foreign Language Film (and much love - including right here). After serving on the Cannes International Critics Week jury this summer (one year after her own breakthrough double) she's making the rounds promoting Disorder which has finally hit US screens after its festival run.

I had the pleasure of seeing both films nearly back to back at AFI last November and I was stunned that the same person was involved with both. She admits that "it was funny to switch from one film to the other" during their festival runs. They really couldn't be more different, one a memoirish feminist drama and the other a tightly wound home invasion thriller. I had the pleasure of sitting down with her in Manhattan this month to talk about her big year.

NATHANIEL: Since you've written a few features was Disorder a conscious choice to show your directorial chops? Thrillers are not generally thought of as writer's pictures. 

ALICE WINOCOUR: Writing is an unconscious process. You don't think about it like that. You just fall in love with the subject or character and then you start to tell the story...

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Thursday
Jul212016

Melinkia 

Variety Emmys are revoking Peter MacNicol's "Guest Actor" nomination for Veep since he appeared in 50% of the episodes (it's supposed to be under 50% a rule we support after years of abuse by studios and actors) but who gets his spot? Stay tuned.
Pajiba reacts with glorious schadenfreude to the news that Divergent is being demoted to TV for its final film
What Mama Said the best review of The Legend of Tarzan out there
THR the resurgence of Dungeons & Dragons in showbiz as geek culture reigns


Interview revives an old cover story from 1991 on Kathy Bates
Decider Who is the worst character on Gilmore Girls?
No Film School on AMC's giant purchase of Odeon (they're going to be way too powerful for one company in terms of how you see movies) -- and China's growing rapidly growing theatrical business.
Towleroad IFC picks up James Franco's latest gay endeavor, King Cobra, the true story of a murder in the gay porn industry 
Pajiba Diane Kruger and Joshua Jackson have split up after 10 years. Sad face. So Pajiba looks back on their coupledom.
The Film Stage chooses the 50 best sci-fi films this century thus far. 50 is a lot for 16 years. The top ten feels substantial but I can't forgive them for having The Lobster so low it's practically sitting alongside those terrible Matrix sequels and Ex-Machina and Mad Max Fury Road not in the top ten feels... well, these lists are made to get people riled up (and clicking) so I'll stop there.
The Guardian interviews the undervalued Rebecca Hall 

Today's Watch
If you haven't yet seen this bit from The Late Show with Stephen Colbert, you must. Longtime readers will know that TFE worships Broadway musical star Laura Benanti. Her voice is spectacular but her comic skills are just as strong. Here she is doing Melania Trump just one day after people noticed their resemblance. [Hat tip: Vulture]

And James Corden gets both FLOTUS and Missy Elliott in the car (Holla!) for some Carpool Karaoke and talk about "Let Girls Learn". Joyful. Inspiring. Just what we need right now. 

Thursday
Jul142016

Review: The Infiltrator

Manuel here with a review of The Infiltrator which opened yesterday nationwide.

Fact: Steven Soderbergh’s Traffic is one of the most influential films of the 21st century. That’s not a qualitative assessment but an increasingly common thought that’s rankled in my brain. Can you believe Soderbergh actually struggled to get his film financed because Hollywood execs didn’t think audiences would want to watch an entire film about the drug trade?

Fast-forward to summer 2016 when USA is premiering Queen of the South, Netflix will bring us season 2 of Narcos, two competing El Chapo TV series are in development, and Bryan Cranston’s The Infiltrator joins an ever-growing list of films about the war on drugs that range from the sublime (Sicario) to the pedestrian (Blow) with everything in between (Savages, anyone?).

In Brad Furman’s The Infiltrator, the Breaking Bad actor plays U.S. Customs Service special agent Robert Mazur who, as is par for the course in certain genres, decides to take on one last job to go undercover as “Bob Musella.”...

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Tuesday
Dec222015

Best of '15: Red Carpet Beauty

Jose reporting for red carpet duty. One of the most significant things that happened in fashion in 2015, was the end of Raf Simons' short reign at Dior. With that we saw what I like to think was the "theme of the year", a return to form for starlets, and Best Actress Oscar winners, who seemed constrained under the requirements of their contracts. Not that they were crying about getting paid millions to dress in expensive couture, and sell perfumes mind you. Still, it was refreshing to see people like J.Law go back to the All-American goodness she first embodied in that red Calvin Klein dress at the Oscars.

We also saw perennial favorites find new ways to astound us (Cate, Nicole and Diane are indeed the holy trinity for fashion lovers), and usually lackluster people finally find their unique sartorial voice, thanks to the work of magician stylists (thank you for existing, Petra Flannery). I hope you're surprised by some of the inclusions in the list, but overall I hope they manage to put some beauty into your day (even when the dresses in question aren't necessarily "pretty"...)

The 15 Best Looks of '15
continues after the jump 

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Wednesday
Nov112015

AFI Fest: Disorder

Kieran, here reporting from AFI Fest in Hollywood.

There's a moment of in Alice Winocour's Disorder (French title Maryland) where Jessie (played by Diane Kruger) tentatively and almost wordlessly embraces Vincent (Matthias Schoenaerts) from behind. It's a brief, but completely earned emotional beat, perfectly emblematic of the film's power. The film is billed as a "home invasion thriller," a description that betrays Disorder's rich textures and laser-like focus on character. 

Vincent is a former soldier turned security guard working at a villa in France, inhabited by Imad, a wealthy businessman (Percy Kemp), his wife, Jessie and their young son, Ali (Zaïd Errougui-Demonsant). Vincent is suffering from PTSD and auditory problems, a result of his time in combat, which leads to bouts of paranoia. After some kind of international business deal goes awry while Imad is out of the country, Jessie and Ali become the target of hitmen, with Vincent left to protect them. This plot description could have very quickly led to something in the vein of Taken really quickly. What we get here is something far more interesting and cinematically daring.

Matthias Schoenaerts is, in many ways, the perfect actor to put at the center of this story. More...

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