Best Shot Visual Index: Mommie Dearest (1981)

For our April Fools tradition of celebrating 'bad movies we love' (last year it was Can't Stop the Music) we opted for Frank Perry's ill-fated but extremely memorable Mommie Dearest (1981). The film, which was quickly adapted from Christina Crawford's 1978 best-selling memoir (published just a year after her famous mother's death), starred Faye Dunaway as the great movie star and Mara Hobel and Diana Scarwid as Christina, Steve Forrest as Crawford's longtime boyfriend Gregg Savitt and Rutanya Alda as Crawford's loyal assistant Carol Ann. The book was controversial in its day, with many stars defending their former co-star but the stories stuck in the public consciousness and the movie lives on in infamy. It was greeted with much derision, winning multiple Razzies (the entire principle cast just listed was nominated in their individual acting categories) but Dunaway's work, oft-quoted and beloved to this day in certain communites (ahem), has always had its share of valiant defenders.

Paul Lohmannn (Nashville, High Anxiety) was the director of photography and here are the films most memorable or "best" shots, according to participants around the web.

MOMMIE DEAREST BEST SHOTS
13 images chosen by 14 blogs
Click on the images to read the corresponding articles 

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What Becomes a Legend Most? On "Mommie Dearest"

Hit Me With Your Best Shot: Mommie Dearest (1981)
Directed by Frank Perry. Cinematography by Paul Lohmann (who also shot Robert Altman's Nashville!)

As a practicing film buff ever since adolescence I've spent a lot of time thinking about two different questions. The first, what is it that makes some stars last in the public imagination beyond their own lifetimes while other giants fade? The second, entirely unrelated, what is the difference between a great movie and a terrible movie, and by extension this -- are 'bad movies we love' ever truly terrible or are they actually funhouse mirrors of greatness, very nearly the same but for the random comic distortions?

In Mommie Dearest (1981), the infamous movie based on an infamous tell-all about an infamous movie star -- that's a lot of infamy -- these questions collide...

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Faye Dunaway, Author

Since this news arrived yesterday rather than today (I'm not big on April Fools joking myself) we must acknowledge that it is very likely true. 

Faye Dunaway will break her silence on playing Joan Crawford in Mommie Dearest and will write a book about it, presumably one hopes for a lot of money. Though in truth, Dunaway's silence on the film has been exaggerated over the years. She did include a chapter on it in her first autobiography "Looking for Gatsby" which was published in 1995

In ye olden days before the internet this future tell-all or tell-partial (who knows) would have been an instant best-seller but I always wonder about gossip-appeal celebrity books post, say, 2000 or so. Do they actually sell? Before they're even released we generally get laundry lists of secrets revealed in list-form on every website, muting the need to pick it up. Or rather order it. Book stores....*sniffle* (300 BC - 2011 AD) R.I.P. 

Nevertheless we thank Faye and the media for this news which couldn't have arrived with more fortuitous timing since we'll be discussing Mommie Dearest today for Hit Me With Your Best Shot and you've already been voting on Christina vs. Joan (you've voted, right?) If you're eager to get to the slapping and screaming and sass of the infamous movie, these websites posted their best shot entries early so have at it with gusto: Where are the Advertisers, A Fistful of Films, Drink Your Juice, Shelby, and I Want to Believe.

Beauty vs Beast: Mommie Knows Best

Jason from MNPP here with this week's "Beauty vs Beast," which could be considered a preview of coming attractions (random aside: I can only hear that phrase in Grace Kelly's voice) -- this week's episode of TFE's "Hit Me With Your Best Shot" series on Wednesday is devoted to the camp masterpiece Mommie Dearest, and so are we. I can't help myself. It's perfect for this series too, and somehow we've never asked the question. In one corner you've got Christina Crawford (played by Mara Hobel as a little girl and Diana Scarwid as a not-so-little girl), adopted daughter and axe-bringer. In the other corner you've got legendary movie star and crazy person Joan Crawford, played by legendary movie star (and perhaps also a crazy person - I have heard stories!) Faye Dunaway, giving a great, dedicated performance - I won't hear a word about her being "bad" in this movie. Not a word of it! On the one hand I'll grant you that it's awfully hard not to side with an abused child... but on the other hand, come on! Who are you watching this movie for???

Whose team are you on?

Team Christina

Team Joan

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PREVIOUSLY Last week we climbed inside the brains of Charlie Kaufman & Spike Jonze and oh yeah Catherine Keener for her birthday with a Being John Malkovich round, pitting Keener's caustic Maxine against Cameron Diaz's desperate Lotte - ultimately it was Cathy's brilliantly sleek sarcasm that won the day with just over 60% of the vote. Said Mr. Goodbar:

"Team Maxine. She is cut of the same cloth as Linda Fiorentino's from The Last Seduction: a misanthrope with irresistible charm and wit, except she finds love and changes whereas Fiorentino just stays on course to become a psychopath."

Callas, Streep, and "Master Class"

Tyne Daly played the role on BroadwayYou've undoubtedly heard the news by now that Meryl Streep will be playing opera diva Maria Callas in the film adaptation of the play Master Class, about Callas teaching a voice class at Juilliard. Well, telefilm adaptation I guess... so ink Streep down for the Emmy whenever that arrives since Hollywood is all about over-rewarding the winners. On stage the role has been played by Fanny Ardant, Zoe Caldwell, Faye Dunaway and Tyne Daly. Master Class is, in a way, a distant cousin to The Prime of Miss Jean Brodie as each involve an imperious older woman teaching students while also basically monologuing about her own glory days.

Terence McNally's play has been around since 1995 and as recently as last Winter Faye Dunaway, who played the role in a Los Angeles production, was still being interviewed about her struggle to get it on film. If Dunaway was that invested in it I'm confused about the rights issues because wouldn't she have already acquired them? 

As much as I love Streep, her dominance continues to haunt me. I'm an actressexual but I am in no way monogamous about it. (I assure you, 1000% percent that if my beloved Pfeiffer returned to the movies and got every part for a 50something woman, I'd complain, too.) And while I despair for the other supremes Streep's age who can't get around her to get their shot at golden roles (both because Hollywood always wants Streep and because Streep is more prolific now than she has been since her late twenties!), this could be truly great. Mike Nichols is Streep's best collaborator and truly gifted at guiding her. Streep has rarely been better than she was in Silkwood, Postcards from the Edge, and Angels in America. I'd list only two of her other performances as equal to that realm of pure transcendence.

Maria Callas

That said it'd be more tantalizing, at least from afar, to have a lesser lauded less ubiquitous performer and it'd definitely be fascinating to have a "has been" goddess  in the role. Consider that on Broadway one of the raves for Daly's performance said:

one of the most haunting portraits I’ve seen of life after stardom

Not that Streep doesn't have prodigious gifts of imagination but "life after stardom" is not something the three time Oscar winner has or ever will experience, despite it being a universal journey for 98% of movie actresses.