Because they weren't on the stage but at after parties. Many beauties after the jump...
COMMENT DU JOUR
Have you seen EX MACHINA yet?
"I, too, liked the film very much. Wish more would have been focused on the science rather than the gamesmanship..."- JoeS
"I saw it as an overt attempt to say something bold about gender that slid into a rather alarming casual misogyny..."- catbaskets
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Because they weren't on the stage but at after parties. Many beauties after the jump...
Jose here. Every year as the awards race picks up, it seems as if we’re all collectively Lacuna-ed into forgetting all the great performances that came before Oscar narrows them down to twenty that by then, have won or been nominated for dozens of other awards. But what about the performances so “small”, “weird” or “foreign” that stand no chance in hell of competing with the FYC ads in the trades and/or Harvey Weinstein’s Sauron-like powers? We celebrate those performances, right now:
10. Keira Knightley - Begin Again
Sure, The Weinstein Company is behind this one, but even Harvey knows there is no point in trying to get a nod for this low-key, charming musical, especially not when he can get Keira an Oscar for a WWII flick, which makes more sense, right? Her performance here reminded me of Last Night in which she does so much with her eyes, which is something Begin Again director John Carney achieves with everyone in this cast. I’m still shocked that not a single awards body back in 2007 recognized the subdued and lovely performances by Glen Hansard and Markéta Irglová in Once. Why do you think this kind of acting seems so unworthy of awards?
More after the jump...
Vulture says goodbye to Ryan Gosling as he begins his break from on-screen acting post Only God Forgives. But it's not over. It's never over.
Laughing Squid awesome movie-themed wedding invitations. Seriously clever!
In Contention Kris is ecstatic over the news that Man of Steel 2 will include Batman; "The World's Finest" will finally share the screen.
Pajiba on 20 reasons they're sad to be missing Comic-Con
NPR extremely negative review of a book about Ava Gardner that she didn't want published
Playbill Rose Byrne might play "Grace" in Annie. That's the "We Got Annie!" assistant to Daddy Warbucks played by Ann Reinking in the previous film version
Movie City News 33 Weeks to Oscar - a season without a frontrunner?
Greg in Hollywood thinks this year's Emmy list is the gayest ever -- so many out TV stars these days
New Zealand Herald appreciates Diane Kruger's terrific recent run of career-elevating parts
New Zealand Herald -- I'm double-dipping (thx Morgan) since they're into actresses right now -- talks to Nicole Kidman about her recent roles and Grace of Monaco
i09 has a ton of details from the Marvel Panel at Comic-Con including new Captain America Winter Soldier footage and the Guardians of the Galaxy panel and the Avengers sequel has been titled. It's Avengers: The Age of Ultron.
Peter 'Garfield' Parker
Huffington Post truly fun interview with Andrew Garfield at Comic-Con who is delightfully candid about his years locked into playing Spidey.
And here he is at Comic-Con delighting the crowd...
With Oscar barrelling towards us (at last) I have no choice but to wrap up my own awards. I don't know where I'll find the time but forward into film bitch awardage...
My Best Supporting Actress Starter Kit, about 20 actresses long, was quite a lot different than the one we heard about all pre-season. For starters Helen Hunt and Ann Dowd, who Oscar season dubbed "supporting", were leading stars for me (Hunt's designation is entirely debatable, Dowd's is not). I am, as ever, more impressed with stylized genre-friendly work than awards bodies, particularly Oscar, ever are. I think Eva Green in a movie that wasn't much good (Dark Shadows), Gina Gershon and Nicole Kidman in movies that might accurately be called "trashy" (Killer Joe and The Paperboy) were all running circles around more respectable names like Maggie Smith or Amy Adams that kept cropping up in "Best of" lists. And though surprise Oscar nominee Jacki Weaver did make my top 12 for her homey egg-shell peace-making in Silver Linings Playbooks, my personal vote for Doing the Most With The Least this year would go to Olivia Munn in Magic Mike... though I didn't go quite so far as to nominate her.
That's all just preface - the point being that I debate this with myself (and with you in the comments) all year long. In the end while Oscar chose an entirely respectable list (save for the exclusion of the incomparable Nicole Kidman which I shall forever deem indefensible) my list has only two women in common with theirs. I had to make room for Diane Kruger (Farewell My Queen) and Lorraine Toussaint (Middle of Nowhere), too.
As always I welcome respectful disagreements, fan mail and counterpoint lists. In Actressland many five-top opinions are welcome in "Best" lists.
An abridged version of this review originally appeared in my column at Towleroad
There are numerous reasons why the Marie Antoinette story has fascinated artists and storytellers for centuries now. From the Court's commitment to theatrical flamboyance with a blind eye to the consequent suffering of the masses (modern pop culture echos were seen as recently as The Hunger Games this spring), to the complexity of the Queen's intimate lonely gilded cage tragedy played against the backdrop of a vast messy violent history. One could argue that the now mythic story is super relevant all over again in this era of rampant socioeconomic injustice and the angry gap between the 1 and 99%.
Benoît Jacquot clues you in early that he means to tell the famous story differently in the just released French import Farewell My Queen. For one, it's told "backstage" through the stressful lives of the servants. Consider it the French Revolution: Downton Abbey Edition... without Maggie Smith or the jokes.
The German actress Diane Kruger (Inglourious Basterds) plays the troubled big-spending transplanted queen, Léa Seydoux (Mission Impossible - Ghost Protocol), the film's actual lead, is her bosomy devoted servant Madame Laborde, and Virginia Ledoyen (8 Women) is the Queen's Object of Affection, the Duchess de Polignac. The French people were so unhappy with this rumored affair that the ostensibly powerless Duchess was fairly high on the list of the 286 heads demanded for the guillotine! [More...]
My favorite French movie is _________________ because ___________________ . My favorite French actress is _____________ and she should _________________ .
You know what to do in the comments!
France is on my brain for five reasons today.
1. It's Bastille Day! Happy Bastille Day.
2. The Tour de France is on
3. I saw Farewell My Queen (just opening in select cities) last night and it was happily excellent with a surprisingly strong lead performance from Léa Seydoux (Mission Impossible - Ghost Protocol, Midnight in Paris) as a favored servant of the infamous Marie Antoinette (Diane Kruger, also compelling). Here's my review. Go see it if it's in your city.
4. Speaking of ladies of Versailles, the very buzzy documentary Queen of Versailles opens next week and I hear it's a must see though I haven't musted myself all the way to any screenings yet. [Please to note: "Queen of Versailles" in this case is aspirational and takes place in Orlando, Florida]
5. France is often on my mind because they produce at least one irreplaceable movie star queen a decade (Moreau, Adjani, Huppert, Deneuve, Binoche, etcetera) and usually a dozen other amazing ladies-in-waiting, too. Vive la France!
NOW... March toward the comments and stage your own revolution for a favorite film and actress before someone gets beheaded.
Jose here. In a truly unprecedented turn of events, Austrian auteur Michael Haneke has won his second Palme D'or at the Cannes Film Festival. Haneke now joins the ranks of the Dardenne brothers, Bille August and Francis Ford Coppola, among others, as some of the few filmmakers who have been able to achieve this feat. What's more surprising is that Haneke achieved it with two consecutive films and within the span of three years, his previous film The White Ribbon, won the Palme in 2009.
His winning movie Amour moved audiences and critics alike when it was shown in competition last week. People were surprised about the way in which his typical iciness shaded new light on the complex subject of mortality in a movie that deals with how a stroke shatters the stability of an older married couple. Some were pleased to realize Haneke had finally found his "heart" and the only thing that seemed to stand between him and his second Palme was none other than jury president Nanni Moretti...