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Entries in Diane Kruger (22)

Tuesday
May302017

Part Two: 70 Best Gowns of the 70th Cannes Festival

Nathaniel R delivering your very last Cannes 2017 post *sniffle* If you missed Part One, that's here featuring Andie Macdowell, Eva Longoria, Michelle Yeoh, Berenice Bejo, Juliette Binoche, Kristin Scott Thomas, Isabelle Huppert, Fan Bingbing, Monica Bellucci, Uma Thurman and more. A few of those ladies show up again in Part Two!

70 BEST GOWNS OF CANNES 70 
(Part One: 36-70 / Part Two: 1-35 is after the jump)

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Friday
May262017

Cannes Day 9-10: A Gentle Creature, In The Fade, L'Amant Double

Cannes wraps this weekend. Only one competition film, Lynne Ramsay's You Were Never Really Here, is yet to screen before the jury makes their decisions for the history books (er, what do we say now that the history books aren't how you look up history?). 

PreviouslyDay 1Days 2-4, Days 5-6, and Days 7-8
Fashion: French Divas and Kidmanifestations 1, 2, and 3

So let's check in with the four latest premieres including a new erotic thriller from François Ozon, a revenge drama from Fatih Akin, and a buzzy Robert Pattinson performance...

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Tuesday
Mar072017

Beauty Break: Stars on the Phone

A key "on this day" we forgot this morning. March 7th was the date, way back in 1876, when Alexander Graham Bell got his patent for the telephone. So let's gawk at sexy photos of movie stars with telephones. It's really the only appropriate way to celebrate because who talks on the telephone anymore? Movie stars don't employ them much in photoshoots anymore either. 

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Monday
Oct172016

The Manipulative Monarch of "Farewell, My Queen"

We're celebrating Marie Antoinette for a few more days this week. Here's abstew - Editor

The legendary figure of Marie Antoinette has been the subject of gossip and infamy for over 200 years now. Although most scholars agree that all we may think we know about the excessive queen is mostly a misunderstanding. Even the most well-known phrase attributed to her, "Let them eat cake!", has been debunked as never actually been spoken by her. Even in her own time, there were pamphlets spread around France accusing her of infidelities with both men and women. At her trial, she was accused of staging orgies at the Palace of Versailles and even committing incest with her own son. Playing off of these rumors, French director Benoît Jacquot's 2012 film about Marie Antoinette, Farewell, My Queen, based on the novel by Chantal Thomas, invents a lesbian relationship between the Queen and a duchess at court...

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Saturday
Sep102016

Red Carpet: Venice, Toronto and Kruger (Oh, My!) 

Jose here. I'm glad to report that as the temperatures come down, slightly, so do the hemlines, which means it's red carpet season! <3 So let's get down to business! First up in Venice we have Eva Herzigova in a sheer, but elegant, Alberta Ferreti. The Italian designer's bold work usually pops up in Venetian red carpets and Herzigova's simple styling make us think she's equally ready for a fancy cocktail party, as she is for lounging poolside. Next up the divine Emma Stone in Atelier Versace, who more and more seems to be paying homage to red carpet goddess Nicole Kidman and you won't hear me complain about that.

European red carpets tend to be more playful which is why it's no surprise to see Chiara Mastroianni in this androgynous suit from Gucci, the smoky makeup and severe hair round up one of my favorite looks of the year. Since Amy Adams is in the new Tom Ford movie, she might as well wear what he designs, right? (Also, talk about multitasking Mr. Ford) She's a vision in this sparkling column that seems to have sprung from a Halston wet dream.  More looks after the jump!

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Sunday
Aug212016

Interview: Alice Winocour on Disorder, PTSD, and Joining the Academy

by Nathaniel R

Alice Winocour, writer/director of "Disorder"The absence of strong female representation behind the camera has been a constant sore subject this past year in the world of cinema. But there are shining exceptions to the rule. Though Alice Winocour began making shorts a dozen years ago and released her first feature in 2013, the 40 year old French director really broke through with the one-two punch of Mustang (which she co-wrote) and Disorder (which she co-wrote and directed) last summer at Cannes. Mustang went on to an Oscar nomination for Best Foreign Language Film (and much love - including right here). After serving on the Cannes International Critics Week jury this summer (one year after her own breakthrough double) she's making the rounds promoting Disorder which has finally hit US screens after its festival run.

I had the pleasure of seeing both films nearly back to back at AFI last November and I was stunned that the same person was involved with both. She admits that "it was funny to switch from one film to the other" during their festival runs. They really couldn't be more different, one a memoirish feminist drama and the other a tightly wound home invasion thriller. I had the pleasure of sitting down with her in Manhattan this month to talk about her big year.

NATHANIEL: Since you've written a few features was Disorder a conscious choice to show your directorial chops? Thrillers are not generally thought of as writer's pictures. 

ALICE WINOCOUR: Writing is an unconscious process. You don't think about it like that. You just fall in love with the subject or character and then you start to tell the story...

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