Nathaniel, reporting from TIFF, where the French still love la petite mort. Due to the graphic nature of these films the reviews of Gaspar Noé's 3D explicit sex movie Love and the French teens-gone-wild Bang Gang: a modern love story (which is about exactly what it sounds like it's about) are both hidden after the jump where naughty things must go... Think of the children!
Entries in nudity (63)
Surprising news broke today that John Logan (Penny Dreadful) has successfully won a behind the scenes battle to adapt the best-selling memoir "Just Kids" as a limited series for Showtime. Why is the news surprising? Well, right here at The Film Experience, as you may recall, Patti Smith was horrified by the idea of this happening in our 2014 interview.
Our exchange went like this...
She appears to have had quite a change of heart as she was emphatic on this point when we spoke and she is still very much among the living!
So since she's changed her mind, it's time for CAST THIS!
Who should play these two iconic American artists in their twenty-something years for the miniseries? You'll need actors who can play raw emotion, uninhibited sexuality and bohemian charisma (For extra credit you can also cast playwright/actor/ex-partner of Jessica Lange Sam Shepard since he was also Patti's lover in the early 1970s and Sam Wagstaff who became Robert's older lover around the same time and his devoted mentor/patron/lover until his death.)
Both Smith and Mapplethorpe were poor 21 year-old transplants to NYC in 1967 (they were the exact same age) and lived together as roommates and lovers and later, he was homosexual after all, as devoted friends until 1974. Their fates were tied together and they both became famous, she as a musician with the release of her debut album "Horses" in 1975. His fame built more gradually as the fame of photographers and artists, tends to.
Photos from the early 70s after the jump... (NSFW)
"Want to work in Hollywood? Only straight, white men need apply?" this new study from USC is getting a lot of attention and it is pretty damning evidence all told. (How did diversity issues get so much worse instead of better? - It boggles the mind.) That study is just for films but TV is doing a lot better. On that note it looks like we lost Lee Daniels to TV for good (*sniffle... no more Paperboy or Precious). In addition to "Empire" Season 2 he's developing a girl-band series called "Star". NYT also looked at the diversity gap on the bigscreen from that study and Dana Delany tweeted in response underlining why she doesn't do film anymore.
The migration of actors (particularly female) and creatives to television has been well documented. I can only blame moviegoers at this point. They just only seem willing to look at "adult" and female stuff on television and save their ticket dollars for fx films
Variety Todd Haynes to get a tribute at this year's Gotham Awards
Empire remember when Lasse Hallström was a big deal? His breakthrough was My Life as a Dog (not a literal title) and now he'll be directing a movie called A Dog's Purpose which is actually about a dog, a reincarnated dog who helps various owners in his lives
imgur a native of Florida photographs Edward Scissorhands locations 25 years later. The foilage sure grew and the colors sure are drabber now
Interview republishes an archival interview with Warren Beatty from 1972 as we await anything on his long-gestating Howard Hughes biopic
MSZ "Unloved" series looks at Peyton Reed's Down With Love and The Break-Up
Filmmaker Magazine talks to Randal Kleiser about Summer Lovers, an 80s guilty pleasure starring Daryl Hannah and Peter Gallagher.
Indie Outlook compares American Sniper and Selma to find the structure of "Oscar Bait". It's interesting but I wholly disagree on the notion that Selma's focus on the mechanicas of civil disobedience makes it dry and unsatisfying. I think that's exactly what makes it so good and so much more worthwhile than a simple "great man" biopic would have been. Love that movie.
This Is Not Porn Jessica Lange on the set of King Kong (1976). Hee
CW Seed This is actually cool. CW, which had a major hit with their fun and well-crafted Flash series is now streaming the original Flash television series from 1990 - I had forgotten that existed even!
Comic Alliance "why I'm boycotting Marvel Comics" more on Marvel's very real diversity problem
Htxt.Africa talks Star Wars and The Jungle Book from a Disney Africa presentation. Also says Doctor Strange looks "horror-movie-dark"
for London readers
Facebook Desperately Seeking Susan is getting a 30th anniversary screening at the Prince Charles Cinema
Oooh, here's the Season 2 trailer to HBO's "The Leftovers" which had so many good parts for ladies last season. This new season shakes things up a lot so we don't know quite what to expect.
free the bacon
Kevin Bacon demands more male nudity in Hollywood
This review was originally published in Nathaniel's column at Towleroad. It is reprinted here with in the Director's Cut version. i.e. it's longer this time...
When Magic Mike opened three years ago it was something of a risky proposition. Male stars exploiting their bodies for a young male star’s dream project loosely based on his own stripping career which he felt no shame about? Who would have guessed? Cut to three years later: Magic Mike and Friends (minus The Kid and Dallas “alright alright alright”) have returned to movie theaters with much teasing and blockbuster fanfare to a relatively new pop cultural context they helped create: male objectification is increasingly the norm. Just ask Chris Pratt, the ascendant superstar of the moment (Guardians of the Galaxy, Jurassic World) who has acknowledged that his new body was key to his ascendance and that he’s all for it… the objectification.
This wondrous new world of happily exposed man-flesh makes Magic Mike XXL feel curiously demure. Usually sequels go for more-more-more but XXL (the title is a misnomer) downsizes even as the stages get larger. There’s less plot since it’s essentially a road trip movie but most curiously there’s much less nudity even if the women this time around seem a lot more eager to see it.
This withholding is smart and funny at the beginning of the film in a sensational opening dance number starring Mike alone in his workroom. [More...]
What to do about the Wachowskis? Lana and Andy started so strong and sexy with their lesbian grift noir Bound (1996) - which remains their best work -- and then captured the whole world's attention with the reality-bending sci-fi The Matrix (1999). The global success of that influential movie seemed to give them carte blanche and blank checks going forward and the freedom doesn't appear to have been good for them; the size of their ambitions and geektastic dumb/coolness of their concepts (like college students getting stoned and talking superheroes and theology all night long) is undermined every time by messy storytelling. That's so strange for filmmakers who started with such a tightly constructed narrative piece like Bound.
Tim will be reviewing Sense8 proper for us when he's finished with the first season but for now I want to talk about what I do love about this aggravatingly slow series and that is its radical sexuality. I've never seen the like in American mainstream film or television. NSFW business after the jump...
My mood of late has been 'fourgy with the cast of Ex Machina' That cast! Or at least a private moment with Oscar Isaac. When I'm not thinking of that movie I am thinking of The Avengers and when someone tweeted "Ava > Ultron" I immediately pictured a full two hour mash-up of those titles in which Alicia Vikander with all her little subtle whirring process noises seduces Scarlet Johansson in black leather and Mark Ruffalo in green muscles and Paul Bettany in fresh synthetic body and now I need a cold shower. My point is this: The Lusty Month of May is upon us.
In keeping with that mood, let's talk about the Penny Dreadful premiere tonight and 5 other not safe for work things after the jump...
Abstew continues our coverage of the just wrapped Tribeca Film Festival...
Alex (Adam Scott) and Emily (Taylor Schilling) are young parents that have recently moved from Seattle to the very different world of Los Angeles. Emily has thrown herself into her career, but Alex bemoans the fact that as an adult that spends his time at home with his young son, there's no easy way to make new friends. It's a very real question that most adults face, if you're no longer involved in institutions like school and business, where exactly do you make new friends? And while that might be the film's initial question, the resulting film has decidedly more adult intentions on its mind...