HOT TOPICS

NOW PLAYING

IN THEATERS & OUT ON DVD

all reviews


 

 

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Beauty vs. Beast

 
VOTE on Metropolis
ENJOY Artificial Intelligence Theme Week 

Comment Fun

COMMENT DU JOUR
The Greatest Sci-Films. A Top Ten

"Excellent list. I wish it had included John Frankenheimer's and Rock Hudson's Seconds. The War of the Worlds also coulda been a contender. We won't discuss Soylent Green- BCarter

"...something new for my Netflix list. "-John

How would you rank them?

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe
What'cha Looking For?

Entries in nudity (56)

Tuesday
Apr072015

Masterpieces: 5 Works of Art That Deserve Their Own Movie

Abstew in the gallery to talk artworld films.

This past week saw the release of not one but two true life films set in the art world. Rather than traditional artist biopics, both films focus instead on the life of a particular painting's subject matter or the history of the painting itself. Woman in Gold (which opened in the top ten despite its limited theater count) stars Helen Mirren as Maria Altmann, a Holocaust survivor. She fought for over a decade in court with the Austrian government to become the rightful owner of Gustav Klimt's Portrait of Adele Bloch-Bauer I. The painting was of her aunt and it was stolen from her family by the Nazis during WWII. The long-delayed Effie Gray revolves around the unhappy wife (Dakota Fanning) of art critic John Ruskin (Greg Wise) in Victorian England. Apparently their marriage was never consummated and Effie became involved with the Pre-Raphaelite painter John Everett Millais (Tom Sturridge) and was the subject of some of his paintings.

Biopics about artists (FridaPollock, Mr. Turner, Lust for Life, the original Moulin Rouge, and many more over the decades) have found favor with the Academy. It will be interesting to see if these new films begin a trend for movies about the backstories of famous paintings, rather than the artist who painted them.

Since Hollywood is always in need of more interesting and diverse source material, here are 5 works of art that would make movies as pretty as a picture... 

Click to read more ...

Friday
Mar272015

Deadpool Pulls a Burt Reynolds. (Don't Tell Archer.)

Ryan Reynolds posted the first "official" photo of himself (presumably) in costume for the forthcoming Deadpool movie, which is due in approximately 11 months (expected to open in February 2016). The synopsis goes like so:

Based upon Marvel Comics’ most unconventional anti-hero, DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

A gazillion bonus points for doing it so cheekily a la Burt Reynolds on a bear rug because costume reveals are usually SO unimaginative.

Burt Reynolds super-fan Archer Sterling would approve. Or be very jealous. 

But isn't it weird that Ryan Reynolds, who obviously works hard to maintain one of the most spectacular bodies in the movies, keeps getting covered for the movies that require men have great physiques - i.e. superhero movies? First it was that all CGI costume for Green Lantern (blargh) and now a full body suit with literally not one square inch of flesh showing. 

Burt Reynolds would not approve of the modesty (neither would Archer come to think of it) and if you are very young or tune out anytime anyone discusses stars from before your time, you'll see why after the NSFW jump...

Click to read more ...

Friday
Mar062015

Forget About L()ve 

"2014 is OVER, Nathaniel" - everyone.

I'm aware, thank you. But you know how it is. We have to wean ourselves off of each delightful film year. And we still have to finish our annual Film Bitch Awards and then we're done. Pinky swear. Speaking of the pink... time to surrender it.

Romance isn't what it used to be in the movies. Even when movies have romance at the core somewhere like American Sniper or Divergent or whatever, it's often presented like a mandatory plot point rather than with any real passion; something to check off for all quandrants rather than get lost in. That makes our Best Kiss, Best Sex Scene, and Sexpot of the Year categories sometimes hard to manage but we press on.

Sex is so integral to life that you'd think the movies would want to claim it a little more rather than ceding it to Netflix originals, Showtime and HBO. When movies do go there they're often surprisingly prim (50 Shades of Grey) or arthouse grim. For the latter see Nymphomaniac, both volumes. Or rather: don't. Unless you're willing to fast forward a lot. It would have been infinitely better as one 90 minute film: faster, funnier, and more focused. [NSFW More...]

Click to read more ...

Thursday
Jan292015

What Link Gets Wrong About Blog

AV Club deep screen capture to reveal how well constructed shots in Divergent dont make for a good film
BuzzFeed great essay on the current relevancy of Before Sunrise (1995) and instant nostalgia
Heat Vision Tyrese Gibson obsessed with playing Green Lantern in a film that's at least 5 years away based on a character already ruined by the movies 
Decider 10 essential movies about nuns from our beloved Black Narcissus to less impressive but famous offerings like Doubt


HuffPo Adam Scott and Jason Schwarzmann discuss their prosthetic penises in The Overnight. (Takeaway: no actor will ever truly be naked again onscreen. That's only for actresses) 
THR talks to the director of Book of Life - though disappointed by the lack of an Oscar nomination, he cherishes stories from fans about how it effected their families
Towleroad arts teacher in Texas does "Uptown Funk" with students. Cute. But I only share it because I love Uptown Funk because you know why (first verse) 
Playlist Paul Thomas Anderson loves Edge of Tomorrow and The Grand Budapest Hotel
THR Why Me and Earl and the Dying Girl did not choose the highest bidder at Sundance 

This Week's Must Read
You undoubtedly know already that Mark Harris is one of the best writers on movie culture and the awards beat in general (if for some insane reason you haven't read his first book Pictures at a Revolution, it's the most invaluable Oscar book since "Inside Oscar") but I think his latest column for Grantland is one of his all time finest. He goes deep on "How Selma Got Smeared: Historical Fiction And Its Malcontents" I only wish this essay had broken sooner before Oscar nomination voting.  Now you may be thinking 'please, Nathaniel, I have read enoug about Selma's LBJ problem' and you may even be thinking (as I have been) that complaints about Selma's "Oscar snub" are starting to feel weirder and weirder as the season progresses. Fact: Selma will now go down in movie history as a Best Picture nominee, something only 8 movies from hundreds and hundreds released in 2014 can claim.  But trust me you need to read this anyway.

Here's a part I particularly love (bold is mine) that is really illuminating about historical fiction:

About a third of the way into Selma, Coretta Scott King (Carmen Ejogo) has a private meeting with Malcolm X (Nigel Thatch) in an Alabama church (this is not an invention of the movie; the two met in Selma on February 5, 1965, two weeks before Malcolm X was assassinated). The scene is introduced with a shrewd recurring device — an onscreen teletype legend that tells moviegoers what’s happening, but only through the warping prism of FBI surveillance. “C. King in Selma to meet with Negro militant Malcolm X. 03:46 p.m. LOGGED.” The description denotes the assumption of white law enforcement that a conspiracy of one kind is taking place — a clandestine meeting in which King may be moving closer to throwing in with a more militant, potentially violent faction of the movement. In reality, the “conspiracy” that’s unfolding is exactly the opposite; Malcolm tells the wary Coretta that he is not in Selma to impede her husband’s work, but to allow himself to be used, even to be misrepresented, to further King’s goals.

...

DuVernay’s view of the uses of history and of (mis)representation is not careless in this scene or in the movie; it’s clearly thought through. The onscreen typed summary is a perfectly deployed example of how something can be factually correct (meeting with a “Negro militant” is, literally, what Coretta King is doing) without being true; the movie, by contrast, finds many ways of being true without being strictly factual. That is exactly what good historical drama must sometimes do, and must be given permission to do, including in this scene itself, in which DuVernay has a character express an understanding that his presence and his motives may have to be slightly distorted in order to achieve a greater truth and justice.

And Harris illuminates it, strategically, in a scene not even involving LBJ.

Wednesday
Jan282015

Sundance: Strangerland, an Incoherent Sexual Mirage

Nathaniel reporting from Park City

Weaving, Fiennes, and Kidman on the set of "Strangerland"There are a lot of things that are unclear in Strangerland, secrets covered as they are in beautifully dangerous sandstorms, the warped image shimmer brought on by desert heat, and the nightmare visions of Catherine Parker (Nicole Kidman) a bored sexless wife and mother who can't sleep well since her new home lacks air conditioning. Soon her lack of sleep and her indifferent husband Matthew (Joseph Fiennes) will be the least of her worries as her children vanish into the night in the unfamiliar desert town her family's just moved to due to ____  [insert withholding of family secrets here].

What's also unclear is the poetic narration that begins the film and repeats throughout it.

Touch me in the night. No one can see"

Is it the daughter's voice? And why does it keep repeating throughout the film? And what kind of sexual touch are we talking about? That's actually important given the specifics of this narrative. [More...]

Click to read more ...

Monday
Dec292014

Interview: Yves Belanger on Shooting Reese's Face as Landscape in "Wild"

I didn't come up with this analogy but it's a good one: Yves Belanger is like Ginger Rogers to Reese Witherspoon's Fred Astaire in Wild. He does it backwards. While in heels. While carrying tons of camera equipment! 

One of the most beautiful film experiences you can have this year is taking a cathartic hike with Wild. The adaptation of Cheryl Strayed's popular memoir has been praised extensively for its heartfelt actressing but less attention has been paid to the indelible contributions of the men recording and dramatizing the journey. In addition to a fantastic sound mix and accomplished editing, the cinematography by Yves Belanger contributes greatly to this film's evocative journey.

Wild is Belanger's second film with Jean Marc-Vallée and I talked to him about his director, his rapport with Reese and capturing the human face as landscape.

NATHANIEL R: I understand you've known Jean-Marc Vallée for a long time so why did it take so long to work togther? It must be going well since you've at work on your third consecutive feature together.

YVES BELANGER: I met Jean-Marc in 1991. He was starting as a young director in commercials. They matched us together but when he did his first feature, I don't know why, he took someone else. With C.R.A.Z.Y. it was like bad timing - we spoke about it but the money comes very fast and when he was ready to do it I couldn’t. Since Dallas Buyer's Club we are back together. 

Both of your films together have major movie stars. Do you feel you've gone 'full Hollywood' ?

Click to read more ...